در این فیلم، من به شما یک کاربرد ساده اما کاربردی کلاه نشان می دهم و می پیوندم که به ما اجازه می دهد که این شکل گرد را در اینجا در پایین این سند ایجاد کنیم. و همچنین شما را به فرمان Save Selection معرفی می کنم. خوب، بنابراین آخرین بار که ما این سند را دیدیم، ما به طوری که به بی نهایت بنفش نزدیک می شدیم. اما آنچه که من می خواهم بتوانم انجام دهم این است که در حالیکه همه آنها را انتخاب می کنید، در این نامه ها به سمت پایین حرکت کنید. و این چیزی است که من می توانم انجام دهم اگر من یک لحظه برای صرفه جویی در انتخاب من. بنابراین من با فشار دادن کنترل 0، یا فرمان 0 بر روی مک، برای متن سند روی صفحه شروع می شود. و سپس من به جلو بروید و این نامه را مانند این که با استفاده از ابزار فلش سیاه رنگ می کند، ببرید. حالا، بگذارید بگویم من میخواهم این انتخاب را برای استفاده بعدی ذخیره کنم، یعنی می خواهم این واقعیت را حفظ کنم که این نامه ها انتخاب شده اند، بنابراین می توانم هر وقت که بخواهم، دوباره به آنها برگردم. در این صورت، من می خواهم به انتخاب منو بروید و انتخاب گزینه ذخیره انتخاب کنید. و من فقط پیش می روم و این نامه ها را انتخاب کرده و OK را کلیک کنید. و اکنون متوجه میشوید، اگر نامههای خود را برای لغو انتخاب آنها بردارم و سپس به جلو بروید و به آسانی روی A و B بنشینید، من میتوانم تمام این نامهها را دوباره انتخاب کنم، فقط با بازگشت به منوی انتخاب و انتخاب آنچه که در حال حاضر آخرین دستور در منو، نامه ها. و این کار را ادامه خواهد داد و هر یک از نامه ها را در سند بازنویسی می کند. خوب، اما در حقیقت، من در اینجا کمی کوچکتر شده ام. آنچه من می خواهم انجام دهم این است که راهنمایی هایی را انجام دهم تا نشان دهم چطور چیزهایی را که در آن این نامه ها به عنوان عملکرد این ضربه 20 نقطه ای مورد توجه قرار گرفته اند، نشان می دهد. بنابراین من به جلو بروید و Control R یا Command R را روی یک مکینتاش فشار دهید تا حاکمان من را به ارمغان بیاورند.
00:01:38 And I'll drag a horizontal guide down from the top ruler
00:01:41 so that it snaps into alignment with the top anchor point
00:01:45 in the F,
00:01:46 which, by the way, notice,
00:01:48 aligns perfectly with the top anchor point in the H.
00:01:51 And yet, we're not seeing that alignment
00:01:53 because 10 points, that is half of that stroke,
00:01:56 pops up on the edge of the F,
00:01:59 whereas it just abruptly ends at the top of the H.
00:02:02 Alright, now, I'll go ahead and drag out
00:02:04 another horizontal guide from that top ruler
00:02:06 so that it snaps into alignment with the bottom
00:02:09 of the F.
00:02:10 And notice, even though that bottom anchor point in the F
00:02:13 is precisely aligned with the bottom anchor point in the E,
00:02:17 we're not seeing that alignment,
00:02:19 and that's because the bottom of the F ends abruptly,
00:02:21 whereas half of that stroke continues around the bottom
00:02:24 of the E.
00:02:26 We have an even bigger problem
00:02:27 where the bottoms of the B and D are concerned,
00:02:31 because notice here,
00:02:32 as a function of this half-align weight,
00:02:35 that's dropping down below the curved portions
00:02:38 of both letters,
00:02:40 we're covering up the stems,
00:02:42 which come down just as far.
00:02:44 So what I'm going to do,
00:02:45 just to make my point that much more obvious,
00:02:47 I'm going to scroll over here just a little bit
00:02:49 and I'm going to hide the rulers by pressing
00:02:51 Control R or Command R on a Mac,
00:02:53 and then I'll go up to the View menu,
00:02:55 choose Guides,
00:02:56 and choose the Lock Guides command
00:02:58 to turn it off,
00:02:59 and then I'll marquee this bottom guide right there,
00:03:03 and I'm going to make a copy of it 10 points down
00:03:05 by pressing Shift, Alt, down-arrow,
00:03:07 that would be Shift, Option, down-arrow on a Mac,
00:03:10 so that we now have a guide that's aligned to the bottom
00:03:13 of the curved portions of these letters.
00:03:16 And now, I'll click on this top guide to select it,
00:03:19 and I'll press Shift, Alt, up-arrow
00:03:21 or Shift, Option, up-arrow on a Mac,
00:03:23 in order to create a guide at the perceived top
00:03:26 of the F.
00:03:27 Alright, now I'll go ahead and click off the guide
00:03:29 to deselect it,
00:03:30 and I'll return to the View menu,
00:03:32 choose Guides, and then choose Lock Guides
00:03:34 to turn the command back on.
00:03:36 And that way, I won't mess up my guidelines.
00:03:39 Alright, now I'll return to the Select menu
00:03:41 and choose Letters in order to select all the letters
00:03:45 in the document.
00:03:46 And I'll click on the word "stroke" up here
00:03:47 in the Control Panel,
00:03:48 and I'll switch to the Projecting cap,
00:03:50 just so we can see what kind of difference it makes.
00:03:53 And notice that it goes ahead and extends the crossbar
00:03:55 here on the F quite nicely so that we have some
00:03:59 nice, sharp transitions,
00:04:00 but we have a few problems here on the G,
00:04:02 as well as the other letters such as the D and the B
00:04:06 that have multiple sub-paths
00:04:08 that are intersecting each other.
00:04:10 However, notice that all the letters
00:04:12 are rising to the occasion right here.
00:04:14 So we can see that the Projecting cap
00:04:16 is extending all the way to that top guideline
00:04:19 as well as all the way down to the bottom guideline,
00:04:22 which means that we have some decent stems
00:04:25 for our B and D in particular.
00:04:28 But what's going to work out better all the way around
00:04:30 is to click on the word "stroke" once again
00:04:32 and switch to the Round cap
00:04:35 in order to produce this rounded effect here.
00:04:37 That does leave us with a problem, however.
00:04:40 Notice if I got ahead and scroll over here,
00:04:43 we're missing an edge down here on the left side
00:04:45 of the H,
00:04:46 and we also have a sharp corner over here
00:04:48 on the right side of the letter E.
00:04:51 Now, to demonstrate why we're having this problem
00:04:52 on the H,
00:04:53 I'll press the A key to switch to the white arrow tool,
00:04:56 then I'll go ahead and click off the letter,
00:04:58 and I'll select this anchor point as well
00:05:00 as these other three.
00:05:02 So in other words, I'm clicking on this anchor point,
00:05:04 and then I'm Shift-clicking on the other three,
00:05:07 and now I'll press Shift, right-arrow to nudge those points
00:05:10 to the right,
00:05:10 and you can see what we really have here
00:05:12 is a corner at this location.
00:05:14 And now that I've moved the points over,
00:05:17 we've reestablished this miter join,
00:05:20 but as soon as I move things back,
00:05:22 we lose the miter join because our miter limit is too low.
00:05:26 And as soon as you have two segments
00:05:27 that are right on top of each other like this,
00:05:29 then it doesn't matter what you set the miter limit to.
00:05:32 Your corner is going to get beveled.
00:05:34 Alright, so to take care of this problem,
00:05:36 I'll return to the Select menu
00:05:37 and choose the Letters command,
00:05:39 and then I'll click on the word "stroke."
00:05:41 Obviously, the miter join is not going to work out for us.
00:05:44 You could try a bevel join,
00:05:45 but it's not going to have any effect on the H,
00:05:48 and it's just going to slightly clip the corner on the E.
00:05:51 What we really want is a nice round join,
00:05:53 which is going to give us a round corner on the E,
00:05:56 and it's going to totally take care of our problem
00:05:58 here on the H.
00:05:59 After which point, I'll just go ahead and press
00:06:01 the Escape key to hide that panel,
00:06:02 and I'll press Control 0 or Command 0 to center my zoom.