و به پوشه فایل های ورزش من مراجعه کنید که در دسکتاپ من است: 00: 45 و من نگاه زیر پوشه 12_curvature من 00: 00: 48 که در آن من m به شما یک تصویر file00: 00: 50 را در شکل Palette photo.jpg.00: 00: 53 پس از آن نقطه من پیش بروید 00: 00: 54 و بر روی دکمه محل کلیک کنید برای بارگیری مکان نما من 00: 00 : 57 و سپس من در داخل document00: 00: 59 کلیک می کنم تا image 00: 01: 00 و در عوض، 00: 01: 00 این تصویر از the00: 01: 02 Fotolia Library Image به ما می رسد، 00: 01: 05 و گرفتن معاملات، در fotolia.com/deke.00:01:08 اصل رنگ است، 00: 01: 10 اما من فقط نمی خواستم رنگ به to00: 01:11 در اینجا خلاقیت خود را در اینجا پیدا کنید: 01: 13 درست است، حالا میخواهید به کنترل پنل 00: 01: 15 بروید، مطمئن شوید که Align to Artboard فعال است. 00: 01: 18 و سپس بر روی مرکز ارزیابی افقی 00: 01: 21 و سپس بر روی Center Vertical Align Centre 00: 01: 23 کلیک کنید تا آن مرد را در صفحه masters قرار دهید. 00: 01: 26 این به نظر من کمی برای من، 00: 01: 2 7 بنابراین من قصد دارم تا Shift down arrow0: 01: 29 برای پایین آوردن تصویر پایین 10 امتیاز. 00: 01: 31 و سپس بر روی 0000: 01: 33 دوبار کلیک می کنم. قسمت خالی این لایه های Guides: 00: 01: 35 برای جعبه جعبه محاوره Layer Options Box: 00: 01: 37 من می خواهم به این الگو لایه، 00: 01: 39 بنویسم و من قصد دارم در جعبه ی الگو ببندم: 01: 41 و Ok را بزن به منظور تبدیل Image00: 01: 44 به یک الگو ردیابی 00: 01: 46 درست است، اکنون آنچه ما می خواهیم انجام دهیم: 01: 47 این سطوح رنگ را دنبال می کند 00: 01: 49 و بنابراین من رفتن به شروع things off00: 01: 50 با انتخاب ابزار انحنایی.
00:01:52 Again, you can get it by pressing Shift Tilda.
00:01:54 I like that keyboard shortcut a lot
00:01:56 because if I'm not paying attention,
00:01:58 I often just accidentally select the Pen Tool,
00:02:01 because they look so similar.
00:02:02 But their keyboard shortcuts are very different.
00:02:05 Anyway, I'll go ahead and select that tool,
00:02:07 then I'm going to press the D key
00:02:09 in order to instate the default Fill and Stroke.
00:02:12 And I'm going to click on the Fill icon
00:02:14 that first swatch right there,
00:02:15 and change it to None.
00:02:16 And then I'll take the Lineweight value up to four points,
00:02:19 like so.
00:02:21 All right, now it's just a matter of drawing the blobs,
00:02:23 and you can see here
00:02:24 that I've got a little pencil
00:02:25 with a universal No icon next to it,
00:02:27 and that's because a locked layer is active.
00:02:30 I need to switch to the Drawing layer
00:02:31 in order to get the Starter cursor here.
00:02:34 And then I'm just going to click,
00:02:35 and I'm not really recommending
00:02:37 you do a wonderful job of tracing these blobs
00:02:40 because they don't look that great in the first place
00:02:42 and I want a lot of variety here.
00:02:44 I want to be able to see a lot of edge action,
00:02:46 so I'm just drawing any old shapes here.
00:02:49 And I also recommend that you draw each one
00:02:51 independently, as opposed to just drawing one
00:02:54 and then copying it a bunch of times
00:02:56 because that sort of duplication is oftentimes
00:02:59 pretty obvious, especially when you're drawing something
00:03:01 like this that's only going to take you,
00:03:03 you know what, maybe five minutes in the first place.
00:03:05 So I'll just go ahead and continue to click around here
00:03:08 and if at any time you change your mind
00:03:10 about a placement of a point,
00:03:12 or you want to add another one,
00:03:13 why, by all means, definitely do that.
00:03:16 All right, I've only got a couple more
00:03:17 and then I'll tell you after I get done
00:03:19 drawing these blobs of paint,
00:03:21 I am going to move onto the hole
00:03:24 right there inside this painter's palette,
00:03:27 but first let's go ahead and draw this guy.
00:03:30 And I've giving it a lot of edge action,
00:03:33 once again, I want to make that clear.
00:03:35 But you don't have to,
00:03:36 you can do anything you want.
00:03:38 This guy seems like he's got a little bit
00:03:39 too much edge action.
00:03:41 But in any event,
00:03:42 if you press Control Shift A,
00:03:43 or Command Shift A in order to deselect everything,
00:03:46 you can see that even though I've been
00:03:48 as random as possible,
00:03:49 that I have some very smooth shapes, indeed.
00:03:53 All right, now this hole is a little more difficult,
00:03:55 at least if you want to exactly trace it,
00:03:58 that's going to be very hard.
00:03:59 Because the Curvature Tool is not the
00:04:01 most predictable tool in terms of
00:04:03 getting specific results.
00:04:05 And as we'll see, the tool that's much better than that
00:04:08 is the Pen Tool, as we'll see in the next chapter.
00:04:10 But for now I'm just going to go ahead
00:04:12 and click to centerpoint there, there,
00:04:14 right inside the paintbrush,
00:04:16 the bottom portion of the paintbrush,
00:04:18 some place down here,
00:04:19 and then we want a fourth point right there.
00:04:21 And notice that I, as predicted,
00:04:24 did not exactly trace this hole.
00:04:26 And so what I need to do is just move these points around.
00:04:29 You really don't want to give something as
00:04:31 elliptical as this more than four points,
00:04:33 because you're going to start
00:04:34 flattening out your curve, if you do.
00:04:36 So my recommendation is to not get
00:04:39 too hung up on things,
00:04:40 just move the points to more or less
00:04:42 the locations in this video.
00:04:43 And as you can see,
00:04:44 they're not equally distance from each other,
00:04:47 by any means.
00:04:48 So we have essentially two axes going right now,
00:04:51 we've got this one going up into the left,
00:04:54 and then we have this other one going
00:04:55 very slightly up and to the right.
00:04:58 And so you can see they're not
00:04:59 crossing each other perpendicularly,
00:05:01 and that really is the key to getting halfway
00:05:03 decent rotated ellipses
00:05:05 out of the Curvature Tool.
00:05:07 At which point I'll just go ahead and press
00:05:08 Control zero, or Command zero on the Mac
00:05:11 to zoom out.
00:05:11 And I'll press Control Shift A,
00:05:13 or Command Shift A to deselect that oval.
00:05:16 And I'm going to double click on the name
00:05:18 of this layer here inside the Layers panel
00:05:20 and I'm going to change it to Palette.
00:05:23 And then I'll press the Enter key,
00:05:24 or the Return key on the Mac.
00:05:26 And that might seem like a strange name,
00:05:27 given that the one thing I haven't drawn yet
00:05:29 is the palette, but it's coming in the next movie.
00:05:32 And now I'm just going to go ahead
00:05:33 and quickly color these shapes
00:05:34 by pressing the V key to switch back
00:05:37 to the black arrow tool.
00:05:38 And I'll click on this guy up here
00:05:40 and I'm going to change its Fill
00:05:42 to this shade of Pink that begins R237,
00:05:45 these are all default colors
00:05:47 included with the basic RGB document.
00:05:49 And so I'll just give you the R value.
00:05:51 Next I'll select this second guy right there
00:05:53 and I'll change it to the Yellow
00:05:55 that begins R252.
00:05:57 I'll select this next guy in line
00:05:59 and I'll change him to this Green
00:06:01 that begins R57.
00:06:03 And then I'll select the next one,
00:06:05 he's going to be Blue,
00:06:06 and it's going to be this shade of blue
00:06:08 right here, it starts with R41.
00:06:10 And then finally, this guy,
00:06:11 I figure he wants to be Orange,
00:06:14 and so I'll change him to the medium orange
00:06:15 which begins R247.
00:06:18 And then I'll go ahead and click off those shapes
00:06:20 to deselect them.
00:06:21 And that's how you draw a bunch of
00:06:23 quick, smooth custom shapes
00:06:25 using the Curvature Tool
00:06:26 here inside Illustrator.