دانلود آموزش تصویری جلوه ویژه گرافیک انیمیشن

illustrator آموزش ایلوستریتور آموزش افترافکت After Effects ادوبی فتوشاپ Photoshop پریمیر پرو Premiere Pro راینو Rhino

دانلود آموزش تصویری جلوه ویژه گرافیک انیمیشن

illustrator آموزش ایلوستریتور آموزش افترافکت After Effects ادوبی فتوشاپ Photoshop پریمیر پرو Premiere Pro راینو Rhino

دانلود آموزش تصویری جلوه ویژه گرافیک انیمیشن

دانلود آموزش تصویری جلوه ویژه گرافکی انیمیشن : ساخت وکتور با ایلوستریتور illustrator و جلوه های ویژه سینمایی ادوبی افترافکت adoby After Effects دانلود رایگان فیلم های آموزشی معماری سه بعدی گرافیک و انیمیشن

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دانلود آموزش ایلوستریتور

 

00:00:54  in order to introduce a template.

00:00:57  Now assuming that Align is set to Align to Artboard,

00:01:00  you want to click on each of the center icons,

00:01:03  Horizontal Align Center,

00:01:04  and then Vertical Align Center.

00:01:07  And next go ahead and click on the word Transform

00:01:09  right there, or click on the X, Y, W, or H,

00:01:13  and make sure your center point is selected

00:01:14  inside the reference point matrix.

00:01:16  Make sure that the link is turned on

00:01:18  and then change the Width value to 650 points, like so.

00:01:23  And if you press the Tab key,

00:01:25  that will change the Height value accordingly.

00:01:27  All right, now you can press the Escape key

00:01:29  in order to hide that panel.

00:01:30  And then finally, I figured this guy wanted to be

00:01:32  a little bit higher, so I press Shift up arrow

00:01:34  to nudge him upward 10 points.

00:01:36  All right, now go ahead and double click on an empty portion

00:01:39  of the Guides layer to bring up the Layer Options

00:01:41  dialog box, rename this layer Template,

00:01:43  and turn on the Template check box,

00:01:45  and then click Okay

00:01:47  and you've got yourself a tracing template.

00:01:49  All right, now go ahead and click on the Drawing layer,

00:01:51  and then notice this tool directly above the Pencil Tool

00:01:55  in the single column toolbox.

00:01:56  by default it's the Paintbrush Tool

00:01:59  and you would think that's the tool you want to use,

00:02:01  but we're not even going to get to that tool

00:02:02  until the Mastery course.

00:02:04  And that's because the more fundamentally useful

00:02:06  painting tool is the next tool down,

00:02:09  which is the Blob Brush.

00:02:11  And now, just to make sure you're painting with Black,

00:02:13  go ahead and tap the D key,

00:02:15  which gets you the Default Colors,

00:02:17  and that makes Black the stroke color.

00:02:19  And by default, the Blob Brush

00:02:21  works from the stroke color.

00:02:22  Nowadays it will also work from the fill color

00:02:24  if there is no stroke.

00:02:26  And now just go ahead and paint

00:02:28  along this line, if you will,

00:02:31  and things may end up looking a little bit jagged,

00:02:33  especially if you're painting with a mouse, as I am.

00:02:36  But as soon as you release,

00:02:37  Illustrator goes ahead and automatically

00:02:39  smooths that Path Outline.

00:02:41  But, not enough for my tastes,

00:02:42  so I'm going to go ahead and press Control Z,

00:02:44  or Command Z on the Mac, to undo that brush stroke,

00:02:47  and I'm going to press the Enter key

00:02:49  to bring up the Blob Brush Tool Options dialog box.

00:02:52  If you're working with a drawing tablet,

00:02:54  you may want to move this slider triangle

00:02:56  closer to Accurate.

00:02:57  In my case though, I'm going to move it

00:02:59  closer to Smooth, like so.

00:03:01  And this tends to be a perfect setting right here,

00:03:03  one tick mark over from Absolute Smooth

00:03:06  when you're painting with a mouse.

00:03:08  I also want you to turn on the

00:03:09  Keep Selected check box,

00:03:11  just so that we can see what's really going on.

00:03:13  And notice that the Size value set to 10 points, by default,

00:03:15  the Angle is zero degrees,

00:03:17  and the Roundness is 100%,

00:03:19  at which point you can go ahead and click Okay.

00:03:21  And then try painting that line once again,

00:03:25  and even if it's pretty shaky, as it is in my case,

00:03:28  it's going to smooth up considerably, like so.

00:03:33  And now notice instead of getting an

00:03:34  open path outline, as we would if we were

00:03:36  drawing with a Pencil Tool,

00:03:38  we get a closed path outline

00:03:40  filled with the stroke color, as we're seeing here.

00:03:43  All right, now I'm going to paint from this corner

00:03:45  right there, down into the left along this edge

00:03:49  and as soon as I release,

00:03:51  even though I have a very wiggly brush stroke,

00:03:53  things smooth out very nicely,

00:03:55  and Illustrator goes ahead and joins

00:03:57  those two brush strokes

00:03:59  into a single path outline.

00:04:01  Now here's a bit of advice

00:04:03  if you want to get nice, sharp corners,

00:04:05  don't just try to paint the thing

00:04:07  all the way around, like so,

00:04:09  because that will get you a soft edge

00:04:11  as we're seeing right here.

00:04:12  Instead what you want to do,

00:04:13  I'll go ahead and press Control Z,

00:04:15  or Command Z on the Mac to undo that brush stroke,

00:04:17  just paint each one of these brush strokes

00:04:20  independently of each other, and let

00:04:22  Illustrator join them into a sharper corner, like so.

00:04:27  And now I'm just going to go ahead and paint

00:04:28  up the nose, and if you're having problems,

00:04:31  just slow it down.

00:04:33  The slower you go,

00:04:34  the more likely it is that you can stay on that line,

00:04:37  and then when you release,

00:04:39  you're going to get a nice, smooth path outline,

00:04:41  as we're seeing right here.

00:04:43  All right, now I'm going to go ahead

00:04:44  and paint along the nose, like so.

00:04:47  And then I'll paint this part right here

00:04:49  in a separate brush stroke,

00:04:51  and I'll go ahead and paint the smile,

00:04:53  and I'll paint this crease and you can see

00:04:55  everything's turning out super smooth,

00:04:58  despite my sometimes awkward brush strokes.

00:05:01  Now that one wasn't so good,

00:05:02  so I'm going to press Control Z,

00:05:04  or Command Z on the Mac to undo it.

00:05:05  And I'm going to try to see if I can give this guy

00:05:07  a fuller lip, and that worked out pretty nicely.

00:05:10  And now I'm just going to go ahead

00:05:12  and paint down his chin.

00:05:14  All right, now let's just go ahead

00:05:15  and fill out the cheek over here.

00:05:17  And incidentally, if you find that

00:05:19  painting in one direction doesn't work for you,

00:05:21  as it's not really working for me,

00:05:23  then just go ahead and undo your brush stroke

00:05:26  and try painting in the other direction instead.

00:05:29  And bear in mind folks,

00:05:31  that I am left handed,

00:05:33  and so if you're a right hander

00:05:34  you might find that it's easier to paint

00:05:36  in the opposite directions you see me working right now.

00:05:39  All right, now I'll just go ahead to paint this eyelid

00:05:42  and I'll paint in this brush stroke up here

00:05:46  and you can see this is a pretty jagged stroke,

00:05:48  but it ends up reconciling nicely.

00:05:50  And now I'll just paint this little edge for his eye.

00:05:53  And now despite the fact that I have painted

00:05:55  a total of 18 successful brush strokes,

00:05:58  Illustrator has fused them into

00:06:00  a single closed path outline.

00:06:02  And that's at least the basics

00:06:04  of working with the Blob Brush

00:06:06  here inside Illustrator.

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