در این فیلم ما نگاهی به آنچه که ممکن است محبوب ترین توابع متن داخل Illustrator باشد و این پانل گویا باشد، این ایده است که به شما اجازه می دهد تا به هر شخصیتی در هر فونت نصب شده در سیستم خود دسترسی داشته باشید. بنابراین، اگر شما نگاهی به صفحه کلید خود داشته باشید، حروف وجود دارد، اعداد را می بینید و چند علامت تعریفی دارید، اما ممکن است فقط یک علامت از کاراکترهایی باشد که درون هر قلم مخصوصی قرار دارند و توسط منظورم این است که فونت ممکن است حاوی کسرها و همچنین نمادهای ریاضی، شخصیت های برجسته، دکوراسیون های کلاه کوچکی و همه انواع چیزهای عجیب و غریب ساده باشد. بنابراین این خط را در اینجا در Minion Pro Italic تنظیم کنید. چه کسی می دانست که این فونت شامل نه تنها تمام این حروف است، بلکه این زیور آلات برگ است. در حال حاضر، زمانی که ما آخرین کار را ترک کردیم، ما به صفحه artboard 3 نگاه کردیم، در داخل سند ما می خواهیم یک یا دوبار کلیک بر روی Ctrl + shift + page up یا command + shift + pgUp روی Mac یا اگر شما don ' T یک کاراکتر pgUp بر روی صفحه کلید خود داشته باشید و سپس میتوانید بر روی این آیکون کوچک کوچک در اینجا در گوشه پایین سمت چپ صفحه کلیک کنید. در حال حاضر ما جلو برویم و ctrl + spacebar یا cmd + spacebar را کلیک کنید تا زوم بر خط و توجه کنید که هر یک از نامها توسط شخصیت گلوله ای تنظیم شده است که خود شخصیت آشکار نیست برای دسترسی به اکثر صفحه کلید و به این ترتیب آنچه که من میخواهم انجام شود این است که پس از آن شخصیت گلوله دوبار کلیک کنید تا بتوانید به نوع ابزار بروید و همچنین نشانگر مورب چشمک زدن را تنظیم کنید اگر میخواهید یک گلوله روی یک مکینتاش ایجاد کنید، گزینه opt + 8 را فشار دهید در کامپیوتر کمی پیچیده تر است. اول از همه، شما نیاز به یک صفحه کلید عددی دارید و سپس کلید alt را فشار داده و نگه دارید و عدد صفر، یک، چهار، نه را دوباره روی صفحه کلید عددی خود تایپ کنید و سپس کلید alt را آزاد میکنید و به شما یک شخصیت گلوله در حال حاضر خبر خوب این است که ویندوز اجازه می دهد تا شما به یک تن از شخصیت ها دسترسی پیدا کنید، بد خبر البته این است که نیاز به حفظ مقدار زیادی از چرخش. آیا نمی توانست خیلی بهتر از این باشد که فقط می توانید کاراکترهایی را که در داخل هر فونت مشخص شده اند مشاهده کنید؟ از آنجا که پس از همه، آنها به طرز چشمگیری تفاوت می یابند و پاسخ این است که بله، این یک چیز عالی خواهد بود
and the other answer is you get to that great thing
00:02:15 by going to the Type menu and choosing Glyphs
00:02:18 and that brings up the Gylphs panel
00:02:20 as you can see right here.
00:02:21 Now I'm going to go ahead and make the panel larger
00:02:24 by dragging on the bottom edge
00:02:25 as well as the right edge, as we're seeing
00:02:28 and then I'm going to move the panel
00:02:30 over to the right side of the screen
00:02:32 so it's covering up some of the other panels
00:02:34 but it's also remaining free-floating.
00:02:37 Now by default, you're going to see the characters
00:02:39 that are available in the active font .
00:02:41 If you want to switch to a different font
00:02:43 you can do so down here at the bottom of the panel
00:02:46 and you can select a different style as well
00:02:48 but I'm going to stick with Minion Pro Italic
00:02:50 because it gives me access to a huge number of characters.
00:02:54 You can also make these characters larger or smaller
00:02:56 by clicking on these mountain icons.
00:02:58 So the big mountain makes the characters bigger
00:03:00 the little mountain makes them smaller
00:03:03 and then, once you come up with the size
00:03:04 that is comfortable for you
00:03:06 you can just go ahead and browse all the characters
00:03:09 that are available.
00:03:10 For example, there we have a build fraction of one half
00:03:13 and if you want to add that character to your active text
00:03:16 all you have to do is double-click on it.
00:03:19 Let's say you want to build your own character
00:03:21 such as, for example, 3/7
00:03:24 then notice these characters up here
00:03:26 that have little triangles next to them
00:03:28 that means you can click and hold
00:03:30 in order to access alternatives.
00:03:33 Watch up here, I want you to watch this region
00:03:35 right next to the words entire font.
00:03:37 That will tell you which character you're selecting
00:03:39 and so notice at this point I'm seeing the three
00:03:43 which is a numerator, and the numerator
00:03:44 is the top number in a fraction
00:03:46 this guy is the denominator
00:03:48 which would be the bottom number
00:03:49 and then we have a superscript, followed by a subscript
00:03:52 I'm going to go ahead and select the numerator, like so
00:03:55 and then we want to add the fraction character
00:03:57 which is this guy right here
00:03:59 and that's different from the standard slash
00:04:01 if you press the slash character in your keyboard
00:04:03 notice that it doesn't slant nearly enough.
00:04:06 So I'm going to go ahead and press the backspace key
00:04:08 to get rid of that guy,
00:04:09 and I'm going to double-click on this character instead
00:04:12 which gives me the properly slanted fraction character
00:04:15 and then, if I'm looking for 3/7
00:04:17 I'll click and hold on the seven
00:04:19 and choose this guy right here, the seven denominator
00:04:22 in order to create that fraction, like so.
00:04:24 This guy is the multiply symbol, which I love
00:04:27 because it's much different than the standard X
00:04:30 and then we've just got tons and tons of symbols.
00:04:32 Let's say I'm looking for a stylistic alternative
00:04:36 specifically a swash version
00:04:38 of this letter M right there at the end of Baum
00:04:42 then I would just go ahead and select that character
00:04:44 and that will select the M
00:04:46 here inside the big character grid
00:04:48 and then, if I have a little triangle
00:04:50 I can click and hold and select, for example
00:04:53 an ordinal M, which is a superscripted character
00:04:57 or a small cap M is available to me
00:04:59 I also have this swash character
00:05:02 or another way to work
00:05:03 is to go up to the show option, click on it
00:05:07 and switch from Entire Font
00:05:08 to Alternates For Current Selection
00:05:11 and that will just show me
00:05:12 the alternates for this selected character
00:05:15 at which point I could double-click on this swash m
00:05:18 in order to add a little tail to my lower-case m, like so
00:05:21 but I'm more interested in the ornaments.
00:05:24 So I''m going to go ahead and click
00:05:26 once again, on the Show pop-up menu
00:05:29 and I'll switch to the Ornaments option
00:05:31 and then I'm just going to see the ornaments
00:05:33 that are available in this font
00:05:35 and now I'll just go ahead and select
00:05:36 this bunch of characters here that I want to replace
00:05:39 and I'll double-click on this leaf ornament right there
00:05:41 in order to add it to my text.
00:05:43 Now I want it to be a little larger
00:05:45 so I'll go ahead and select it
00:05:47 and I'll press ctrl + shift + on a Mac
00:05:51 three times in a row, to increase the type size
00:05:55 to 22 points as we're seeing up here in the control panel.
00:05:58 Alright now let's go ahead and make my glyphs panel
00:06:00 a little smaller here
00:06:01 and drag it down so that I can see my swatches panel
00:06:04 my fill is still active, so I'll just go ahead
00:06:06 and click on this deep red R193 G39 B45
00:06:12 in order to change the color of that leaf, like so.
00:06:15 Alright now I'm going to copy it by pressing ctrl + C
00:06:17 or cmd + c on a Mac
00:06:19 and then I'll select this other bulltet
00:06:20 and I'll paste the leaf character into this place
00:06:22 by pressing ctrl + v or cmd + v on the Mac.
00:06:26 Alright now there's just one more thing I want to do
00:06:28 I'll go ahead and alt + drag my document over
00:06:31 I want to replace this c in my name
00:06:33 the first c in McClelland, with a superscripted
00:06:36 or properly ordinal c
00:06:38 and so I'll go ahead and select that c
00:06:40 and then I'll change the Show option here
00:06:43 to Alternates For Current Selection
00:06:45 and I only have two alternates
00:06:47 the one that I'm using, the standard lower-case c
00:06:49 and the small cap c
00:06:51 and so if I double-click on it
00:06:52 I'm going to see a small designer version
00:06:54 of a capital letter
00:06:55 as we're seeing right there.
00:06:57 That's not really the one I want however,
00:06:58 so I'll go ahead and press ctrl + z
00:07:00 or cmd + z on the Mac to undo that change.
00:07:03 The moral of the story is here
00:07:05 that you're not always going to see
00:07:06 the glyph that you're looking for
00:07:09 and that's because the Glyphs Panel is limited
00:07:11 to those characters that are actually available
00:07:13 inside any given font
00:07:15 but of course when you run into a wall
00:07:17 there's always a solution.
00:07:19 What I'm going to do is close the Glyphs Panel
00:07:21 by clicking on this close box
00:07:23 and then I'm going to click on the word character
00:07:25 up here on the control panel
00:07:26 in order to bring up the character panel
00:07:28 and I want to be able to see what I'm doing
00:07:30 at the same time.
00:07:31 So I'm going to just alt + drag my page over a little bit
00:07:34 like so, and then I'll click on the word character again
00:07:38 notice this guy right here
00:07:39 this option that says set the baseline shift
00:07:42 that allows you to either raise or lower the character
00:07:46 with respect to it's baseline
00:07:49 which is the imaginary horizontal line
00:07:51 upon which all the characters rest.
00:07:53 So what I'm going to do is click inside that value
00:07:56 and notice if I press the down arrow key
00:07:58 that I lower that character, with respect to the baseline
00:08:02 but if I press the up arrow key
00:08:04 then I raise that character
00:08:06 and once I achieve a value of three points
00:08:08 everything looks great.
00:08:09 At which point I'll press the enter key
00:08:11 in order to accept that value and dismiss the panel
00:08:14 and then I'll press the escape key
00:08:15 in order to exit the text entry mode
00:08:18 and we end up with this nice looking ordinal version
00:08:21 of the the c right there
00:08:22 as well as these wonderful leaf ornaments
00:08:25 and that swash version of the lower-case m
00:08:28 and that's how you work with the glyphs panel
00:08:30 as well as the baseline shift formatting attribute
00:08:34 here inside Illustrator.