آموزش ایلوستریتور Illustrator CC Real-world drawing with the Pen tool

 

درست است، پس پس از پنج فیلم یادگیری نحوه استفاده از قلم ابزار، ما این را برای آن نشان می دهیم، که نسبتا وحشتناک است. به همین دلیل من می خواهم چند فیلم دیگر را با تمرکز بر یک پروژه دنیای واقعی صرف کنم، یعنی این یکی درست در اینجا که در آن همه چیز با ابزار قلم گرفته شده است، به استثنای این متن که در اینجا در بالای صفحه قرار دارد که در ابتدا قرار داده شد در بهار استاندارد. خوب، بگذارید به شما نشان دهم که چگونه کار می کند. ما با رفتن به منوی File و انتخاب New From Template شروع می کنیم ... یا می توانید با استفاده از کنترل + Shift + N یا Command + Shift + N در یک مکینتاش. و سپس من به جلو بروید و دوبار روی آن RGB با فایل center guides.ait کلیک کنید تا سند خالی من را باز کنید. من روی لایه راهنماها کلیک میکنم تا آن را فعال کنم و سپس به منوی View بروید، راهنماهای را انتخاب کرده و Clear Guides را انتخاب کنید. از آنجا که ما ممکن است در آینده راهنمایی ها را در اختیار داشته باشیم، آنها این کار را نخواهند کرد. درست است، حالا اجازه دهید یک الگو ردیابی را با رفتن به منوی File و انتخاب فرمان Place بگذاریم. یا شما می توانید کنترل + شیب + P، یا Command + Shift + P را بر روی Mac فشار دهید. درست است، در حال حاضر من به جلو بروید و به پوشه فایل های ورزش من، به زیر پوشه 13_Pen که در آن من یک فایل به نام Metal type.jpg دارم، حرکت می کنم. و برای معرفی آن، من فقط به جلو بروید و روی آن دوبار کلیک کنید.

 

00:01:08  And that'll load up my cursor as you're seeing right here.

00:01:11  At which point I'll go ahead and click

00:01:12  in order to place that photographic image.

00:01:15  And then, I'll make sure that Align is set to Artboard

00:01:18  up here in the control panel,

00:01:19  and I'll click Horizontal Align Center

00:01:21  as well as Vertical Align Center.

00:01:24  And that should exactly fit the image inside the Artboard.

00:01:28  And by the way, this image comes to us

00:01:29  from the Fotolia image library,

00:01:31  about which you can learn more

00:01:33  and get deals at fotolia.com/deke.

00:01:36  All right, now I'm going to double click

00:01:37  on an empty portion of this layer

00:01:39  to bring up the Layer Options dialogue box.

00:01:41  I'll go ahead and rename the Layer Template

00:01:43  and turn on the Template checkbox and click Ok.

00:01:46  And we end up with this tracing template.

00:01:48  All right, now I'm going to click

00:01:49  on what is currently the drawing layer.

00:01:51  I'm going to change it's name, however, to "blocks",

00:01:55  because this is where we're going to

00:01:56  put the blocks underneath the letterforms.

00:01:59  And we're going to draw all these blocks using the Pen tool.

00:02:03  All right, but before we do,

00:02:04  you want to go up to the View menu,

00:02:06  and make sure Smart Guides are turned on.

00:02:08  They aren't for me, so I'll go ahead and choose the command,

00:02:10  or you can press a keyboard shortcut of

00:02:12  Control + U, or Command + U on a Mac.

00:02:15  All right, now I'll go ahead and select the Pen tool.

00:02:17  Which, again, I can get by pressing the "P" key.

00:02:19  And what we want to do,

00:02:20  just to make sure things line up,

00:02:22  is draw the tallest blocks first.

00:02:24  And that's going to mean

00:02:25  this one for the E to start with.

00:02:27  So I'll go ahead and click here.

00:02:29  And then we want all of our horizontal lines

00:02:31  to be exactly horizontal.

00:02:32  So, Shift + click at this point,

00:02:34  if you're working along with me.

00:02:36  Go ahead and click down here

00:02:37  to set another point.

00:02:38  Shift + click here,

00:02:41  in order to create a fourth anchor point.

00:02:42  And then, finally click on the first point

00:02:44  to close the shape.

00:02:45  But make sure that you're seeing a circle

00:02:47  next to your cursor, because Smart Guides

00:02:49  can sometimes make a mess of things.

00:02:51  All right now I want to be able to see what I'm doing

00:02:53  so I'm going to press the "V" key

00:02:55  to switch to the black arrow tool.

00:02:56  I'm going to click on that shape to make it active,

00:02:58  and then I'll change it's fill to none

00:03:01  up here in the control panel.

00:03:03  All right, now, go ahead and press the "P" key

00:03:05  to switch back to the Pen tool,

00:03:07  and we want to create a new shape right here.

00:03:09  But if you start creating the shape right there,

00:03:12  then you're going to add a point to this selected path.

00:03:15  And that's not what we want.

00:03:16  So the safest thing to do is to deselect the path

00:03:19  by pressing Control + Shift + A

00:03:20  or Command + Shift + A on a Mac.

00:03:22  All right, now I'm going to click there

00:03:24  and I can see that not only

00:03:26  I'm going to be starting a new path outline,

00:03:28  because I have a little asterisk next to my cursor,

00:03:30  but also I'm aligned to the path outline.

00:03:33  And so, you want to see a red path outline, like so,

00:03:36  at which point, go ahead and click,

00:03:38  and then Shift + click over here at this location,

00:03:40  click up here, Shift + click again.

00:03:43  To make sure that you're creating

00:03:44  an exactly horizontal line,

00:03:47  you want to make sure you're aligned

00:03:48  with the path outline as well,

00:03:49  and it should turn red to indicate that's the case.

00:03:52  And then, just go ahead and click on that first point.

00:03:54  Make sure you're seeing an "O" next to your cursor

00:03:57  so that you know that you're closing the shape.

00:03:59  All right, now, move your cursor

00:04:01  over to this point, above the "S".

00:04:03  Go ahead and click, Shift + click here,

00:04:06  click down at this location.

00:04:07  But I'm actually going to Shift + click

00:04:09  because I want these lines

00:04:10  around the "I" to be perfectly vertical.

00:04:12  It's just going to work out more easily.

00:04:13  So, Shift + click right there.

00:04:15  I'll click when I see that I'm aligned

00:04:17  to the path outline around the "E".

00:04:19  And then I'll click to close that path, like so.

00:04:22  And I'm going to press the Control key,

00:04:24  in order to get my white arrow,

00:04:26  is what I was hoping for.

00:04:27  That's the Command key on a Mac.

00:04:29  I'm seeing the black arrow instead,

00:04:30  so I'll press Control + ~, here on a PC.

00:04:33  That's Command + Option + Tab on a Mac

00:04:35  in order to get my white arrow.

00:04:36  And then I'll click on this segment.

00:04:38  And when you click on a straight segment

00:04:40  with the white arrow tool,

00:04:41  you can then turn around and nudge it

00:04:43  by pressing an arrow key on a keyboard,

00:04:45  as I've done here.

00:04:47  All right, now let's create a block around the "I".

00:04:49  And, it's a little difficult to find where it starts.

00:04:51  I think, about there is good.

00:04:52  So click there, Shift + click at this location,

00:04:55  Shift + click up the "O", up the intersection

00:04:59  between the "I" and the "O" that is.

00:05:00  Shift + click right there as well.

00:05:03  Once you see that you have alignment

00:05:05  to the path outlined around the "S",

00:05:06  and then Shift + click at this point,

00:05:09  in order to close the path.

00:05:11  And now I'm going to zoom out just a little bit.

00:05:13  And, now we need to make sure

00:05:15  that everything about the "G" aligns.

00:05:16  So, I'll click up here

00:05:18  and then I'll Shift + click down here.

00:05:20  And that's why it was useful

00:05:21  to have vertical lines around the "I",

00:05:23  because we don't have complete and total alignment.

00:05:26  Now, I'll Shift + click

00:05:27  to create a horizontal line below the "G".

00:05:29  And this time I'll just click freeform

00:05:31  because this vertical line isn't exactly vertical.

00:05:34  But I do want to make sure I have alignment

00:05:36  with the first one I created.

00:05:37  And you can see, that alignment occur

00:05:39  when you get a green line, as I've done here.

00:05:42  And then click, and then go ahead

00:05:44  and click on that first point.

00:05:45  You don't have to press the shift key that time around

00:05:47  because you already determined

00:05:48  that you had horizontal alignment.

00:05:50  And now I'll press Control + Shift + A,

00:05:52  or Command + Shift + A on a Mac

00:05:53  to deselect the outline around the "G"

00:05:55  and I'll click here underneath the "N",

00:05:57  Shift + click right there at that location.

00:06:00  Let's go ahead and click right about there, maybe.

00:06:03  I'm not exactly sure.

00:06:04  That looks pretty good though,

00:06:05  but if you need to nudge the point

00:06:07  remember that pressing an arrow key

00:06:09  is going to deactivate the path,

00:06:11  so you'll have to click on that point again to wake it up.

00:06:14  And now, I'm going to click right about there, I guess.

00:06:16  And I'll click on the very first point,

00:06:18  in order to close the path outline.

00:06:20  I do not have exact alignment.

00:06:22  This kind of stuff happens all the time.

00:06:24  And so I need to Control + click

00:06:25  or Command + click

00:06:26  on that upper-left anchor point right there.

00:06:28  And I need to nudge it a little bit to the right.

00:06:30  But if I press the arrow key,

00:06:32  you can see that I go too far.

00:06:33  And that's because my keyboard increment

00:06:35  is set to 1.0 point.

00:06:36  So what I'm going to do,

00:06:37  is press the keyboard shortcut

00:06:39  for the Preferences command.

00:06:40  Which is Control + K or Command + K on a Mac.

00:06:42  And I'm going to reduce Keyboard Increment value

00:06:45  to 0.1 point, so just one tenth of a point.

00:06:49  And then I'll click Ok.

00:06:51  And now, you can see that if you press the left arrow key

00:06:54  a few times, or at least if I do,

00:06:56  then I eventually get the alignment I'm looking for.

00:06:59  All right, now I'm going to press Control + 0,

00:07:01  or Command + 0 on a Mac to zoom out.

00:07:03  And let's go ahead and fill our shapes

00:07:05  by pressing the "V" key to switch to the black arrow tool.

00:07:08  Then I'll click on this first path outline to select it.

00:07:11  Notice that my fill is active,

00:07:13  here inside the Swatches panel.

00:07:15  And so I'm going to change all the fills

00:07:17  to shades of gray that are represented

00:07:19  inside this final Grays folder.

00:07:21  And so I'm going to start with this guy right there,

00:07:23  the one that has all values set to 179.

00:07:26  And then I'll select the box around the "G",

00:07:28  and I'll change it to the next guy over,

00:07:31  where all the values are set to 153.

00:07:34  And these are just decisions I made

00:07:35  to make sure every shade of gray is different.

00:07:37  And this one wants to have all the values set to 128,

00:07:40  which is the most medium of the grays.

00:07:42  And then I'll go yet a shade darker

00:07:44  to this one right here where all the values are set to 102.

00:07:48  And then I'll click on the guy around the "E"

00:07:50  and set it to the one with all the values set to 153,

00:07:54  and then finally click the shape around the "D"

00:07:56  and set it to the gray that has all the values set to 128.

00:08:01  And we end up with these four perspective rectangles.

00:08:05  So, they're not exact rectangles by any means.

00:08:07  They're just all slightly off.

00:08:09  That I created just by clicking

00:08:11  the set corner points with the Pen tool,

00:08:13  with the help of Smart Guides, here inside Illustrator.

 

آموزش ایلوستریتور Illustrator CC Using the Anchor Point tool

 

 

در این فیلم، من شما را به شرکای Pen Tool در جرم و جنایت معرفی می کنم، که ابزار Anchor Point Tool است. و این اجازه می دهد تا شما یک نقطه از یک نقطه گوشه را به یک نقطه صاف، یک نقطه کاسپی و غیره تبدیل کنید. این همچنین به شما اجازه می دهد که بخش های راست را خم کنید. حالا قبل از شروع، من قصد دارم به جلو بروید و یک کلید را برای تغییر به ابزار فلش سفید فشار دهید. سپس من قصد دارم در این مسیر D شکل به سمت پایین حرکت کنم و من قصد دارم پیش برویم و بر روی یکی از نقاط آن کلیک کنید تا آن را انتخاب کنید. و سپس می خواهم کلید p را فشار دهم تا سوئیچ Tool Tool را تغییر دهم و قصد دارم بر روی یک قطعه مستطیلی کلیک کنید تا نقطه ی گوشه ای اضافه شود. و حالا کلید Ctrl یا کلید cmd را در Mac فشار می دهم و آن را به سمت بیرون کشیدن. بنابراین هر زمانی که با Pen Tool را روی یک بخش انحنا کلیک می کنید، نقطه ای صاف را اضافه می کنید. هر بار که بر روی یک قسمت مستقیم کلیک میکنید، نقطه گوشه ای اضافه می کنید. درست است، در حال حاضر من قصد دارم ابزار Anchor Point Tool را با کلیک کردن و نگه داشتن ابزار Pen Tool و سپس انتخاب ابزار Anchor Point از پایین منوی پرواز انتخاب کنم. و توجه کنید که دارای یک میانبر صفحه کلید از shift + c است. آن c برای تبدیل، به این دلیل است که آن را انجام می دهد. و همچنین، این به معنای تبدیل ابزار لنگر تبدیل نامیده می شود. درست است، حالا بگذارید بگویم من می خواهم این نقطه ی گوشه را در اینجا بیاورم و می خواهم آن را به یک نقطه ی صاف تبدیل کنم. در این مورد، همه چیزهایی که باید انجام دهم این است که از این نقطه بکشید. و اغلب اوقات، شما را در جهت اشتباه بکشید. در این صورت، همه چیزهایی که باید انجام دهید این است که مسیرهای جابجایی را در اینجا انجام دهید.

 

00:01:22  All right, now let's say that you want to break the link

00:01:24  between these two control handles

00:01:27  and turn the smooth point into a cusp point.

00:01:29  In that case, all you have to do is drag

00:01:31  one of your control handles like so.

00:01:33  All right, now the problem with both of these segments

00:01:35  is they now have one control handle a piece

00:01:39  because there's no control handle coming out of this point

00:01:41  at the bottom, or this point up here at the top.

00:01:44  At least they're not associated with the left hand segments.

00:01:47  And so I need to add handles by clicking and dragging

00:01:50  to first convert the points into smooth points,

00:01:53  and then dragging on a control handle like so

00:01:56  in order to restore a cusp point.

00:01:58  If that's what I'm interested in, but let's say I'm not,

00:02:01  I'll go ahead and press ctrl + z or cmd +z on the Mac

00:02:04  a couple of times in order to restore this point

00:02:06  to the way it was.

00:02:07  What if what I really want to do is convert this point

00:02:09  back to a corner point with no control handles,

00:02:12  then all I have to do is click on it

00:02:14  with my Anchor Point Tool.

00:02:15  So once again, you drag from a point to convert it

00:02:18  to a smooth point.

00:02:19  You drag a handle to convert a smooth point to a cusp point.

00:02:22  And you click on a point in order to delete the handles

00:02:26  and turn it back into a corner point.

00:02:29  All right, let's take a look at a couple of other things

00:02:31  you can do here.

00:02:32  I'll go ahead and ctrl click or cmd click

00:02:34  on this point right here.

00:02:36  If I were to convert it to a smooth point

00:02:38  by dragging, as I did a moment ago,

00:02:40  then I'm going to upset the location

00:02:42  of all the control handles.

00:02:45  Let's say that's not what I want.

00:02:47  I'll go ahead and press ctrl + z or cmd + z on the Mac.

00:02:50  Let's say I like the position of this control handle

00:02:52  right here, and I want the other one to move.

00:02:54  Then you press the alt key or the opt key on the Mac

00:02:57  and you click on the handle that you don't like.

00:03:01  I really think this is weird, but that's what you do.

00:03:03  You alt or opt click on the handle

00:03:05  that isn't in the right location,

00:03:07  and it moves into alignment with the one

00:03:09  that you did not click.

00:03:10  All right, now let's say I want this segment right here

00:03:14  to be perfectly straight, so I want to get rid

00:03:16  of these two control handles.

00:03:18  Then with the Anchor Point Tool selected,

00:03:20  you press the ctrl key or the cmd key on the Mac,

00:03:23  which looks like it's going to get you the White Arrow.

00:03:25  But as soon as you click on one of those control handles,

00:03:29  it goes away.

00:03:30  And then you can ctrl click once again on the segment

00:03:33  to reselect the path and then you would ctrl,

00:03:36  or cmd click on this handle,

00:03:37  to make it go away so that you have a perfectly

00:03:40  straight segment.

00:03:42  All right, now finally, the Anchor Point Tool

00:03:44  allows you to bend straight segments.

00:03:46  And you do that by first selecting a path

00:03:48  that has a straight segment like this one right here,

00:03:50  and then you drag the segment.

00:03:53  And then the Anchor Point Tool

00:03:55  automatically gives that segment two control handles

00:03:57  so you have complete and total control over its curvature

00:04:01  in the future.

00:04:02  All right, now what's interesting

00:04:03  about the Anchor Point Tool,

00:04:05  is you can get to all of its features

00:04:07  except the ones that require modifier keys.

00:04:10  So that function where you can relocate a control handle

00:04:13  by alt or opt clicking on it,

00:04:16  and your option to ctrl click or cmd click

00:04:19  on a control handle in order to make it disappear.

00:04:22  You can get to everything but those functions

00:04:25  when the Pen Tool is active.

00:04:27  And so I'm going to go ahead and switch back

00:04:28  to the Pen Tool here.

00:04:30  And now, I'll ctrl click or cmd click on this path outline.

00:04:33  And now if I press the alt key, or the opt key on the Mac,

00:04:36  you can see that I have my caret-shaped cursor

00:04:39  that indicates the Anchor Point Tool.

00:04:41  And now I can go ahead and drag on this point right here

00:04:45  in order to convert it into a smooth point,

00:04:47  or I can alt drag or opt drag either the control handles

00:04:52  in order to reposition them independently.

00:04:54  So I once again have a cusp point,

00:04:56  or I can alt or opt click on the point,

00:04:59  in order to sever away it's control handles

00:05:01  and convert it to a corner point like so.

00:05:04  And finally, I could go ahead and ctrl click,

00:05:07  or cmd click on this path outline

00:05:09  to partially select it

00:05:10  and then press the alt key or the opt key on the Mac,

00:05:13  and drag on either of these straight segments

00:05:16  in order to curve it, as well as add two control handles

00:05:19  a piece.

00:05:21  And that's how you use the Anchor Point Tool

00:05:22  to convert anchor points from corner to smooth the cusp,

00:05:26  as well as bend straight segments here inside illustrator.

 

آموزش ایلوستریتور Illustrator CC Creating cusp points

 

در این فیلم، من به شما نشان می دهم که چگونه نقاط Cusp با Pen Tool را ایجاد کنید، که گوشه های بین دو بخش انحرافی هستند یا یک بخش انحنا و یک مستطیل. خوب، من قصد دارم با خاموش کردن این لایه صاف تر شروع کنم، و سپس روی دکمه alt کلیک میکنم یا گزینه را روی آیکون صفحه کمی در پایین پانل لایه ها کلیک کنید. من این نقاط کاسپی لایه را نامگذاری می کنم و رنگ آن را به رنگ نارنجی تغییر می دهم. و سپس بر روی OK کلیک کنید. خوب، حالا قبل از اینکه من رو به شما نشان بدهم چطوری یک نقاشی نقاشی رو نقاشی کنم، که به هر حال، داستان کوتاه، شما با کشیدن یا کشیدن گزینه با ابزار قلم رو کشیدید. من می خواهم به شما نشان دهم آنچه شبیه آن است. بنابراین من به جلو بروید و ابزار Ellipse را انتخاب کنید و قصد دارم برای کشیدن یک دایره به این شکل ایجاد کنم. و اکنون، کلید v را فشار می دهم تا دوباره به ابزار Arrow ابزار سیاه برگردم، و من به جلو بروید و این مرد را به سمت راست بکشید، در حالی که کلید های shift و alt را فشار دهید. این ها گزینه های shift و option در مک هستند. کلید shift محدود کردن زاویه کشیدن من است، کلید alt یا option، یک کپی را ایجاد می کند. خوب، حالا من به جلو بروید و روی اولین شکل کلیک کنید، بنابراین هر دو انتخاب می شوند.

 

00:00:56  And then, I'll get my Shape Builder Tool,

00:00:58  which, if you changed your keyboard shortcuts

00:01:00  a couple of chapters ago, you can also get

00:01:02  by pressing the l key.

00:01:04  And then I want you to alt or option drag

00:01:06  inside these two regions, to subtract them away.

00:01:09  And now I'm going to zoom in on my shape like so

00:01:12  and I'll press the a key to switch to the white Arrow Tool

00:01:15  and I'll click on this point right there.

00:01:17  And notice, that it does have two control handles

00:01:21  just like a smooth point,

00:01:23  but they're independent of each other.

00:01:25  So I can move them around as much as I want,

00:01:27  which means that instead of getting a smooth arc

00:01:30  at this point, I end up with a corner known as a cusp.

00:01:35  Alright, I'm going to go ahead

00:01:36  and move these guys inward a little bit.

00:01:38  And then, I'll press ctrl, zero, or command, zero, on a Mac,

00:01:41  in order to center my zoom.

00:01:43  Alright, so let's say I want to draw the shape

00:01:45  of an eye, using my Pen Tool.

00:01:48  I'll go ahead and get the pen, which of course,

00:01:50  I can get by pressing the p key.

00:01:52  And then I'll draw my first smooth point like so.

00:01:55  So that's how you start things off.

00:01:57  And then I'll create another smooth point

00:01:58  up at the top here.

00:01:59  I might use the spacebar to get it into a better position

00:02:02  and then I'll press the shift key to constrain

00:02:04  the angle of my control handles,

00:02:06  so that they're exactly horizontal.

00:02:08  Then I'll create a new smooth point

00:02:10  over at this location here.

00:02:11  And so once you get the opposite control handle

00:02:13  into the desired position, you press and hold

00:02:16  the alt key, or the option key on a Mac,

00:02:18  to move the control handle

00:02:20  under your cursor independently.

00:02:22  Alright, now I'll just go ahead and create another

00:02:24  smooth point like so.

00:02:26  And now, instead of dragging to close my shape,

00:02:29  I'll press and hold the alt key, or the option key on a Mac,

00:02:31  and notice, that moves the opposite control handle,

00:02:34  and now I'm seeing nothing.

00:02:36  Nothing whatsoever, under my cursor.

00:02:38  And that's just the way things work

00:02:40  when you're drawing cusp points with the Pen Tool.

00:02:42  Alright, now I might modify my shape a little bit

00:02:45  by ctrl dragging, or command dragging

00:02:47  this guy outward like so.

00:02:49  And then I'll turn the shape into an eye,

00:02:51  by selecting the Ellipse Tool, and then I'll

00:02:53  just draw a big ellipse for the iris right there.

00:02:56  And I'll go ahead and shift, alt, click,

00:02:59  or shift, option, click,

00:03:00  anywhere on that first path to select.

00:03:03  Just one segment is enough.

00:03:04  And now, I'll select my Shape Builder Tool once again,

00:03:07  and I'll click inside the eye right there.

00:03:10  That's all you have to do.

00:03:11  And then you can press the v key

00:03:12  to switch back to the black Arrow Tool.

00:03:14  Click off the shapes to deselect them,

00:03:16  then click on this guy and shift, click, on this guy,

00:03:18  and press the backspace key, or the delete key on a Mac,

00:03:21  in order to make that, albeit very primitive looking eye.

00:03:25  Alright, you can also alt drag after the fact.

00:03:27  And to see what that looks like,

00:03:29  I'll return to the Pen Tool and I'm going to draw

00:03:31  an equally primitive heart, by dragging up right there.

00:03:35  Then I'll drag down while pressing the shift key,

00:03:38  right about there I figure.

00:03:40  And I might want to reposition that point a little bit

00:03:42  by spacebar dragging.

00:03:44  Alright, and then, I'm going to drag down

00:03:47  from this location.

00:03:48  Actually, I think I'll press the shift key

00:03:50  and create the control handles diagonally like so.

00:03:52  And now, I'll go ahead and press the a key

00:03:54  to switch to my white Arrow Tool for just a moment.

00:03:56  And I'll drag that guy down and I'll drag this one up.

00:04:00  I do want this heart to look fairly good.

00:04:02  Alright, now I'm going to press the p key

00:04:03  to switch back to the Pen Tool.

00:04:05  You can see, that I've got a smooth point,

00:04:07  but I can change it to a cusp, just by pressing the alt key,

00:04:11  or the option key on the Mac,

00:04:12  and dragging from that point once again.

00:04:14  And if I press the shift key as well,

00:04:16  is the alt or option key,

00:04:18  then I'm not only going to create a cusp point

00:04:20  but I'm going to constrain the angle

00:04:21  of this independent control handle

00:04:23  to the nearest 45 degrees.

00:04:25  Alright, now I'm going to drag up like so,

00:04:27  in order to create another smooth point,

00:04:29  over here on the left-hand side.

00:04:31  I might want it to be a little bit higher,

00:04:33  so I'll release the shift key for a moment

00:04:35  so I can just use the spacebar.

00:04:37  And then, let's say I start dragging, at this location.

00:04:41  Well, in that case, I'm going to make a smooth point

00:04:43  and it's going to be a mess, as we're seeing right here.

00:04:45  I'm messing up the shape in another words.

00:04:47  So, if that becomes an issue,

00:04:49  you don't have to start over again.

00:04:51  You can just go ahead and move your cursor back up,

00:04:53  so that the control handle under your cursor

00:04:55  is in the right location.

00:04:57  And then, press the alt key, or the option key on a Mac.

00:05:00  And move the other control handle

00:05:02  that is not under your cursor,

00:05:04  into the desired position,

00:05:06  which should be around here, it seems like,

00:05:09  it's just that I need to ctrl or command drag

00:05:11  this control handle upward,

00:05:13  to make things look a little bit better.

00:05:15  Alright, now so far all of our cusp points

00:05:17  have occurred at the intersection

00:05:19  of two curving segments.

00:05:21  What if you want to add in a straight segment.

00:05:23  Well, just go ahead and draw a few points here,

00:05:25  a few smooth points.

00:05:27  And let's say I want to end this shape right here,

00:05:28  after auto-scrolling, with a straight segment.

00:05:31  Then I don't have to alt click.

00:05:33  That is an option, but you just don't have to do it.

00:05:35  Just click, on that segment,

00:05:37  in order to sever away the other control handle,

00:05:40  and then click up here

00:05:42  to sever its extra control handle as well.

00:05:45  Now, another way to work,

00:05:46  is to draw the straight segment first.

00:05:48  So I could click here, and then click up here someplace,

00:05:51  and now if I drag after creating that straight segment,

00:05:55  I will draw forth a control handle.

00:05:57  And then I can draw another smooth point down here,

00:06:00  and finish it off by dragging,

00:06:02  in order to maintain two control handles

00:06:05  for this final curving segment.

00:06:07  So the moral of the story here,

00:06:09  is that you can create cusp points,

00:06:11  either by alt dragging with the Pen Tool,

00:06:14  or by clicking, if you want to add a straight segment.

00:06:17  But, you need to make sure that all of your curving segments

00:06:20  have two control handles, or just leave them straight,

00:06:25  with no control handles at all.

00:06:27  And that friends, is how you create and modify

00:06:30  cusp points, here, inside Illustrator.

 

آموزش illustrator pdf - Illustrator CC Drawing smooth points

 

 

 

 

00:00:33  Notice that my pen cursor, once again, has an asterisk

00:00:36  to show me that I'm about to create a new path outline.

00:00:38  I'm going to do so by clicking and dragging.

00:00:42  So the point at which you click,

00:00:44  that determines the location of the smooth point,

00:00:46  and as you drag, you're going to draw forth control handles.

00:00:49  One, under your cursor,

00:00:51  and the other, opposite the cursor like so.

00:00:55  And now notice that my rubber band preview is curving

00:00:58  to show me that I'm going to create a curving segment,

00:01:01  but it's not entirely accurate.

00:01:03  What we're seeing is a preview of what would happen

00:01:05  if I were to click in order to create a corner point.

00:01:09  But you don't want to do that because if you do,

00:01:12  you'll have just one control handle associated

00:01:15  with this segment, and that's generally a no-no

00:01:17  because you end up with this curving segment

00:01:19  that ends with this kind of flat tire.

00:01:22  So I'm going to go ahead and press Control Z

00:01:24  or Command Z on a Mac.

00:01:25  What you want to do instead, is drag to create

00:01:28  another smooth point like so.

00:01:30  And now notice that the control handle under my cursor,

00:01:33  and my cursor is located downward by the way,

00:01:36  has nothing to do with the segment that I'm about to create.

00:01:40  Instead, it's the opposite control handle

00:01:43  that's informing this segment

00:01:45  while the control handle that I just made

00:01:47  will affect the next segment I draw.

00:01:50  So now I'll go ahead and drag down here

00:01:51  to create another control handle,

00:01:53  and notice that I have established a pattern.

00:01:56  So I started dragging from the top here

00:01:59  in a counter clockwise direction,

00:02:01  which means that I need to continue

00:02:03  in a counter clockwise direction.

00:02:04  If you start clockwise, then just continue clockwise.

00:02:08  So you can draw in either direction you want,

00:02:11  but what you don't want to do is now start dragging

00:02:14  in the wrong direction because you'll get this big loop.

00:02:17  Alright, a couple of other things to note here.

00:02:20  If you press and hold the Spacebar as you're creating

00:02:23  a smooth point, then you can move that point on the fly,

00:02:26  and as soon as you release the Spacebar,

00:02:28  you'll continue changing the curvature of the segment.

00:02:32  You can also press the Shift key

00:02:34  if you want to constrain the angle of your control handles

00:02:37  to the nearest 45 degrees.

00:02:39  But, you cannot do both at the same time.

00:02:42  And so if I were to add the Spacebar

00:02:44  while I have the Shift key down, then I would just continue

00:02:47  to constrain those control handles,

00:02:49  I will not move the anchor point.

00:02:51  So if you want to move that smooth point,

00:02:53  you need to release the Shift key,

00:02:55  then move the point to where you want it to be,

00:02:57  go ahead and release the Spacebar,

00:02:59  then hold the Shift key once again.

00:03:02  A final option that's available to you

00:03:04  is to press the Control key or the Command key on the Mac.

00:03:07  Right now, notice when I don't have any keys down,

00:03:10  that both of my control handles are absolutely symmetrical.

00:03:14  They're both moving along with my cursor.

00:03:17  But if I press the Control key or the Command key

00:03:19  on the Mac, just the control handle under my cursor moves

00:03:23  and the opposite one remains the same length.

00:03:26  I can move around to change its angles,

00:03:28  but its length remains the same.

00:03:30  But if at any time, you release the Control or Command key,

00:03:33  then your control handles are going

00:03:35  to be the same length once again.

00:03:37  Alright, finally, let's say you want to close the path.

00:03:40  I'll go ahead and move my active cursor that has no asterisk

00:03:44  over the first point in the path.

00:03:45  We now see a circle which tells us that we're about to close

00:03:48  the path, but if I were to just click, I'll get

00:03:51  this flattened segment that we're seeing in the preview.

00:03:54  That's not what I want, so in order to get a nice smooth

00:03:56  point at the end, you want to go ahead and drag once again.

00:04:00  Now the good news you'll find as you become

00:04:02  more experienced, is that you're only affecting

00:04:05  the opposite control handle.

00:04:06  You're not affecting the one that's over here

00:04:09  on the left side of the shape, in other words.

00:04:11  It's remaining the same, so that gives you a little more

00:04:14  latitude and control when you're closing the shape.

00:04:17  You also have the option of pressing and holding

00:04:19  the Spacebar to move that closing point on the fly like so.

00:04:24  And when you get it where you want it,

00:04:25  you can release the Spacebar once again

00:04:28  and continue dragging.

00:04:29  So I'm going to go ahead and release to create this shape.

00:04:32  Alright, now let's say you want to make some modifications

00:04:35  because it's not really the smoothest shape

00:04:37  I've ever created.

00:04:38  In that case, go ahead and press and hold the Control key

00:04:40  or the Command key on the Mac to get the lasso arrow tool

00:04:43  on the fly, unfortunately for me, that's the black arrow

00:04:46  tool, which does allow you to drag control handles around

00:04:50  incidentally, so you can move control handles

00:04:52  with the black arrow tool, you just can't move anchor points

00:04:55  because if you click on an anchor point,

00:04:57  you'll end up selecting the entire shape.

00:04:59  You'll also select the entire shape if you click

00:05:01  on a segment, which means I can't see

00:05:04  the control handles down here.

00:05:06  So I need to switch to the white arrow tool by pressing

00:05:08  Control tilde here on a PC

00:05:10  or Command Option Tab on the Mac,

00:05:13  then I'll click on this segment to see its control handles.

00:05:16  Notice the segments just aren't quite long enough,

00:05:19  they should be a little longer in order

00:05:21  to get a nice smooth arc.

00:05:23  And notice if I make them too long like so,

00:05:26  then I'll end up with this kind of rounded corner effect

00:05:29  right here, and if you really go far enough with it,

00:05:32  you'll get the segment to loop around.

00:05:34  Whereas, if you make your control handles too short like so,

00:05:38  then you'll end up with a flattened segment.

00:05:40  So keep in mind that rule of thirds,

00:05:43  which says that the control handles together

00:05:45  should add up to about two-thirds the length

00:05:47  of the curving segment, which is a problem up here.

00:05:50  This guy's too flat, so I'll go ahead and click

00:05:52  on this segment and drag these control handles

00:05:55  out just a little bit like so.

00:05:58  Alright, you can also draw open path outlines if you like,

00:06:01  but you don't want to start dragging on the path outline

00:06:03  because it's selected.

00:06:05  So if I were to click on a selected curving segment like so,

00:06:09  then I will not only see the plus sign next to my pen cursor

00:06:12  but I will also add a smooth point.

00:06:14  So any time you click on a selected curving segment

00:06:17  with the pen tool, you add a smooth point.

00:06:19  Alright, let's say I don't want to do that.

00:06:21  I'll just press Control Shift A or Command Shift A

00:06:23  on the Mac in order to deselect that path outline.

00:06:26  And now, I'll just drag a bunch of times in order to create

00:06:30  some more smooth points, and I'll use the Spacebar

00:06:33  in order to get that guy into a better position.

00:06:35  By the way, you can always edit the points as you're working

00:06:38  just by pressing the Control key

00:06:40  or the Command key on the Mac.

00:06:41  Go ahead and click an anchor point,

00:06:43  adjust its control handles, do whatever you want to it.

00:06:46  You can even move points around incidentally

00:06:48  without deactivating the paths, so notice, as soon

00:06:51  as I release the Control key or the Command key on the Mac,

00:06:53  my path is still active as I can see by the lack of asterisk

00:06:57  and the fact that I have a rubber band preview.

00:07:00  But, if I try to nudge a selected point

00:07:03  using the arrow keys on the keyboard,

00:07:05  the second I press an arrow key, I will deactivate the path

00:07:07  as you're seeing here.

00:07:09  So to reactivate it, you don't want to click

00:07:11  because you're working with smooth points.

00:07:13  Instead, you want to drag and then you can continue dragging

00:07:17  to add more smooth points to your path outline.

00:07:21  Then, once you get the desired effect like so,

00:07:24  and I'll just go ahead and Control-drag or Command-drag

00:07:27  that control handle inward a little bit,

00:07:29  then you can deactivate the path outline just as you can

00:07:31  when you're creating corner points

00:07:33  by pressing the Escape key or the Enter key

00:07:36  or the Return key on the Mac, it's entirely up to you.

00:07:39  Now I'm going to press the V key to switch back

00:07:41  to my black arrow tool, and I'll click off the path outline

00:07:44  to deselect it.

00:07:46  And that's how you create smooth points with a pen tool,

00:07:49  by dragging in a consistent direction, remember that,

00:07:52  here inside Illustrator.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC How smooth points work

 

 

 

 

 

من فقط می خواهم بزرگ باشم، بنابراین می توانیم ببینیم چه اتفاقی می افتد. و اکنون می توانید ببینید که در مجموع چهار امتیاز لنگر وجود دارد که همه آنها نقطه صاف هستند. و همانطور که می توانید به یاد بیاورید، یک تضمین کننده مسطح است که ما بین دو بخش منحنی همسایگی یک انتقال صاف داشته باشیم. حالا برای دیدن آنچه که این نقاط صاف به نظر می رسد، به پیش بروید و به ابزار فلش سفید، که شما می توانید با فشار دادن یک کلید را دریافت کنید. و سپس بر روی هر یک از نقاط لنگر کلیک کنید. در آن زمان، نه تنها این نقطه لنگر مربع را می بینید، بلکه دو کنترل دایره ای در هر دو طرف آن با اهرم های مستقیم متصل می شود. این دستگیره های کنترل باعث جذب بخش ها می شوند. آنها مسئول انحنای هستند و به همین ترتیب آنها اساسا مانند آهن ربا هستند که در آن بخش ها مربوط می شوند. و بنابراین متوجه میشویم، اگر این کنترل را کمی دورتر بکشم، قطعه به سمت آن خم می شود. و به هر حال، شما می خواهید در دایره بکشید، نه در اهرم خود، زیرا اگر شما سعی می کنید اهرم را بکشید، شما فقط چیزی را از بین نمی برید، مثل این است. درست است، من قصد دارم به جلو بروید و یک بار دیگر روی نقطه کلیک کنید تا آن را انتخاب کنید. همچنین توجه کنید که من این دسته کنترل را در سمت راست لنگر قرار می دهم، من نیز یکی را در سمت چپ حرکت می دهم، و این به این دلیل است که دو به یکدیگر هماهنگ می شوند.

00:02:29  Now one control handle can get shorter than the other,

00:02:31  but it's going to remain at the same angle,

00:02:34  as we're seeing here.

00:02:36  And that alignment is what defines a smooth point

00:02:39  in Illustrator.

00:02:40  All right, now we saw that if you drag the control handle

00:02:43  farther away from the segment,

00:02:45  the segment is going to bend out toward it.

00:02:47  But if you drag the control handle toward the segment,

00:02:50  it's going to start flattening out, as we're seeing here,

00:02:53  and that's because were no longer requesting

00:02:55  as much curvature.

00:02:56  If you go ahead and drag the control handle

00:02:59  to the other side of the segment,

00:03:01  it's going to bend in the other direction,

00:03:03  and it's going to bend more and more

00:03:05  the farther you drag that control handle.

00:03:08  And now, you can see that we've got

00:03:10  an awful lot of curvature

00:03:12  because the other control handle has moved across

00:03:15  its segment and farther away as well.

00:03:18  All right, let's say I like this amount of curvature

00:03:20  but I don't want my path outline going outside the artboard.

00:03:24  Then I would just go ahead and drag the square smooth point

00:03:27  inward like so.

00:03:29  All right, now I'll just go ahead

00:03:30  and center my zoom once again.

00:03:32  Now just because you're working with smooth points,

00:03:34  doesn't mean you might not get lumpy results.

00:03:37  Notice in this case, for example,

00:03:39  I'm getting an extremely lumpy curve,

00:03:42  and that's because the control handle

00:03:45  affects the way the segment exits an anchor point

00:03:48  and how it enters the next one.

00:03:50  And so in this case, both of the control handles

00:03:53  on either side of the segment are requesting

00:03:56  a ton of curvature, and that's creating

00:03:59  a kind of wavy segment, as we're seeing right here.

00:04:02  And so the solution is to just go ahead

00:04:05  and bring the control handles in

00:04:07  so that we get smoother results as we're seeing right here.

00:04:12  Now another way to see your control handles

00:04:14  is to click on a segment, in which case,

00:04:17  you'll see the control handle that's directing

00:04:19  the way the segment exits an anchor point,

00:04:21  as well as the one that defines how it's entering

00:04:24  the next anchor point.

00:04:26  Now watch what happens if I take a control handle

00:04:28  and bend it totally in the other direction.

00:04:32  We're going to end up with a loop

00:04:34  inside of our path outline.

00:04:36  That's rarely desirable, and so the solution

00:04:39  is to just go ahead and put things back the way they were.

00:04:42  You also have the option, when you're working

00:04:44  with the white arrow, of dragging directly on a segment

00:04:48  like so, in which case, you're going to modify

00:04:50  the bending of that segment.

00:04:53  And you have a lot of latitude these days.

00:04:55  You can drag that segment just about anywhere you want,

00:04:58  and the control handles will come along with it.

00:05:01  You can also constrain the drag by pressing and holding

00:05:04  the shift key, in which case,

00:05:06  those handles are going to lock to the nearest 45 degrees.

00:05:09  You can also lock your control handles

00:05:11  by shift dragging directly on them, like so,

00:05:15  which is great if you're looking for absolutely vertical

00:05:18  or horizontal alignment.

00:05:20  And so I'll go ahead and make these guys up here

00:05:23  exactly horizontal like so.

00:05:25  Now you're going to be doing a ton of work

00:05:27  with control handles inside Illustrator.

00:05:30  And you're going to run into situations

00:05:32  where you're not getting smooth results.

00:05:34  And any time that happens, I want you to take a look

00:05:37  at an arc.

00:05:38  So go to the Line Segment Tool,

00:05:40  and then select the Arc Tool.

00:05:42  And just go ahead and draw a big arc.

00:05:45  And in my case, I want to flip it

00:05:46  just for the sake of demonstration here.

00:05:49  And after you draw the arc, then press the a key

00:05:52  to switch to the White Arrow Tool,

00:05:53  and go ahead and click off the line to deselect it.

00:05:56  And then click on its segment, and you'll see

00:05:59  how the control handles are arranged.

00:06:02  And I want you to notice that we have two control handles

00:06:05  for curving segment.

00:06:07  That's very important.

00:06:08  You don't want to have just one control handle like this

00:06:11  because you'll end up with a kind of flat tire effect.

00:06:14  So you definitely want two handles for every curving segment

00:06:17  and you want those handles together

00:06:20  to occupy about 2/3 the length of the segment.

00:06:25  So in other words, about 1/3 of the length of the segment

00:06:28  is not covered by handles; and the other 2/3 are.

00:06:31  That is not to say that they have to be even in length

00:06:33  by the way.

00:06:35  One can be longer, and the other can be shorter,

00:06:37  and you can still end up with very smooth results

00:06:40  like this.

00:06:42  And that friends is how smooth points really work

00:06:44  inside Illustrator.

00:06:46  In the next movie, I'll show you how to draw smooth points

00:06:49  with the Pen Tool.