در این فیلم، ما این سایه طولانی را که توسط بلوک ها بازی می کنیم، رسم می کنیم، در حالی که حروف به طور اسرارآمیز هیچ سایه ای ندارند، زیرا دلیل واضح نیست که من آنها را دوست دارم. بنابراین، من به جلو برویم و سند پیشرفت در اینجا را تغییر دهم. 00:00:14 و من می خواهم به زوم کردن با فشار دادن کنترل منهای، 00:00:16 یا فرمان مناس بر روی مک، 00:00:18 و من قصد دارم برای ایجاد یک لایه جدید برای سایه من 00: 00:20 با کلیک روی یک لایه قالب، 00:00:22 و سپس با کلیک بر روی یک آیکون کوچک صفحه 00:00:25 در پایین صفحه پانل. 00:00:27 و من فقط پیش برویم و این جدول لایه را فراخوانی کنم. 00:00:30 بیایید بگوئیم و روی OK کلیک کنید. 00:00:32 و اکنون من قصد دارم یک مستطیل بزرگ بکشم. 00:00:35 بنابراین این چیزی است که من قصد ندارم با استفاده از قلم 00:00:36 قرعه کشی کنم. 00:00:38 من به جلو برویم و ابزار مستطیل را بردارم، 00:00:39 که البته می توانید با فشار دادن کلید M، 00:00:41 و سپس من در اطراف آن ردیابی می کنم مرز قرمز 00:00:44 که نشان دهنده خونریزی، به منظور جلب 00:00:47 یک مستطیل بسیار بزرگ، در واقع. 00:00:49 اکنون برای شما ممکن است رنگ دیگری به وجود آید، 00:00:51 اما من قصد دارم به جلو برویم و رنگ آن را 00:00:54 با کلیک کردن بر روی نمونه دوم در اینجا 00:00 : 56 در پانل کنترل، و من آن را به هیچ کدام تغییر نخواهم کرد. 00:00:58 و پس از آن من روی Swatch اول کلیک می کنم 00:01:01 و آن را به این قهوه متوسط تغییر دهید، بگذارید بگوییم. 00:01:05 مشکل این است که، یک بار دیگر، اگر نگاهی بیندازیم 00:01:07 در تصویر اصلی در داخل فروشگاه عکس، 00:01:10 شما می توانید ببینید که جدول بسیار گرم است. 00:01:13 به این معنی که آن کمی قرمزتر است 00:01:15 و این نیز اشباع شده است. 00:01:17 بنابراین توجه داشته باشید، اگر روی آن Swatch اول کلیک کنید 00:01:20 در پنل کنترل، یک پیام دریافت می کنید که به شما می گوید 00:01:22 برای نگه داشتن کلید shift برای ایجاد یک UI رنگ متناظر. 00:01:26 و بنابراین بگذارید جلو برویم و این کار را انجام دهیم 00:01:28 با تغییر دادن روی آن نمونه رنگی، 00:01:30 و این احتمالا ارزش های RGB شما را به ارمغان می آورد 00:01:33 یا CMYK شما ارزش ها، ارزش HSB را می خواهیم. 00:01:37 و بنابراین من قصد دارم برای تغییر مقدار رنگ 00:01:39 تا 25 درجه، که کمی قرمزتر از آنچه که ما داریم. 00:01:44 و سپس مقدار اشباع را تا 77 درصد می گیرم. 00:01:47 و من مقدار روشنایی را به 60 درصد تغییر خواهم داد. 00:01:49 و این مقادیر اندکی به صرفه جویی می کنند 00:01:51 زیرا تصویرگر در تلاش است تا پیدا کند 00:01:53 نزدیک ترین معادل RGB،
00:01:55 but what we're seeing here is just fine.
00:01:57 So I'll press the escape key to hide that panel.
00:02:00 Alright, now we need to draw a shadow
00:02:02 that emanates from this block right here,
00:02:05 emanates from the front of it,
00:02:06 as well as the right side, the hidden right side
00:02:10 of this block over here on the right.
00:02:13 And that means I kind of need to figure out
00:02:14 where that right side is.
00:02:16 So I'm going to press the V key
00:02:17 to switch to my black arrow tool,
00:02:19 and I'm going to go ahead and click
00:02:20 on this shape to select it.
00:02:22 And I'm going to alt or option drag it
00:02:26 until it snaps into alignment with this bottom corner.
00:02:30 And what that's going to tell me
00:02:31 is where the back of the right edge is located,
00:02:34 which would be, at this point, approximately right here.
00:02:37 It would actually be a little farther down
00:02:39 because of perspective, but this is good enough
00:02:41 to get the job done.
00:02:43 Alright, I'm going to go and zoom out once again
00:02:45 by pressing control minus, command minus on the Mac.
00:02:48 And I'll go ahead and switch to the pen tool,
00:02:50 which I can get by pressing the P key,
00:02:52 and I'll click right about here.
00:02:54 Now notice my problem.
00:02:56 I don't know if you're seeing it,
00:02:58 but my pen tool cursor is lighting up an anchor point,
00:03:02 and I'm seeing a little slash next to the cursor,
00:03:04 which tells me I'm going to resume drawing this line.
00:03:07 And so if I click here, and then start clicking around
00:03:11 to create this shadow,
00:03:12 I'm going to get a very strange effect, indeed.
00:03:15 And that's because I'm extending my blend,
00:03:18 which is not what I want.
00:03:19 And so I'll press control Z, or command Z on the Mac
00:03:22 a couple of times in order to undo those segments.
00:03:25 And then, you can see I still have an active pen cursor,
00:03:29 so I'll press the escape key
00:03:31 in order to deactivate the line.
00:03:33 And I'll just go ahead and click near it, like so,
00:03:36 in order to start a new path outline,
00:03:38 and then I'll click right about here,
00:03:40 below the right edge of the D,
00:03:42 in order to set another corner point.
00:03:44 I'll click here in the bottom right corner at the bleed,
00:03:47 and then I'll click down toward the bottom
00:03:50 of the N, I think is going to work.
00:03:52 And I'll go ahead and click on that anchor point,
00:03:55 now that's safe to click on
00:03:56 because it's a closed path outline.
00:03:58 So you can't extend it.
00:04:00 And then I'll go back to my first point
00:04:01 and click on it, in order to close the path.
00:04:04 Alright, now I'm going to press the A key
00:04:06 in order to switch to the wide arrow tool.
00:04:08 And I'll go ahead and drag that point up
00:04:10 until it snaps into alignment with that one point
00:04:13 that I did not want to extend.
00:04:15 And I want to change both the fill and the stroke
00:04:17 of this path, so I'll press the V key to switch back
00:04:20 to my black arrow tool.
00:04:21 I'll click on the path outline to select the entire thing.
00:04:24 I'll go up to the second swatch
00:04:25 up here in the control panel, and change it to none.
00:04:28 And then I'll click on the first color swatch,
00:04:31 and I'll change the fill to the second darkest brown,
00:04:33 which is R96 G56 B19, in order to create
00:04:38 this shadow shape here.
00:04:40 So I'm on the wrong layer, and that's because
00:04:42 I accidentally activated that line in the blend,
00:04:45 and so I'll press the escape key to hide that panel.
00:04:47 And I'll drag that little red square
00:04:49 down to the table layer so that it turns green,
00:04:52 and then I'll move the path outline as well.
00:04:55 And now, I'll go ahead and click off the path
00:04:57 in order to evaluate it.
00:04:59 Now notice that the angle of this segment
00:05:01 is much sharper than the angle of the right hand one,
00:05:04 and that's not actually accurate because visually
00:05:06 things grow larger as they come toward us.
00:05:09 So I'm going to press the A key
00:05:11 to switch to the white arrow tool,
00:05:13 and I'm going to grab this anchor point
00:05:14 and shift drag it to here, let's say,
00:05:17 and now shift drag this one upward
00:05:20 so that the shadow is growing slightly larger
00:05:23 as it comes toward us.
00:05:25 Alright, now I'm going to press the V key
00:05:27 to switch back to my black arrow tool,
00:05:28 and i'll click on this path outline.
00:05:30 Technically, I don't need it anymore,
00:05:32 but i kind of don't want to lose it,
00:05:33 because it's been a valuable friend.
00:05:35 It helped me create this shadow,
00:05:37 so I'm just going to drag this red square here
00:05:39 inside the layer's panel,
00:05:40 that represents the selection down
00:05:42 to the table layer, once again,
00:05:43 in order to move that shape
00:05:44 and back of all the other blocks,
00:05:46 and then I'll click off the shape to deselect it,
00:05:48 and I'll press control zero, or command zero on the Mac
00:05:51 to center my zoom.
00:05:52 And I'm also going to lock the table layer,
00:05:55 because I don't want to mess it up,
00:05:56 by clicking in this second column,
00:05:58 right next to the layer,
00:06:00 and then it'll give me a little lock icon,
00:06:02 then I'll click on the blocks layer
00:06:03 to, once again, make it active.
00:06:05 And that's how you create a long shadow
00:06:07 in perspective, using the pen tool, of course,
00:06:10 here inside Illustrator.