آموزش ایلوستریتور Illustrator CC Combining curved and straight segments

 

در این فیلم، من به شما نشان می دهم که چگونه به ترکیب بخش های مستطیلی و انحنا برای ایجاد نامه "D." من به جلو بروید و تا زمانی که به اسناد من دسترسی داشته باشید، می توانید ببینید که من در صفحه "I" و "N" کشیده شده ام، چرا که پس از همه، هر دو حرف منحصرا شامل نقاط گوشه ای می شوند و ما، رک و پوست کنده، به اندازه کافی از آنها دیده شد درست است، حالا من قصد دارم به جلو بروید و فقط تمام لایه ها را به حالت Outline تغییر دهید با انتخاب فرمان Outline از منوی View یا فشار دادن کلید میانبر  از "Ctrl + Y" یا "cmd + Y "در  درست است، بنابراین این زمان در اطراف، بیایید جلو برویم و برای اولین بار  با فشار دادن کلید "p" برای انتخاب ابزار قلم  و سپس بخش راست را ایجاد کنید و 00:00:38 و سپس من اینجا را کلیک میکنم تا یک نقطه گوشه ای ایجاد کنم، 00:00:40 و من یک نقطه دیگر گوشه در این محل ایجاد می کنم، 00:00:44 و شما ممکن است متوجه شوید که 00:00:45 پیش نمایش نوار لاستیکی من است بازگشت. 00:00:47 برای اینکه هر دلیلی، من مجبور شدم این سند را ببندم 00:00:49 و دوباره آن را باز کنید. 00:00:51 درست است، حالا من اینجا را کلیک میکنم تا 00:00:53 یک نقطه گوشه سوم، و در حال حاضر، چون میخواهم 00:00:56 بخش بعدی منحنی، من برو پیش رو 00:00:58 و از آن برای کشیدن یک دسته کنترل از آن بکشید. 00:01:01 بعد من قصد دارم از بالای صفحه "D" 00:01:05 یک نقطه صاف را اینجا قرار دهم و کلید "shift" را فشار می دهم 00:01:08 همانطور که من انجام به منظور محدود کردن زاویه 00:01:10 کنترل من به دقیقا افقی است. 00:01:13 حالا من می خواهم این یکی طولانی تر باشد، بنابراین من فشار دادن 00:01:15 کلید "Ctrl" و یا کلید "cmd" در مک 00:01:18 به منظور کشش این دسته 00: 01:19 در حالی که یک نفر را بدون هیچ زحمتی ترک کردید، 00:01:21 و اگر نگاهی نزدیک به خود بیاورید، 00:01:23 من فکر می کنم این نوار گوشه خیلی زیاد است 00:01:25 بنابراین من فشار "Ctrl "کلید یا کلید cmd روی یک مکینتاش 00:01:28 برای گرفتن ابزار فلش سفید من، آخرین 00:01:30 ابزار فلش من استفاده می شود، برای دریافت این ابزار بر روی پرواز 00:01:33 و کشیدن این نقطه پایین، و سپس من 00:01:35 "ctrl" و یا "cmd" کشیدن دسته کنترل نیز پایین است. 00:01:38 درست است، حالا کمی کمی کوچکتر می شوم 00:01:40 بنابراین من می توانم بیشتر از تصویر من را ببینم، 00:01:42 و من شروع به کشیدن از نقطه راست دور 00: 01:45 در حالی که با فشار دادن دکمه "shift" و همچنین 00:01:48 به منظور ایجاد یک کنترل کامل کنترل عمودی، 00:01:51 و این به نظر می رسد بسیار خوب است. 00:01:53 بنابراین، من به جلو برویم و به اینجا بروم. 00:01:55 اکنون ما در این موقعیت مشکل داریم. 00:01:57 به طور معمول، من فقط می روم جلو و شروع به کشیدن 00:02:00 در این پایین ترین نقطه به منظور اضافه کردن یک دسته کنترل 00:02:04 در مورد وجود دارد، و من آن را بسیار دور به عنوان شما را می توانید ببینید 00:02:07 و سپس من کلید "ctrl" را فشار داده و یا 00:02:09 "cmd" کلید در مک و من آن را به عقب بر گردیم 00:02:11 اما من نیاز به یک هک از بسیاری از کنترل در این طرف 00:02:13 به منظور جلوگیری از این درجه انحنای، 00:02:16 اما شما می توانید ببینید که طراح این خاص "D" 00:02:19 تصمیم به مسطح کردن خارج از اینجا در این مکان.

 

00:02:23  So what I'm going to do is add another smooth point

00:02:25  right there and then I'm going to "ctrl" or "cmd"

00:02:29  drag it up like so in order to flatten out the curve

00:02:32  and I'm going to move this control handle

00:02:35  up and outward in order to produce this effect,

00:02:39  which I think is more or less dead on.

00:02:41  I could take this handle out a little bit if I wanted to,

00:02:43  but I'm worried that we're going to have a lump

00:02:45  at this location, so I think that's as far as I'll go,

00:02:48  and now zoom in and I will drag out some pretty small

00:02:52  control handles from this smooth point,

00:02:54  and then I'll finish things up by dragging

00:02:56  outward from this corner point so that the

00:02:59  control handle that I'm actually modifying

00:03:01  is going up and to the right as I drag down and to the left

00:03:05  and I'll end up with this effect right here.

00:03:07  Okay, now we need to draw the inside of this shape,

00:03:10  and this time I'm going to start with the smooth points,

00:03:12  so I'll go ahead and drag like so

00:03:15  to drag out some pretty big control handles

00:03:17  and they might need to come out a little farther even

00:03:20  and then I'll go ahead and drag

00:03:22  from this far right point right there, like so.

00:03:26  I don't want the bottom control handle

00:03:28  to be this long though, I don't think,

00:03:29  so I'll press the "ctrl" key or the "cmd" key on a Mac

00:03:32  as I'm dragging, in order to move it back in,

00:03:34  and this control handle has to come further out

00:03:36  so I'll "ctrl + drag" it, that's a "cmd + drag" on a Mac.

00:03:40  Again, the the "ctrl" or "cmd" key is going to

00:03:42  get me the white arrow tool on the fly,

00:03:44  and then I'll "ctrl" or "cmd + drag" this guy downward.

00:03:46  All right now, notice here we've got a little bit

00:03:49  of a cusp point, so I'm going to drag like so

00:03:52  to begin a smooth point and then midway into the drag,

00:03:56  after I get that opposite control handle

00:03:58  on the right location, I'll press and hold the "alt" key

00:04:00  or the "opt" key on a Mac, and I'll send

00:04:02  this control handle in a different direction

00:04:04  and then I'll drag right here to create

00:04:07  another smooth point like so,

00:04:10  and it looks like I didn't quite position that

00:04:12  cusp point at the right location so I'll press

00:04:14  "ctrl" key or the "cmd" key on a Mac,

00:04:15  and move it down a little bit, and that looks

00:04:18  more or less right, and now I'll "ctrl + drag"

00:04:21  or "cmd + drag" this control handle outward,

00:04:23  and so in this case we've got a cusp point

00:04:26  that's surrounded by two curving segments.

00:04:28  All right now, finally I'll go ahead and zoom out.

00:04:30  I actually want to take this guy down a little bit,

00:04:33  or at least maybe its control handle

00:04:35  has to come farther down.

00:04:36  That looks good to me, and now I'll go ahead

00:04:39  and lop off this control handle.

00:04:41  I don't want it because I have a straight segment

00:04:43  coming up, so I'll just click on it to get rid

00:04:46  of its control handle and then I'll go up

00:04:48  to this guy and just click on him to lop off

00:04:51  his left hand control handle as well.

00:04:54  All right, now I want to see what I'm doing

00:04:55  so I'll press "ctrl + y" or "cmd + y" on a Mac

00:04:58  to switch back to the preview mode

00:05:00  and I'll zoom out a little bit, and that's looking

00:05:02  pretty darn good but obviously I need to

00:05:05  convert it into a compound path

00:05:07  so that this inner path cuts a hole out of the outer one,

00:05:10  but before I do that I might as well

00:05:12  create the beveled edge, so I'm going to press

00:05:14  "ctrl + y" or "cmd + y" again so I can see

00:05:17  the tracing template, and I'll press the "v" key

00:05:20  to select my black arrow tool,

00:05:22  and I'll go ahead and click right there to select

00:05:24  that inner shape, and I'll press "ctrl + c, ctrl + f,"

00:05:27  that's "cmd + c, cmd + f" on the Mac

00:05:30  in order to copy the shape and paste it in front,

00:05:32  and I'll click on the word "Transform"

00:05:35  up here on the control panel, or if you don't see

00:05:37  the word "Transform," click on the x, y, w or h instead.

00:05:41  Now I want to make sure that the chain icon is off.

00:05:44  We do not want to constrain the

00:05:45  width and height proportions.

00:05:48  Go ahead and select the bottom left

00:05:49  reference point and then click in the width value

00:05:52  and press the down arrow key until it looks like

00:05:55  you've got that left edge in the right location

00:05:57  and then press the "tab" key to advance

00:05:59  to the height value, and press the down arrow key

00:06:01  until we get the top edge in the right location as well.

00:06:04  Now we need to get the right edge over a little bit,

00:06:07  so I'll select this bottom left reference point

00:06:10  and I'll click in the width value and press the

00:06:12  down arrow key until it moves over as desired,

00:06:15  and now I'm going to select this top left reference point

00:06:18  and I'm going to increase the height value

00:06:20  until this point moves down underneath.

00:06:22  All right, now let's go ahead and select the outer path.

00:06:24  Copy and paste in front, so "ctrl + c, ctrl + f,"

00:06:28  that's "cmd + c, cmd + f" on a Mac.

00:06:30  Click on the word "Transform," leave that top

00:06:32  left point selected, click in the width value

00:06:35  and then press the up arrow key until that letter

00:06:38  gets sufficiently wider as we're seeing here,

00:06:40  and then press the "tab" key to advance

00:06:42  to the height value, and press the up arrow key

00:06:45  until the bottom edge goes down

00:06:48  as we're seeing it do now.

00:06:49  All right, now I'm going to make some

00:06:51  manual adjustments by zooming in a little bit

00:06:54  and then I'll press "shift" + left arrow in order

00:06:57  to scoot that path to the left and I'll press the

00:07:00  "a" key to switch to the white arrow tool.

00:07:01  I'll select this anchor point

00:07:03  and just drag it down and out like so.

00:07:06  All right, now let's press "ctrl + y" or "cmd + y" on a Mac

00:07:10  in order to switch back to the preview mode,

00:07:12  and I'll switch to the black arrow tool

00:07:14  by pressing the "v" key and I'll click on this big path,

00:07:17  and then I'll click on the innermost path

00:07:19  in order to select it, and I'll go up to the object menu,

00:07:22  choose "Compound Path" and choose "Make"

00:07:25  in order to force the inside path to cut a hole

00:07:27  in the outside one, and let's go ahead

00:07:30  and fill this path with this dark shade of gray

00:07:32  in which all the RGB values are 77.

00:07:35  All right, and now we need to send this guy to back

00:07:38  by right clicking on him, choosing "Arrange"

00:07:40  and choosing "Send to back,"

00:07:42  and now we want to select each of these white shapes

00:07:44  so I'll click on the big one,

00:07:46  "shift + click" on the smaller one,

00:07:47  return to the Object menu, choose "Compound Path"

00:07:50  and choose "Make"

00:07:51  and now I want the fill to be slightly darker

00:07:54  so I'll go ahead and select this very light shade of gray,

00:07:56  in which the RGB values are each 230

00:07:59  in order to produce this effect here,

00:08:01  and now I'll click off the path outlines

00:08:03  to deselect them, and I'll press "ctrl + 0"

00:08:05  or "cmd + 0" on a Mac to take in my entire document,

00:08:09  and that's how you combine

00:08:10  straight and curving segments.

00:08:11  Not to mention, a couple of compound paths.

00:08:14  In our case, to create the letter "D"

00:08:16  in the word "Design" here inside Illustrator.

 

آموزش ایلوستریتور Illustrator CC Giving a letter a 3D beveled edge

 

در این فیلم ما قصد داریم یک لبه افسانه ای مجسمه ای را به نامه ی ما اضافه کنیم. من به جلو برویم و تا کنون سوابق خود را تغییر دهم. و من داخل G را داخل داخل آن پر می کنم تا کل شکل را انتخاب کنم. و پس از آن من قصد دارم آن را بکشیم تا به نظر برسد که آن را در مکان مناسب تر یا کمتر، که من فکر می کنم در مورد وجود دارد اتفاق می افتد، بگذارید بگویم. این دقیق نیست، اما به اندازه کافی نزدیک است. و سپس کلید Alt را فشار داده یا کلید گزینه در Mac را فشار می دهم تا یک کپی از این شکل مانند آن ایجاد شود. همانطور که روی آن کار میکنم نمیخواهم آن را پر کنید، بنابراین من به اولین گزینه در پانل کنترل 00:00:35 میروم و هیچی را انتخاب نمیکنم یا به این دلیل که پر کردن فعال است 00: 00:38 من فقط می توانم کلید اسلش را فشار دهم. 00:00:40 حالا من قصد دارم به زودی کمی 00:00:42 و من قصد دارم بر روی این نقطه در اینجا راست کلیک 00:00:44 به منظور انتخاب آن، و من کنترل فشار -X 00:00:47 یا فرمان X در Mac برای قطع آن به کلیپ بورد. 00:00:50 و سپس من کنترل F را فشار می دهم، یا فرمان F را روی مک، 00:00:53 برای چسباندن آن در جلو. 00:00:54 اکنون قصد دارم آن را با نقطه لنگر آن بکشم تا زمانی که 00:00:57 به هم زدن با نقطه یکسان صاف 00:01:00 در اصل G، 00:01:01 و من می دانم که من یک ضربه محکم و ناگهانی زمانی که من می بینم سر به فلک من 00:01:03 به نوبه خود از سیاه و سفید به مانند مثل. 00:01:07 حالا می خواهم به این مسیر با یک شفاف بپیوندم 00:01:10 همانطور که می دانید، می توانید به انتخاب در Illustrator 00:01:13 با تغییر دادن روی چیزی کلیک کنید. 00:01:16 اما اگر من بخواهم بر روی بخشی از این مسیر کلیک کرده و با ابزار فلش سفید بچرخم، تمام کارها را انتخاب نمی کنم، 00:01:21 و من برای این عملیات نیاز دارم برای کار. 00:01:23 بنابراین شما دو گزینه دارید 00:01:25 یکی از اینها تغییر ابزار فلش سیاه است 00:01:27 و روی مسیر ضربه بزنید. 00:01:29 دیگر این است که کلیه خطوط مسیر را انتخاب کنید 00:01:31 با ابزار فلش سفید، که توسط 00:01:34 با فشار کلید Alt یا کلید گزینه در Mac انجام می شود. 00:01:37 توجه داشته باشید زمانی که شما مطبوعات ALT و یا گزینه 00:01:39 شما علامت کمی همراه در کنار فلش سفید را ببینید. 00:01:42 بنابراین فقط به جلو بروید و با کلیک بر روی گزینه کلیک کنید یا گزینه را کلیک کنید 00:01:44 در طرح مسیر آن را انتخاب کنید تمام چیز. 00:01:48 مشکل این است که من مسیر انتخاب را انتخاب نکردم 00:01:51 تا اینجا در بالای صفحه قرار بگیرم، بنابراین باید به shift-alt 00:01:53 یا shift-option بر روی آن کلیک کنید تا آن را انتخاب کنید . 00:01:58 حالا شما می توانید به این مسیرها با بخش های مستقیم پیوست کنید 00:02:00 با رفتن به منوی Object، انتخاب مسیر، 00:02:03 و سپس انتخاب فرمان Join را انتخاب کنید. 00:02:05 یا شما می توانید press control-j یا command-j را روی مک بگیرید. 00:02:08 و این یکی از طرفین مسیرهای دیگر شما خواهد بود 00:02:11 با یک قسمت مستقیم مثل این. 00:02:13 برای پیوستن به طرف دیگر فقط کنترل J را فشار دهید

00:02:16  or command-J again, and you'll get this effect here.

00:02:20  I feel like this is a pretty rough transition.

00:02:23  So I'm going to click on this anchor point right there

00:02:25  and I'm just going to move it down.

00:02:27  It doesn't matter if it's not aligned at the top.

00:02:29  What counts is that it's aligned down here.

00:02:32  And then I'll go ahead and click on this anchor point

00:02:35  to make it active, and I'll drag its control handle

00:02:38  so that it's more properly aligned.

00:02:40  Now let's check out the other side and see how it's fairing.

00:02:43  This anchor point needs to move up to about here,

00:02:46  and then I need to take this control handle down

00:02:48  just to hide it from view.

00:02:50  And I'll click on this anchor point

00:02:51  and take its control handle outward

00:02:53  so that it's in a perfect line.

00:02:56  See that? We want a straight line between the control handle

00:02:59  and the straight segment that it's leading into.

00:03:02  Now we need to do the same at the top of the letter.

00:03:04  And this is all gonna work out.

00:03:06  I know it looks terrible right now,

00:03:07  but it will work out brilliantly.

00:03:09  We need to put a point right about there.

00:03:12  And we can do that by pressing the P key

00:03:14  to switch back to the pen tool,

00:03:15  and then clicking at that location.

00:03:17  And that we we have something to align with.

00:03:20  Now I'll press the A key

00:03:21  to switch back to the white arrow tool,

00:03:23  and I'll click and shift-click on these anchor points

00:03:26  along the top of the G, and that's going to do it.

00:03:29  So now I'll press control-X or command-X on a Mac

00:03:32  in order to cut those points and segments to the clipboard.

00:03:35  And now I'll press control-F or command-F on a Mac

00:03:38  to paste everything back into place.

00:03:40  And then I'll go ahead and drag the path by this top point

00:03:44  until it snaps into alignment with its identical point

00:03:47  in the original letter G.

00:03:50  And now I'll shift-alt-click or shift-option-click

00:03:52  on the bottom open path outline,

00:03:54  and I'll press control-J, control-J,

00:03:57  to join everything with straight segments.

00:03:59  And now I've got to move some things over here.

00:04:01  So I'll click on this anchor point

00:04:03  and drag it down to right about here, let's say.

00:04:06  And I'll take this one down and out as well,

00:04:09  and move its control handle so that it's aligned

00:04:12  with that straight segment that it's leading into.

00:04:15  And now let's go ahead and check out

00:04:16  the other half of the G.

00:04:17  I'll move over to this location.

00:04:19  And this time I'm just going to take this guy to the right,

00:04:21  because he shouldn't extend past the edge

00:04:24  of that block that's containing the letter.

00:04:27  And I might drag it down just a little bit as well.

00:04:30  Now let's go ahead and zoom out

00:04:32  by control-alt-spacebar clicking.

00:04:34  That's a command-option-spacebar click on the Mac.

00:04:37  And I'm going to change the fill

00:04:39  to this shade of gray right here,

00:04:40  the one where all the RGB values are 77.

00:04:44  And obviously we don't want the dark G to be in front.

00:04:46  So I'll click inside of its fill

00:04:48  to select the entire letter.

00:04:50  And then I'll right-click, choose a range,

00:04:52  and choose Send to Back

00:04:54  to send that edge in back of the letter itself.

00:04:57  And then I'll click off the path outlines to deselect them.

00:05:00  And I'll go ahead and preview the other layers once again,

00:05:03  which you can do by either control-clicking

00:05:05  or command-clicking

00:05:06  on the hollow eyeballs inside the Layers panel.

00:05:09  Or you can just go up to the View menu

00:05:11  and choose GPU Preview,

00:05:12  or press control-Y or command-Y on the Mac

00:05:16  to preview the entire illustration once more.

00:05:19  And now I'll go ahead and zoom out by pressing control zero

00:05:21  or command zero on the Mac.

00:05:23  And that is how you give your letter

00:05:24  a sculptural beveled edge

00:05:26  by duplicating and reshaping its original path outline

00:05:29  here inside Illustrator.

 

آموزش ایلوستریتور Illustrator CC Drawing a long perspective shadow

 

در این فیلم، ما این سایه طولانی را که توسط بلوک ها بازی می کنیم، رسم می کنیم، در حالی که حروف به طور اسرارآمیز هیچ سایه ای ندارند، زیرا دلیل واضح نیست که من آنها را دوست دارم. بنابراین، من به جلو برویم و سند پیشرفت در اینجا را تغییر دهم. 00:00:14 و من می خواهم به زوم کردن با فشار دادن کنترل منهای، 00:00:16 یا فرمان مناس بر روی مک، 00:00:18 و من قصد دارم برای ایجاد یک لایه جدید برای سایه من 00: 00:20 با کلیک روی یک لایه قالب، 00:00:22 و سپس با کلیک بر روی یک آیکون کوچک صفحه 00:00:25 در پایین صفحه پانل. 00:00:27 و من فقط پیش برویم و این جدول لایه را فراخوانی کنم. 00:00:30 بیایید بگوئیم و روی OK کلیک کنید. 00:00:32 و اکنون من قصد دارم یک مستطیل بزرگ بکشم. 00:00:35 بنابراین این چیزی است که من قصد ندارم با استفاده از قلم 00:00:36 قرعه کشی کنم. 00:00:38 من به جلو برویم و ابزار مستطیل را بردارم، 00:00:39 که البته می توانید با فشار دادن کلید M، 00:00:41 و سپس من در اطراف آن ردیابی می کنم مرز قرمز 00:00:44 که نشان دهنده خونریزی، به منظور جلب 00:00:47 یک مستطیل بسیار بزرگ، در واقع. 00:00:49 اکنون برای شما ممکن است رنگ دیگری به وجود آید، 00:00:51 اما من قصد دارم به جلو برویم و رنگ آن را 00:00:54 با کلیک کردن بر روی نمونه دوم در اینجا 00:00 : 56 در پانل کنترل، و من آن را به هیچ کدام تغییر نخواهم کرد. 00:00:58 و پس از آن من روی Swatch اول کلیک می کنم 00:01:01 و آن را به این قهوه متوسط ​​تغییر دهید، بگذارید بگوییم. 00:01:05 مشکل این است که، یک بار دیگر، اگر نگاهی بیندازیم 00:01:07 در تصویر اصلی در داخل فروشگاه عکس، 00:01:10 شما می توانید ببینید که جدول بسیار گرم است. 00:01:13 به این معنی که آن کمی قرمزتر است 00:01:15 و این نیز اشباع شده است. 00:01:17 بنابراین توجه داشته باشید، اگر روی آن Swatch اول کلیک کنید 00:01:20 در پنل کنترل، یک پیام دریافت می کنید که به شما می گوید 00:01:22 برای نگه داشتن کلید shift برای ایجاد یک UI رنگ متناظر. 00:01:26 و بنابراین بگذارید جلو برویم و این کار را انجام دهیم 00:01:28 با تغییر دادن روی آن نمونه رنگی، 00:01:30 و این احتمالا ارزش های RGB شما را به ارمغان می آورد 00:01:33 یا CMYK شما ارزش ها، ارزش HSB را می خواهیم. 00:01:37 و بنابراین من قصد دارم برای تغییر مقدار رنگ 00:01:39 تا 25 درجه، که کمی قرمزتر از آنچه که ما داریم. 00:01:44 و سپس مقدار اشباع را تا 77 درصد می گیرم. 00:01:47 و من مقدار روشنایی را به 60 درصد تغییر خواهم داد. 00:01:49 و این مقادیر اندکی به صرفه جویی می کنند 00:01:51 زیرا تصویرگر در تلاش است تا پیدا کند 00:01:53 نزدیک ترین معادل RGB،

 

00:01:55  but what we're seeing here is just fine.

00:01:57  So I'll press the escape key to hide that panel.

00:02:00  Alright, now we need to draw a shadow

00:02:02  that emanates from this block right here,

00:02:05  emanates from the front of it,

00:02:06  as well as the right side, the hidden right side

00:02:10  of this block over here on the right.

00:02:13  And that means I kind of need to figure out

00:02:14  where that right side is.

00:02:16  So I'm going to press the V key

00:02:17  to switch to my black arrow tool,

00:02:19  and I'm going to go ahead and click

00:02:20  on this shape to select it.

00:02:22  And I'm going to alt or option drag it

00:02:26  until it snaps into alignment with this bottom corner.

00:02:30  And what that's going to tell me

00:02:31  is where the back of the right edge is located,

00:02:34  which would be, at this point, approximately right here.

00:02:37  It would actually be a little farther down

00:02:39  because of perspective, but this is good enough

00:02:41  to get the job done.

00:02:43  Alright, I'm going to go and zoom out once again

00:02:45  by pressing control minus, command minus on the Mac.

00:02:48  And I'll go ahead and switch to the pen tool,

00:02:50  which I can get by pressing the P key,

00:02:52  and I'll click right about here.

00:02:54  Now notice my problem.

00:02:56  I don't know if you're seeing it,

00:02:58  but my pen tool cursor is lighting up an anchor point,

00:03:02  and I'm seeing a little slash next to the cursor,

00:03:04  which tells me I'm going to resume drawing this line.

00:03:07  And so if I click here, and then start clicking around

00:03:11  to create this shadow,

00:03:12  I'm going to get a very strange effect, indeed.

00:03:15  And that's because I'm extending my blend,

00:03:18  which is not what I want.

00:03:19  And so I'll press control Z, or command Z on the Mac

00:03:22  a couple of times in order to undo those segments.

00:03:25  And then, you can see I still have an active pen cursor,

00:03:29  so I'll press the escape key

00:03:31  in order to deactivate the line.

00:03:33  And I'll just go ahead and click near it, like so,

00:03:36  in order to start a new path outline,

00:03:38  and then I'll click right about here,

00:03:40  below the right edge of the D,

00:03:42  in order to set another corner point.

00:03:44  I'll click here in the bottom right corner at the bleed,

00:03:47  and then I'll click down toward the bottom

00:03:50  of the N, I think is going to work.

00:03:52  And I'll go ahead and click on that anchor point,

00:03:55  now that's safe to click on

00:03:56  because it's a closed path outline.

00:03:58  So you can't extend it.

00:04:00  And then I'll go back to my first point

00:04:01  and click on it, in order to close the path.

00:04:04  Alright, now I'm going to press the A key

00:04:06  in order to switch to the wide arrow tool.

00:04:08  And I'll go ahead and drag that point up

00:04:10  until it snaps into alignment with that one point

00:04:13  that I did not want to extend.

00:04:15  And I want to change both the fill and the stroke

00:04:17  of this path, so I'll press the V key to switch back

00:04:20  to my black arrow tool.

00:04:21  I'll click on the path outline to select the entire thing.

00:04:24  I'll go up to the second swatch

00:04:25  up here in the control panel, and change it to none.

00:04:28  And then I'll click on the first color swatch,

00:04:31  and I'll change the fill to the second darkest brown,

00:04:33  which is R96 G56 B19, in order to create

00:04:38  this shadow shape here.

00:04:40  So I'm on the wrong layer, and that's because

00:04:42  I accidentally activated that line in the blend,

00:04:45  and so I'll press the escape key to hide that panel.

00:04:47  And I'll drag that little red square

00:04:49  down to the table layer so that it turns green,

00:04:52  and then I'll move the path outline as well.

00:04:55  And now, I'll go ahead and click off the path

00:04:57  in order to evaluate it.

00:04:59  Now notice that the angle of this segment

00:05:01  is much sharper than the angle of the right hand one,

00:05:04  and that's not actually accurate because visually

00:05:06  things grow larger as they come toward us.

00:05:09  So I'm going to press the A key

00:05:11  to switch to the white arrow tool,

00:05:13  and I'm going to grab this anchor point

00:05:14  and shift drag it to here, let's say,

00:05:17  and now shift drag this one upward

00:05:20  so that the shadow is growing slightly larger

00:05:23  as it comes toward us.

00:05:25  Alright, now I'm going to press the V key

00:05:27  to switch back to my black arrow tool,

00:05:28  and i'll click on this path outline.

00:05:30  Technically, I don't need it anymore,

00:05:32  but i kind of don't want to lose it,

00:05:33  because it's been a valuable friend.

00:05:35  It helped me create this shadow,

00:05:37  so I'm just going to drag this red square here

00:05:39  inside the layer's panel,

00:05:40  that represents the selection down

00:05:42  to the table layer, once again,

00:05:43  in order to move that shape

00:05:44  and back of all the other blocks,

00:05:46  and then I'll click off the shape to deselect it,

00:05:48  and I'll press control zero, or command zero on the Mac

00:05:51  to center my zoom.

00:05:52  And I'm also going to lock the table layer,

00:05:55  because I don't want to mess it up,

00:05:56  by clicking in this second column,

00:05:58  right next to the layer,

00:06:00  and then it'll give me a little lock icon,

00:06:02  then I'll click on the blocks layer

00:06:03  to, once again, make it active.

00:06:05  And that's how you create a long shadow

00:06:07  in perspective, using the pen tool, of course,

00:06:10  here inside Illustrator.

 

آموزش ایلوستریتور Illustrator CC Drawing a few distress marks

 

بنابراین در اینجا من به عکس اصلی نگاه می کنم 00:00:02 در فتوشاپ، و همانطور که می بینید اینجا، 00:00:05 این نامه های داغ گرم تقریبا به اندازه کامل 00:00:07 هستند، آنها در داخل ما تصویر تا کنون 00:00:11 و در حالی که من نمی خواهم عکس واقعی را دریافت کنم، 00:00:13 من فکر کردم که سرگرم کننده است برای اضافه کردن برخی از ناراحتی 00:00:16 مانند این گوشه تراشه در سمت E. 00 : 00: 19 این دره در پایین G وجود دارد. 00:00:21 ما یکی دیگر از گوشه مختلط در N. 00:00:23 ما این الگوهای striation در اینجا در پایین من، 00:00 : 26 و این خطوط عمودی در پایین D. 00:00:29 درست است، بنابراین من به Illustrator بازگشت، 00:00:31 و فقط به طوری که ما در واقع می تواند از طریق بلوک های ما را ببینید 00:00 : 34 به الگو ردیابی در پس زمینه، 00:00:36 من به منوی View بروید و Outline 00:00:39 را انتخاب کنید یا Ctrl + Y یا cmd + Y را روی مک بگیرید. 00:00:43 و حالا من قصد دارم در اینجا شروع به زوم کردن در اینجا بکنم 00:00:46 زیرا این یکی از ساده ترین چیزهایی است که باید اضافه کنید. 00:00:49 و سپس من به جلو بروید و Pan Tool را انتخاب کنید، 00:00:51 که می توانم با فشار دادن دکمه "p"، 00:00:53 و من فقط پیش بروید و روی چهار کلیک کنید زمان 00:00:55 به نوعی از الماس تصادفی 00:00:58 حق در این محل اینجا. 00:00:59 و سپس، با این شکل انتخاب شده، 00:01:01 من تایید می کنم که پر کردن آن به تمام مقادیر در 77 00:01:06 تنظیم شده است که دقیقا همان چیزی است که من می خواهم. 00:01:08 درست است، حالا من قصد دارم به زودی در N 00:01:10 و من قصد دارم برای ایجاد یک مثلث در اینجا 00:01:13 با کلیک کردن در این محل، و سپس من اینجا کلیک کنید 00:01:16 من نمی خواهم بیش از حد به پایین، بنابراین من کلیک کنید 00:01:19 بیایید بگویید در مورد وجود دارد،

 

00:01:21  and then I'll finish my triangle like so.

00:01:24  And now I'll change its fill, which is active here

00:01:27  in the Swatches panel, to this dark shade of gray

00:01:29  where all values are 51.

00:01:32  And I'll press ctrl + y or cmd + y on a Mac,

00:01:35  just to confirm that's the effect I'm looking for.

00:01:37  Obviously, it's not where it ought to be,

00:01:39  so I'm going to need to zoom out here a little bit.

00:01:42  And I'll press the "v" key to get my black arrow

00:01:44  tool and I'll go ahead and partially marquee

00:01:46  these three shapes right here,

00:01:48  and then I'll right click on any one of them,

00:01:50  choose a range, and then choose Send to Back

00:01:53  in order to move the N in back of the G, like so.

00:01:57  All right, now I'm going to go over here

00:01:59  to what I believe is the E,

00:02:01  and I can find that out for sure

00:02:02  by pressing ctrl + y or cmd + y again

00:02:05  in order to switch back to the outline mode

00:02:08  so that I can see the tracing template in the background.

00:02:11  And I'm going to draw another triangle just l like so

00:02:14  right here, a pretty long one, let's say,

00:02:16  all the way up to this location right there and then over.

00:02:19  The problem is now I need to modify those perspective

00:02:22  rectangles that make up the block.

00:02:25  And currently, this triangle's going to get in the way.

00:02:28  So what I'm going to do so that I can snap to it,

00:02:30  is press the "v" key once again to switch

00:02:32  to the black arrow tool,

00:02:33  click on that path to select it,

00:02:35  right click on it and choose Arrange

00:02:37  and then chooses Send to Back.

00:02:40  And then I'll click right here at the bottom of the triangle

00:02:42  to add a point to this forward paths

00:02:44  so we're not affecting the triangle.

00:02:46  And then I'll press the "a" key to switch

00:02:48  to the wide arrow tool.

00:02:49  I'll go ahead and select that point

00:02:51  and I'll drag it over while pressing the shift key

00:02:54  until it snaps into alignment with the edge

00:02:56  of that rectangle right there.

00:02:58  Then, I'll go ahead and click on this corner point

00:03:01  right there to select some portion of this upper path

00:03:05  and then I'll press the "p" key once again

00:03:07  to get my Pen Tool, and then I'll click here

00:03:10  but, if I do, look at my cursor.

00:03:12  You can see that it has an asterisk

00:03:14  which means I'm going to start a new path outline.

00:03:16  And the reason that I'm not adding a point to this

00:03:18  selected path is because it's not in front.

00:03:21  So I'll just go ahead and move my cursor over a little bit

00:03:23  so it has a plus sign next to it and I'll click right there.

00:03:26  And then I'll press the "a" key to switch back to the wide

00:03:28  arrow tool and I'll drag this selected point until it snaps

00:03:31  into alignment, and then I'll drag this guy up until

00:03:34  it snaps into alignment as well.

00:03:37  And now, if I press ctrl + y or cmd + y on a Mac,

00:03:39  you can see we have a problem

00:03:41  not seeing the entire triangle,

00:03:43  and that's because I sent it to back.

00:03:44  So I'm going to click inside the triangle to select

00:03:47  the entire thing with the wide arrow,

00:03:50  and then I'll right click on the path, choose a range,

00:03:52  and choose Bring to Front in order to move it

00:03:54  all the way to the front of the stack.

00:03:56  And can you see we have a little bit of a problem here?

00:04:00  Notice that our strokes aren't lining up,

00:04:02  and so I'm going to click on the word Stroke

00:04:04  up here in the Control Panel,

00:04:05  and I'm going to switch the corner to the Bevel Join

00:04:09  which is going to give us a better match.

00:04:11  We still have a kind of microscopic problem there,

00:04:13  but I'm not worried about it.

00:04:15  And so now I'll press the escape key to dismiss that panel,

00:04:17  and I'll go ahead and fill the shape with medium gray

00:04:20  which is one where all values are 128

00:04:22  in order to produce this effect here.

00:04:25  All right, now I'll go ahead and zoom out some

00:04:27  just so I can take any artwork

00:04:28  and see what I've come up with.

00:04:29  I'll go ahead and click off the path to deselect it.

00:04:32  All right, now let's add those patterns to the bottoms

00:04:35  of the D and the I.

00:04:37  And so I'm going to zoom back in to the D here,

00:04:40  and I'm going to click on this edge in order to select it

00:04:43  independently of the rest of the shape.

00:04:45  So if you click inside a filled shape,

00:04:47  you'll select the entire thing,

00:04:49  but if you click just right on the stroke,

00:04:51  you'll select just that segment.

00:04:53  And now I want you to shift + click on this segment

00:04:55  right there, and now press ctrl + c or cmd + c on a Mac

00:04:59  and press ctrl + f or cmd + f on a Mac

00:05:02  in order to paste those two lines in front.

00:05:05  And now I'm going to go up to the Control Panel

00:05:07  and change the fill to none or I could have just pressed

00:05:10  the "/" key.

00:05:11  Now I want to create a bunch of steps between

00:05:14  these two extremes here.

00:05:15  And I'm going to do that using that blend function

00:05:18  that you get to by going up to the Object menu,

00:05:21  choosing Blend, and then choose Make.

00:05:24  And that ends up producing not the effect I am looking for

00:05:27  but it's easily resolved.

00:05:29  I'm just going to go ahead and click off this path

00:05:31  that line and then drag this point up here,

00:05:34  drag this other one down here.

00:05:35  The problem is that the two paths were drawn

00:05:37  in a different order, and so by just reversing the position

00:05:40  of the points, I changed that order

00:05:43  and now I want to select this entire blended object.

00:05:46  And the easiest way to do that for now is to switch

00:05:48  back to the black arrow tool by pressing the "v" key,

00:05:51  and then I'll click on this line to select it

00:05:53  and the other line as well as the steps in between.

00:05:56  And then I'll go up to the Object menu,

00:05:58  choose Blend, and choose Blend Options.

00:06:01  And I'll turn on the Preview checkbox,

00:06:03  change Spacing, the Specified Steps,

00:06:05  and then just click in that value

00:06:06  and press the up arrow key until I like what I see

00:06:09  which happens at 18 steps, so that's 18 steps in between

00:06:13  the two extremes.

00:06:14  At which point, I'll click OK, and then I'll go up

00:06:17  to this Opacity value in the Control Panel,

00:06:19  and I'll change it to 50% and I'll press the enter key

00:06:23  or the return key on a Mac.

00:06:24  All right, that takes care of that edge.

00:06:26  Now, let's address the front edge of the I.

00:06:29  At least I think that's what I'm looking at.

00:06:30  Just to confirm, I'll press ctrl + y or cmd + y on a Mac

00:06:33  so that I can see that tracing template.

00:06:35  And sure enough, there's the I right there.

00:06:38  All right, so I'll press ctrl + y or cmd + y again

00:06:40  and now I'll press the "a" key to switch back

00:06:43  to the wide arrow tool.

00:06:44  I'll click on this top edge right there to select it,

00:06:47  and I'll press ctrl + c, ctrl + f,

00:06:49  that's cmd + c, cmd + f on a Mac.

00:06:52  All right, now we want to make a copy of this line

00:06:54  and it'll all make sense in just a moment.

00:06:56  But we're going to make a copy of this line

00:06:58  by dragging it down while pressing the shift key

00:07:01  and the you want to press and hold

00:07:02  the alt key or the opt key on a Mac

00:07:04  and drop it into place so that we have a copy.

00:07:08  All right, now I'm going to click on this right point

00:07:10  right there to select it independently of the left one,

00:07:13  and I'll go ahead and drag it down to,

00:07:15  I figure, right about here.

00:07:18  I'm trying to bring it down to the midway point here.

00:07:20  And now I'll go ahead and press ctrl + f or cmd + f on a Mac

00:07:24  to paste another copy of this line.

00:07:26  And I'll drag it down to right about here, I figure,

00:07:30  and then I'll click on that right-hand point

00:07:32  and drag it all the way down

00:07:34  so it snaps into alignment with that corner.

00:07:36  And I might go ahead and move this guy up a little bit

00:07:39  while pressing the shift key.

00:07:40  I'm just trying to get regular intervals going here.

00:07:43  And now we want to make one more copy of this line,

00:07:46  and I'm going to do that by grabbing this anchor point

00:07:49  and dragging it to right about there

00:07:52  and then pressing the alt key or the opt key on a Mac

00:07:54  to make a copy of that point which goes ahead

00:07:57  and copies the neighboring segment as well.

00:07:59  In other words, we've copied the entire line.

00:08:02  So now I'll go ahead and drag this guy down

00:08:04  and you can see that it's snapping into alignment.

00:08:06  All right, now switch to the black arrow tool

00:08:09  by pressing the "v" key, and then go ahead

00:08:11  and click and shift + click on each one of these lines.

00:08:15  Do not select the big rectangle.

00:08:18  We do not want that.

00:08:19  Then, go back to the Object menu, choose Blend,

00:08:22  and choose Make, and that will make this crazy blend

00:08:26  right here, which is not quite what we want.

00:08:28  So return to the Object menu, choose Blend,

00:08:31  and choose Blend Options.

00:08:34  Go ahead and change the Spacing to Specified Steps,

00:08:36  turn on the Preview checkbox, and then click on that value

00:08:39  and press the up arrow key until you like what you see

00:08:42  which for me happens at five.

00:08:44  And now I'll click OK to accept that change.

00:08:47  And now you want to press the "a" key

00:08:48  to switch back to the wide arrow tool.

00:08:50  And click on this point.

00:08:52  In my case you can see that the lines aren't quite spread

00:08:54  the way they need to be.

00:08:56  And now I'll just press the down arrow key,

00:08:58  press and hold that down arrow key,

00:09:00  until things start looking better.

00:09:02  And you can see that the blend is updating on the fly.

00:09:04  And it appears that this point needs to come down as well.

00:09:07  And so I just want you to see that update I'm talking about.

00:09:10  Notice if I drag the point to a new location,

00:09:12  all the steps adjust on the fly.

00:09:14  Very, very cool feature.

00:09:15  Very old feature as well inside Illustrator.

00:09:18  And so I'm going to go ahead and press the down arrow key

00:09:21  to move that point down, and actually I moved it back up

00:09:24  a little bit as well.

00:09:25  And now I'll select this point right here

00:09:27  and press the left arrow key to move it to the left

00:09:30  until we have this effect.

00:09:32  At which point, I'll press the "v" key to switch back

00:09:33  to the black arrow tool,

00:09:35  click on any one of these lines to select the entire blend,

00:09:38  and again change the Opacity value

00:09:40  up there in the Control Panel to 50%

00:09:43  and then click off the paths to deselect them,

00:09:46  and then zoom out so that we can take in the entire effect.

00:09:49  And that's how you draw a few distressed marks

00:09:51  just for the sake of a little bit of realism

00:09:54  using a combination of the Pen Tool and the Blend function

00:09:58  here inside Illustrator.

 

آموزش ایلوستریتور Illustrator CC Drawing perspective edges

 

در این فیلم، ما قصد داریم به قرعه کشی از طرف این بلوک  از سرب فلز داغ، و آنها اساسا مستطیل چشم انداز من نمی خواهم به نقاشی این لبه ها برسم. شما می توانید اگر می خواهید البته اما به رغم این پروژه به اندازه کافی پیچیده است. بنابراین من قصد دارم به جلو و زوم در در این لبه در اینجا، که آن است که دوم به سمت چپ،  و من یک بار دیگر ابزار قلمم را می گیرم،  و مطمئن خواهم شد، قبل از شروع،  که تکمیل من به هیچ وجه تنظیم نشده است، بنابراین  که من می توانم قالب من را ببینم، و سپس من به جلو بروید و در این نقطه در اینجا کلیک کنید، 00:00:30 من اینجا را کلیک کنید. من بیش از 00:00:33 روی این مکان کلیک می کنم، و بعد از این، 00:00:36 اینجا کلیک می کنم، و سپس روی اولین نقطه کلیک می کنم. 00:00:39 شما می خواهید مطمئن شوید که این کار را انجام دهید. 00:00:40 فراموش کردن این گام آسان است. 00:00:41 و مطمئن شوید که شما می بینید 00:00:42 یک دایره در کنار مکان نما خود. 00:00:44 درست است، حالا من قصد دارم به زوم 00:00:45 راه در این لبه راست، و من فشار 00:00:47 کلید برای تغییر به وسیله فلش ابزار من، 00 : 00: 49 و من ممکن است آن نقطه لنگر را در آنجا مستقر کنم 00:00:51 و فقط کمی آن را 00:00:53 با فشار دادن کلید فلش سمت چپ چند بار 00:00:55 و به یاد بیاورید که ما ' 00:00:58 به 0.1 نقطه کاهش یافته است، بنابراین ما یک تن از کنترل است. 00:01:01 درست است، حالا من قصد دارم به جایی برسم. 00:01:04 این لبه سمت چپ، و من قصد دارم به 00:01:05 Ctrl + C، یا Cmd + C را روی Mac، 00: 01:06 بعد از آن Ctrl + F یا Cmd + F روی یک مکینتاش، 00:01:10 برای اینکه آن شخص را در مقابل قرار دهید، 00:01:12 و ایده این است که این مسیر بعدی 00:01:13 است خیلی خیلی لاغر است که میخواهم 00:01:16 تا اطمینان حاصل شود که دو لبه موازی هستند، 00:01:19 و بنابراین من اکنون میخواهم این مرد را در اینجا بکشم 00:01:22 به طوری که او فریب می دهد به ترتیب، 00:01:23 و من کلید Alt را فشار می دهم، یا کلید گزینه در یک مکینتاش 00:01:26 برای ایجاد یک کپی، و در حال حاضر من فشار دادن 00:01:29 کلید P به منظور تغییر ابزار قلم من 00:01:32 من روی نقطه پایانی بالا کلیک میکنم 00:01:34 به منظور فعال کردن طرح مسیر، 00:01:36 و سپس بر روی این یکی از 00:01:37 کلیک میکنم برای اتصال این دو بخش، 00:01:39 و در حال حاضر من همین کار را در اینجا انجام خواهم داد. 00:01:41 بر روی هر کدام از 00:01:43 کلیک کنید و دوباره کلیک کنید تا نقاط انتهایی به آنها وصل شود. 00:01:45 درست است، حالا میخواهم فشار دهم 00:01:46 Ctrl + Shift + A، یا Cmd + Shift + A روی یک مکینتاش، 00:01:49 به منظور لغو انتخاب این مسیر 00:01 : 50 به طوری که من می توانم روی اینجا کلیک کرده و روی آن کلیک راست کرده، 00:01:54 و این پایین ترین اسم است که باور دارم، 00:01:57 بنابراین ما قصد داریم تا این دکمه را فشار دهیم، 00 : 01: 59 با کلیک بر روی این یکی، و سپس کلیک کنید 00:02:02 پایین در اینجا به منظور بستن آن شکل. 00:02:05 درست است، حالا Ctrl + Shift + A، 00:02:06 یا Cmd + Shift + A را دوباره فشار دهید و من فقط روی 00:02:09 در اطراف این بچه ها کلیک کنید، اینجا را کلیک کنید، اینجا کلیک کنید 00:02:12 تغییر در اینجا کلیک کنید، تغییر دادن کلیک کنید 00:02:14 در این مکان، و کلیک کنید.

 

00:02:16  in order to finish off that shape.

00:02:18  And I should say I haven't done

00:02:19  a terribly good job of following

00:02:20  the bottom edge of this block right here

00:02:24  inside the template, but according

00:02:25  to the rules of perspective,

00:02:26  there's no way I can bring this one edge down.

00:02:29  It has to be smaller than the front edge,

00:02:31  and right now it's the same size,

00:02:32  so I'm just going to fudge a little bit.

00:02:34  Doesn't really matter.

00:02:35  Now I'll press Ctrl + Shift + A,

00:02:36  or Cmd + Shift + A in order to deselect the art work.

00:02:40  I'll click right there, shift click way down here,

00:02:42  shift click over at this location,

00:02:45  and then click up in this corner.

00:02:47  You don't need to press the shift key,

00:02:48  and then click over on this anchor point

00:02:51  in order to finish off that path outline.

00:02:54  All right, now I'm going to zoom out a little bit here,

00:02:56  and it looks like the background

00:02:57  changed colors on us.

00:02:59  You sometimes see that kind of stuff happen

00:03:00  when you're previewing to the GPU.

00:03:03  If that bothers you, you can go

00:03:04  to the view menu and choose preview

00:03:06  on CPU instead, and that will restore

00:03:08  the proper colors.

00:03:10  All right, I'm going to click right there

00:03:11  at that corner, and then click at this corner

00:03:13  in the template, and shift click

00:03:15  right about there, and I'm too far in.

00:03:18  I just know I am, but I'm not worried

00:03:19  about it right now.

00:03:20  I'll click up at this anchor point,

00:03:22  and then I'll click at the very first anchor point

00:03:25  to close off the shape, and I'll press

00:03:27  the control key or the command key on a Mac

00:03:29  to temporarily get my wide-arrow tool,

00:03:31  which is the last one I used.

00:03:32  I'll click on this anchor point,

00:03:34  and then I'll press shift + right arrow let's say

00:03:36  in order to move that anchor point

00:03:38  more radically to the right until

00:03:41  these two edges are parallel,

00:03:42  and I don't need to do that because

00:03:44  this edge is going to get hidden,

00:03:45  but we might as well make things

00:03:46  as right as possible.

00:03:48  All right, I'm going to go ahead

00:03:49  and zoom out again and draw this

00:03:51  very first edge that I had put off

00:03:54  by clicking at this point right there,

00:03:56  and then I'll click down here,

00:03:57  and this time by starting at this location

00:03:59  I can assure that I have a more or less parallel edge,

00:04:03  and now shift click right there,

00:04:05  click up at this anchor point,

00:04:07  and click at the very first one

00:04:09  in order to close off that path outline.

00:04:12  All right, now let's fill these paths

00:04:13  by switching back to the black-arrow tool,

00:04:15  clicking in this path outline for example,

00:04:17  and I'm going to select this shade of grey

00:04:19  that has all values set to 102,

00:04:21  and then I'll click the next guy over

00:04:23  as well as shift clicking on this

00:04:25  little sliver of a path right there

00:04:27  if I can get it, which I did. Awesome.

00:04:29  And I'll change your fills to the shade of grey

00:04:31  where all values are set to 77,

00:04:33  and you can see that we're covering stuff up right here.

00:04:36  This edge should not be covering up

00:04:38  all these other details, so I'll

00:04:39  select it and then right click on it

00:04:41  and choose arrange, and then choose

00:04:43  send to back to send it all the way

00:04:45  to the back of the stack,

00:04:46  and now it's not covering up a darn thing.

00:04:48  All right, now let's go ahead and

00:04:50  select this guy, and set it to

00:04:52  the shade of grey where all values are 128,

00:04:55  and I'll select its neighbor and set it

00:04:57  to the next one over where all values are 102,

00:05:01  and then I'll select this guy,

00:05:02  want to make him a little darker,

00:05:04  and actually, turns out I missed

00:05:06  I'm misreading my notes.

00:05:07  This guy wants to be the grey with

00:05:08  all values set to 102, and this one

00:05:10  wants to be the next one darker

00:05:11  where all the values are 77,

00:05:14  and then finally I'll set this

00:05:15  final shape to this shade of grey right here

00:05:17  the one where all values are set to 77 once again,

00:05:21  and then I'll make it nice and dark,

00:05:23  and then as you can see it's in front

00:05:25  of some shapes that it shouldn't

00:05:26  be in front of, so I'll go ahead

00:05:27  and right click, choose arrange,

00:05:29  and then choose send to back, and then

00:05:31  I'll click off the shape to deselect it,

00:05:33  and I'll press Ctrl + 0, or Cmd + 0 on a Mac

00:05:36  in order to center my view.

00:05:38  All right, so that takes care of

00:05:39  the perspective edges of those blocks.

00:05:42  In the next move, we'll add these

00:05:43  little distress marks, again, with

00:05:45  the help of the pen tool.