دانلود آموزش تصویری جلوه ویژه گرافیک انیمیشن

illustrator آموزش ایلوستریتور آموزش افترافکت After Effects ادوبی فتوشاپ Photoshop پریمیر پرو Premiere Pro راینو Rhino

دانلود آموزش تصویری جلوه ویژه گرافیک انیمیشن

illustrator آموزش ایلوستریتور آموزش افترافکت After Effects ادوبی فتوشاپ Photoshop پریمیر پرو Premiere Pro راینو Rhino

دانلود آموزش تصویری جلوه ویژه گرافیک انیمیشن

دانلود آموزش تصویری جلوه ویژه گرافکی انیمیشن : ساخت وکتور با ایلوستریتور illustrator و جلوه های ویژه سینمایی ادوبی افترافکت adoby After Effects دانلود رایگان فیلم های آموزشی معماری سه بعدی گرافیک و انیمیشن

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illustrator آموزش ایلوستریتور

 

بنابراین در اینجا من به عکس اصلی نگاه می کنم 00:00:02 در فتوشاپ، و همانطور که می بینید اینجا، 00:00:05 این نامه های داغ گرم تقریبا به اندازه کامل 00:00:07 هستند، آنها در داخل ما تصویر تا کنون 00:00:11 و در حالی که من نمی خواهم عکس واقعی را دریافت کنم، 00:00:13 من فکر کردم که سرگرم کننده است برای اضافه کردن برخی از ناراحتی 00:00:16 مانند این گوشه تراشه در سمت E. 00 : 00: 19 این دره در پایین G وجود دارد. 00:00:21 ما یکی دیگر از گوشه مختلط در N. 00:00:23 ما این الگوهای striation در اینجا در پایین من، 00:00 : 26 و این خطوط عمودی در پایین D. 00:00:29 درست است، بنابراین من به Illustrator بازگشت، 00:00:31 و فقط به طوری که ما در واقع می تواند از طریق بلوک های ما را ببینید 00:00 : 34 به الگو ردیابی در پس زمینه، 00:00:36 من به منوی View بروید و Outline 00:00:39 را انتخاب کنید یا Ctrl + Y یا cmd + Y را روی مک بگیرید. 00:00:43 و حالا من قصد دارم در اینجا شروع به زوم کردن در اینجا بکنم 00:00:46 زیرا این یکی از ساده ترین چیزهایی است که باید اضافه کنید. 00:00:49 و سپس من به جلو بروید و Pan Tool را انتخاب کنید، 00:00:51 که می توانم با فشار دادن دکمه "p"، 00:00:53 و من فقط پیش بروید و روی چهار کلیک کنید زمان 00:00:55 به نوعی از الماس تصادفی 00:00:58 حق در این محل اینجا. 00:00:59 و سپس، با این شکل انتخاب شده، 00:01:01 من تایید می کنم که پر کردن آن به تمام مقادیر در 77 00:01:06 تنظیم شده است که دقیقا همان چیزی است که من می خواهم. 00:01:08 درست است، حالا من قصد دارم به زودی در N 00:01:10 و من قصد دارم برای ایجاد یک مثلث در اینجا 00:01:13 با کلیک کردن در این محل، و سپس من اینجا کلیک کنید 00:01:16 من نمی خواهم بیش از حد به پایین، بنابراین من کلیک کنید 00:01:19 بیایید بگویید در مورد وجود دارد،

 

00:01:21  and then I'll finish my triangle like so.

00:01:24  And now I'll change its fill, which is active here

00:01:27  in the Swatches panel, to this dark shade of gray

00:01:29  where all values are 51.

00:01:32  And I'll press ctrl + y or cmd + y on a Mac,

00:01:35  just to confirm that's the effect I'm looking for.

00:01:37  Obviously, it's not where it ought to be,

00:01:39  so I'm going to need to zoom out here a little bit.

00:01:42  And I'll press the "v" key to get my black arrow

00:01:44  tool and I'll go ahead and partially marquee

00:01:46  these three shapes right here,

00:01:48  and then I'll right click on any one of them,

00:01:50  choose a range, and then choose Send to Back

00:01:53  in order to move the N in back of the G, like so.

00:01:57  All right, now I'm going to go over here

00:01:59  to what I believe is the E,

00:02:01  and I can find that out for sure

00:02:02  by pressing ctrl + y or cmd + y again

00:02:05  in order to switch back to the outline mode

00:02:08  so that I can see the tracing template in the background.

00:02:11  And I'm going to draw another triangle just l like so

00:02:14  right here, a pretty long one, let's say,

00:02:16  all the way up to this location right there and then over.

00:02:19  The problem is now I need to modify those perspective

00:02:22  rectangles that make up the block.

00:02:25  And currently, this triangle's going to get in the way.

00:02:28  So what I'm going to do so that I can snap to it,

00:02:30  is press the "v" key once again to switch

00:02:32  to the black arrow tool,

00:02:33  click on that path to select it,

00:02:35  right click on it and choose Arrange

00:02:37  and then chooses Send to Back.

00:02:40  And then I'll click right here at the bottom of the triangle

00:02:42  to add a point to this forward paths

00:02:44  so we're not affecting the triangle.

00:02:46  And then I'll press the "a" key to switch

00:02:48  to the wide arrow tool.

00:02:49  I'll go ahead and select that point

00:02:51  and I'll drag it over while pressing the shift key

00:02:54  until it snaps into alignment with the edge

00:02:56  of that rectangle right there.

00:02:58  Then, I'll go ahead and click on this corner point

00:03:01  right there to select some portion of this upper path

00:03:05  and then I'll press the "p" key once again

00:03:07  to get my Pen Tool, and then I'll click here

00:03:10  but, if I do, look at my cursor.

00:03:12  You can see that it has an asterisk

00:03:14  which means I'm going to start a new path outline.

00:03:16  And the reason that I'm not adding a point to this

00:03:18  selected path is because it's not in front.

00:03:21  So I'll just go ahead and move my cursor over a little bit

00:03:23  so it has a plus sign next to it and I'll click right there.

00:03:26  And then I'll press the "a" key to switch back to the wide

00:03:28  arrow tool and I'll drag this selected point until it snaps

00:03:31  into alignment, and then I'll drag this guy up until

00:03:34  it snaps into alignment as well.

00:03:37  And now, if I press ctrl + y or cmd + y on a Mac,

00:03:39  you can see we have a problem

00:03:41  not seeing the entire triangle,

00:03:43  and that's because I sent it to back.

00:03:44  So I'm going to click inside the triangle to select

00:03:47  the entire thing with the wide arrow,

00:03:50  and then I'll right click on the path, choose a range,

00:03:52  and choose Bring to Front in order to move it

00:03:54  all the way to the front of the stack.

00:03:56  And can you see we have a little bit of a problem here?

00:04:00  Notice that our strokes aren't lining up,

00:04:02  and so I'm going to click on the word Stroke

00:04:04  up here in the Control Panel,

00:04:05  and I'm going to switch the corner to the Bevel Join

00:04:09  which is going to give us a better match.

00:04:11  We still have a kind of microscopic problem there,

00:04:13  but I'm not worried about it.

00:04:15  And so now I'll press the escape key to dismiss that panel,

00:04:17  and I'll go ahead and fill the shape with medium gray

00:04:20  which is one where all values are 128

00:04:22  in order to produce this effect here.

00:04:25  All right, now I'll go ahead and zoom out some

00:04:27  just so I can take any artwork

00:04:28  and see what I've come up with.

00:04:29  I'll go ahead and click off the path to deselect it.

00:04:32  All right, now let's add those patterns to the bottoms

00:04:35  of the D and the I.

00:04:37  And so I'm going to zoom back in to the D here,

00:04:40  and I'm going to click on this edge in order to select it

00:04:43  independently of the rest of the shape.

00:04:45  So if you click inside a filled shape,

00:04:47  you'll select the entire thing,

00:04:49  but if you click just right on the stroke,

00:04:51  you'll select just that segment.

00:04:53  And now I want you to shift + click on this segment

00:04:55  right there, and now press ctrl + c or cmd + c on a Mac

00:04:59  and press ctrl + f or cmd + f on a Mac

00:05:02  in order to paste those two lines in front.

00:05:05  And now I'm going to go up to the Control Panel

00:05:07  and change the fill to none or I could have just pressed

00:05:10  the "/" key.

00:05:11  Now I want to create a bunch of steps between

00:05:14  these two extremes here.

00:05:15  And I'm going to do that using that blend function

00:05:18  that you get to by going up to the Object menu,

00:05:21  choosing Blend, and then choose Make.

00:05:24  And that ends up producing not the effect I am looking for

00:05:27  but it's easily resolved.

00:05:29  I'm just going to go ahead and click off this path

00:05:31  that line and then drag this point up here,

00:05:34  drag this other one down here.

00:05:35  The problem is that the two paths were drawn

00:05:37  in a different order, and so by just reversing the position

00:05:40  of the points, I changed that order

00:05:43  and now I want to select this entire blended object.

00:05:46  And the easiest way to do that for now is to switch

00:05:48  back to the black arrow tool by pressing the "v" key,

00:05:51  and then I'll click on this line to select it

00:05:53  and the other line as well as the steps in between.

00:05:56  And then I'll go up to the Object menu,

00:05:58  choose Blend, and choose Blend Options.

00:06:01  And I'll turn on the Preview checkbox,

00:06:03  change Spacing, the Specified Steps,

00:06:05  and then just click in that value

00:06:06  and press the up arrow key until I like what I see

00:06:09  which happens at 18 steps, so that's 18 steps in between

00:06:13  the two extremes.

00:06:14  At which point, I'll click OK, and then I'll go up

00:06:17  to this Opacity value in the Control Panel,

00:06:19  and I'll change it to 50% and I'll press the enter key

00:06:23  or the return key on a Mac.

00:06:24  All right, that takes care of that edge.

00:06:26  Now, let's address the front edge of the I.

00:06:29  At least I think that's what I'm looking at.

00:06:30  Just to confirm, I'll press ctrl + y or cmd + y on a Mac

00:06:33  so that I can see that tracing template.

00:06:35  And sure enough, there's the I right there.

00:06:38  All right, so I'll press ctrl + y or cmd + y again

00:06:40  and now I'll press the "a" key to switch back

00:06:43  to the wide arrow tool.

00:06:44  I'll click on this top edge right there to select it,

00:06:47  and I'll press ctrl + c, ctrl + f,

00:06:49  that's cmd + c, cmd + f on a Mac.

00:06:52  All right, now we want to make a copy of this line

00:06:54  and it'll all make sense in just a moment.

00:06:56  But we're going to make a copy of this line

00:06:58  by dragging it down while pressing the shift key

00:07:01  and the you want to press and hold

00:07:02  the alt key or the opt key on a Mac

00:07:04  and drop it into place so that we have a copy.

00:07:08  All right, now I'm going to click on this right point

00:07:10  right there to select it independently of the left one,

00:07:13  and I'll go ahead and drag it down to,

00:07:15  I figure, right about here.

00:07:18  I'm trying to bring it down to the midway point here.

00:07:20  And now I'll go ahead and press ctrl + f or cmd + f on a Mac

00:07:24  to paste another copy of this line.

00:07:26  And I'll drag it down to right about here, I figure,

00:07:30  and then I'll click on that right-hand point

00:07:32  and drag it all the way down

00:07:34  so it snaps into alignment with that corner.

00:07:36  And I might go ahead and move this guy up a little bit

00:07:39  while pressing the shift key.

00:07:40  I'm just trying to get regular intervals going here.

00:07:43  And now we want to make one more copy of this line,

00:07:46  and I'm going to do that by grabbing this anchor point

00:07:49  and dragging it to right about there

00:07:52  and then pressing the alt key or the opt key on a Mac

00:07:54  to make a copy of that point which goes ahead

00:07:57  and copies the neighboring segment as well.

00:07:59  In other words, we've copied the entire line.

00:08:02  So now I'll go ahead and drag this guy down

00:08:04  and you can see that it's snapping into alignment.

00:08:06  All right, now switch to the black arrow tool

00:08:09  by pressing the "v" key, and then go ahead

00:08:11  and click and shift + click on each one of these lines.

00:08:15  Do not select the big rectangle.

00:08:18  We do not want that.

00:08:19  Then, go back to the Object menu, choose Blend,

00:08:22  and choose Make, and that will make this crazy blend

00:08:26  right here, which is not quite what we want.

00:08:28  So return to the Object menu, choose Blend,

00:08:31  and choose Blend Options.

00:08:34  Go ahead and change the Spacing to Specified Steps,

00:08:36  turn on the Preview checkbox, and then click on that value

00:08:39  and press the up arrow key until you like what you see

00:08:42  which for me happens at five.

00:08:44  And now I'll click OK to accept that change.

00:08:47  And now you want to press the "a" key

00:08:48  to switch back to the wide arrow tool.

00:08:50  And click on this point.

00:08:52  In my case you can see that the lines aren't quite spread

00:08:54  the way they need to be.

00:08:56  And now I'll just press the down arrow key,

00:08:58  press and hold that down arrow key,

00:09:00  until things start looking better.

00:09:02  And you can see that the blend is updating on the fly.

00:09:04  And it appears that this point needs to come down as well.

00:09:07  And so I just want you to see that update I'm talking about.

00:09:10  Notice if I drag the point to a new location,

00:09:12  all the steps adjust on the fly.

00:09:14  Very, very cool feature.

00:09:15  Very old feature as well inside Illustrator.

00:09:18  And so I'm going to go ahead and press the down arrow key

00:09:21  to move that point down, and actually I moved it back up

00:09:24  a little bit as well.

00:09:25  And now I'll select this point right here

00:09:27  and press the left arrow key to move it to the left

00:09:30  until we have this effect.

00:09:32  At which point, I'll press the "v" key to switch back

00:09:33  to the black arrow tool,

00:09:35  click on any one of these lines to select the entire blend,

00:09:38  and again change the Opacity value

00:09:40  up there in the Control Panel to 50%

00:09:43  and then click off the paths to deselect them,

00:09:46  and then zoom out so that we can take in the entire effect.

00:09:49  And that's how you draw a few distressed marks

00:09:51  just for the sake of a little bit of realism

00:09:54  using a combination of the Pen Tool and the Blend function

00:09:58  here inside Illustrator.

 
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