در این فیلم ما قصد ایجاد این چرم 00:00:02 مورد گوشی های هوشمند، و پس از آن ما در حال رفتن به قرار دادن آی فون خود را 00:00:04 به مورد. 00:00:06 من با چرخاندن لایه های راهنماهای من به عقب در 00:00:09 شروع می کنم، به طوری که من می توانم ببینم کجا باید این اشیاء مختلف را در اینجا قرار دهم 00:00:11. 00:00:12 و سپس من به جلو بروید و بر روی آن مستطیل گرد را کلیک کنید 00:00:15 آن را انتخاب کنید. 00:00:16 حالا من می خواهم مستطیل را به مرکز 00:00:19 از منوی صفحه کپی کنم، و می خواهم این کار را با 00:00:21 انجام دهم با کشیدن مرکزیت آن. 00:00:22 در حال حاضر یکی از چیزهای بزرگ در مورد Illustrator، 00:00:24 و این راه برای همیشه، 00:00:26 است که شما می توانید انتخاب شی را 00:00:28 حتی زمانی که آن را تحت پوشش اشیاء دیگر 00:00:31 همانطور که ما اینجا می بینیم 00:00:32 و بنابراین اگر من این نقطه مرکزی انتخاب را بکشم، 00:00:34 من موضوع انتخاب شده را بدون هیچ گونه اضطراب 00:00:37 در مقابل آن حرکت خواهم داد. 00:00:38 و اکنون من به جلو بروید و مکان نما من را 00:00:40 به تقاطع این دو دستورالعمل، 00:00:42 حرکت دهید و سپس کلید Alt را فشار داده یا کلید انتخاب 00: 00:44 در Mac، بنابراین من می توانم یک کپی از این شی، 00:00:47 و پس از آن من دکمه موس خود را 00:00:49 آزاد کردن آن را به محل آزاد. 00:00:50 راستش، در حال حاضر من می خواهم ctrl + c، 00:00:52 یا cmd + c را روی یک مکینتاش برای کپی آن شی 00:00:55 زیرا من قصد دارم دوباره به آن برگردم در یک لحظه. 00:00:57 و من به منوی پنجره 00:00:59 بروید و فرمان Appearance 00:01:01 را انتخاب کنید تا به پنل Appearance برسید. 00:01:03 و بر روی آن سکته مغزی بالا سمت چپ کلیک میکنم 00:01:06 و سپس بر روی آیکون سطل زباله کلیک میکنم 00:01:08 در گوشه پایین سمت راست پانل 00:01:10 به منظور خلاص شدن از شر آن اضافی سکته مغزی. 00:01:12 درست است، در حال حاضر تا زمانی که ما در اینجا در داخل 00:01:14 پانل ظاهر، من قصد دارم برای تغییر ظاهر 00:01:16 و استروک
00:01:17 So first, I'll go ahead and click on the fill swatch
00:01:19 and I'll change it to the second to darkest warm brown,
00:01:22 which is R=96 G=56 B=19,
00:01:26 and then I'll go ahead and click on the stroke swatch
00:01:28 right here, and I'll change it to the darkest brown,
00:01:31 R=66 G=33 B=11.
00:01:34 And then I'll go ahead and take the line weight down
00:01:36 to 1 pt.
00:01:38 All right, now we need to create the hole
00:01:39 for the phone's camera, and we're going to do that
00:01:42 using yet another rounded rectangle.
00:01:44 So go ahead and select the Rectangle Tool,
00:01:46 which you can get by pressing the m key.
00:01:48 And then click in order to bring up
00:01:50 the rectangle dialog box.
00:01:52 And again, based on my measurements,
00:01:54 the hole is three quarters of an inch wide,
00:01:56 so I'll just enter 3/4,
00:01:58 and press the tab key to advance to the height value,
00:02:01 which is 5/16 of an inch.
00:02:03 So I'll enter 5/16 and press the tab key
00:02:06 in order to perform the conversion,
00:02:08 and then I'll click OK in order to create that rectangle.
00:02:12 All right, now what we need to do is move it
00:02:14 into the right place.
00:02:15 So I'm going to press the V key
00:02:16 to switch to my Black Arrow Tool,
00:02:18 and I'll drag its right edge until it snaps
00:02:20 to the right edge of the rounded rectangle.
00:02:23 And then I'll drag its top edge while pressing the shift key
00:02:25 until it snaps into alignment with the top of the rectangle.
00:02:28 All right, now I need to move it into the proper location.
00:02:31 So I'll press the enter key, or the return key on the Mac,
00:02:33 to bring up the move dialog box.
00:02:35 And I'll set the horizontal value to -3/8
00:02:39 in order to move the rectangle 3/8 of an inch to the left.
00:02:43 And then I'll change the vertical value to 1/8
00:02:45 in order to move that rectangle down 1/8 of an inch.
00:02:49 And then I'll click OK to accept that change.
00:02:51 All right, now we want to combine these two shapes
00:02:53 into a compound path, and I'm going to do that
00:02:56 by shift clicking on the big round rectangle,
00:02:58 and then I'll go up to the Object menu,
00:03:00 choose Compound Path and choose Make,
00:03:03 in order to turn the smaller rectangle into a hole.
00:03:06 Now this needs to be another rounded rectangle,
00:03:08 so I'll press the a key to switch to my White Arrow Tool.
00:03:12 I do not want the large rectangle to be selected,
00:03:14 so I'll shift click on it, but if I do,
00:03:17 I also deselect the innermost rectangle
00:03:20 because insofar as Illustrator is concerned,
00:03:22 they're both part of the same path.
00:03:23 If I want to select the innermost one independently,
00:03:26 then I need to press the alt key or the opt key
00:03:29 on the Mac, which gives me a little plus sign
00:03:31 next to my white arrow cursor,
00:03:33 and then I'll click on the path's outline.
00:03:36 So don't click in the brown area.
00:03:37 Alt click or opt click in the outline instead,
00:03:40 and then you want to go ahead and drag
00:03:42 one of the round corner widgets as far as you can
00:03:45 in order to get the maximum amount of round as possible,
00:03:48 so that we essentially have two half circles
00:03:51 connected by horizontal segments,
00:03:53 in which point you can go ahead and press ctrl + shift + a,
00:03:55 or cmd + shift + a on the Mac, in order to deselect
00:03:58 your artwork.
00:03:59 All right, now I'm going to zoom out a little bit here
00:04:01 so that I can see the entire case at once.
00:04:04 All right, now I want to draw an edge around the case,
00:04:07 and so I'll bring back that round rectangle
00:04:09 that I copied earlier in this movie
00:04:10 by pressing ctrl + f, or cmd + f on the Mac.
00:04:13 Now we need to get rid of the fill
00:04:15 by clicking on this first color swatch
00:04:17 up here in the control panel and changing it to none
00:04:20 so that we can see our shape in the background.
00:04:22 And I'm also going to change the stroke here
00:04:25 to 6 pt, in order to make it nice and thick.
00:04:28 And now we want to change the stroke attributes as well,
00:04:31 and because we have two strokes, we need to do so
00:04:33 inside the Appearance panel.
00:04:34 So I'll click on the rearmost stroke here,
00:04:37 and I'll click on its color swatch and change it
00:04:39 to that second to darkest shade of brown,
00:04:41 which begins R=96.
00:04:43 And I'll also change its line weight.
00:04:45 Notice that it's currently 2 pt still.
00:04:47 I need to raise it up to 6 pt like so.
00:04:51 And then I'll go ahead and click on the topmost stroke.
00:04:53 I want to reverse its direction,
00:04:54 and I can do that here inside the Gradient panel,
00:04:57 just by changing that angle value to -90 degrees like so.
00:05:01 And I also want to do a better job of blending the gradient
00:05:04 with the stroke behind it,
00:05:06 and so I'm going to click on the word Opacity
00:05:08 below the top stroke.
00:05:09 And I'm going to apply a blend mode
00:05:11 by clicking on the word Normal
00:05:12 and choosing this guy right here, Soft Light.
00:05:15 Now we're going to be reviewing blend modes in detail
00:05:18 when we get to the mastery course,
00:05:19 but for now, just know that soft light
00:05:21 gently enhances the contrast, as we're seeing right here.
00:05:26 So we get a nice colorful blend.
00:05:28 All right, now I'll press the escape key
00:05:30 in order to hide that panel.
00:05:31 And then finally, I need to open up this path outline
00:05:33 down here at the bottom.
00:05:35 So I'm going to press ctrl + shift + a,
00:05:36 or cmd + shift + a on the Mac to deselect this object,
00:05:39 and then I'm going to click on this bottom segment
00:05:42 to select it independently of the rest the shape,
00:05:44 and I'll press the backspace key,
00:05:46 or the delete key on the Mac, to get rid of it.
00:05:49 All right, now if you notice here,
00:05:50 we've got some butt caps going on.
00:05:53 We need them to be round,
00:05:54 so I'll go ahead and click on the top stroke here
00:05:57 inside the Appearance panel, and I'll select a round cap.
00:05:59 And then I have to do that again for the bottom stroke
00:06:02 by clicking on it and then selecting round cap once again.
00:06:05 All right, now let's just go ahead and press ctrl + 0,
00:06:08 or cmd + 0 on the Mac to zoom out.
00:06:10 And let's put the iPhone in the case
00:06:12 by pressing the V key to switch to the Black Arrow Tool.
00:06:15 I'll go ahead and marquee the paths that make up the iPhone
00:06:18 over here on the left hand side of the artboard,
00:06:20 and then I'll go ahead and drag the centerpoint over
00:06:23 until snaps into alignment
00:06:25 with that final pair of guides.
00:06:26 And then I'll press the alt key, or the opt key on the Mac,
00:06:29 in order to create a copy.
00:06:30 All right, now we want to do the same thing with this path,
00:06:33 just the foremost path,
00:06:34 so go ahead and select it and drag it by its centerpoint,
00:06:38 until it snaps into alignment with those guys.
00:06:40 And then press the alt key or the opt key on the Mac
00:06:42 to make a copy of it as well.
00:06:45 And now I'll switch back to my Layers panel
00:06:47 and I'll turn off the guides layer,
00:06:49 and I'll go ahead and press the f key a couple of times
00:06:52 in order to switch to the full screen mode,
00:06:54 and I'll go ahead and zoom in as well.
00:06:57 And that's how you draw a professional quality iPhone,
00:07:00 complete with a leather case using a bunch of basic
00:07:03 rounded shapes here inside Illustrator.