آموزش illustrator pdf - Illustrator CC Drawing smooth points

 

 

 

 

00:00:33  Notice that my pen cursor, once again, has an asterisk

00:00:36  to show me that I'm about to create a new path outline.

00:00:38  I'm going to do so by clicking and dragging.

00:00:42  So the point at which you click,

00:00:44  that determines the location of the smooth point,

00:00:46  and as you drag, you're going to draw forth control handles.

00:00:49  One, under your cursor,

00:00:51  and the other, opposite the cursor like so.

00:00:55  And now notice that my rubber band preview is curving

00:00:58  to show me that I'm going to create a curving segment,

00:01:01  but it's not entirely accurate.

00:01:03  What we're seeing is a preview of what would happen

00:01:05  if I were to click in order to create a corner point.

00:01:09  But you don't want to do that because if you do,

00:01:12  you'll have just one control handle associated

00:01:15  with this segment, and that's generally a no-no

00:01:17  because you end up with this curving segment

00:01:19  that ends with this kind of flat tire.

00:01:22  So I'm going to go ahead and press Control Z

00:01:24  or Command Z on a Mac.

00:01:25  What you want to do instead, is drag to create

00:01:28  another smooth point like so.

00:01:30  And now notice that the control handle under my cursor,

00:01:33  and my cursor is located downward by the way,

00:01:36  has nothing to do with the segment that I'm about to create.

00:01:40  Instead, it's the opposite control handle

00:01:43  that's informing this segment

00:01:45  while the control handle that I just made

00:01:47  will affect the next segment I draw.

00:01:50  So now I'll go ahead and drag down here

00:01:51  to create another control handle,

00:01:53  and notice that I have established a pattern.

00:01:56  So I started dragging from the top here

00:01:59  in a counter clockwise direction,

00:02:01  which means that I need to continue

00:02:03  in a counter clockwise direction.

00:02:04  If you start clockwise, then just continue clockwise.

00:02:08  So you can draw in either direction you want,

00:02:11  but what you don't want to do is now start dragging

00:02:14  in the wrong direction because you'll get this big loop.

00:02:17  Alright, a couple of other things to note here.

00:02:20  If you press and hold the Spacebar as you're creating

00:02:23  a smooth point, then you can move that point on the fly,

00:02:26  and as soon as you release the Spacebar,

00:02:28  you'll continue changing the curvature of the segment.

00:02:32  You can also press the Shift key

00:02:34  if you want to constrain the angle of your control handles

00:02:37  to the nearest 45 degrees.

00:02:39  But, you cannot do both at the same time.

00:02:42  And so if I were to add the Spacebar

00:02:44  while I have the Shift key down, then I would just continue

00:02:47  to constrain those control handles,

00:02:49  I will not move the anchor point.

00:02:51  So if you want to move that smooth point,

00:02:53  you need to release the Shift key,

00:02:55  then move the point to where you want it to be,

00:02:57  go ahead and release the Spacebar,

00:02:59  then hold the Shift key once again.

00:03:02  A final option that's available to you

00:03:04  is to press the Control key or the Command key on the Mac.

00:03:07  Right now, notice when I don't have any keys down,

00:03:10  that both of my control handles are absolutely symmetrical.

00:03:14  They're both moving along with my cursor.

00:03:17  But if I press the Control key or the Command key

00:03:19  on the Mac, just the control handle under my cursor moves

00:03:23  and the opposite one remains the same length.

00:03:26  I can move around to change its angles,

00:03:28  but its length remains the same.

00:03:30  But if at any time, you release the Control or Command key,

00:03:33  then your control handles are going

00:03:35  to be the same length once again.

00:03:37  Alright, finally, let's say you want to close the path.

00:03:40  I'll go ahead and move my active cursor that has no asterisk

00:03:44  over the first point in the path.

00:03:45  We now see a circle which tells us that we're about to close

00:03:48  the path, but if I were to just click, I'll get

00:03:51  this flattened segment that we're seeing in the preview.

00:03:54  That's not what I want, so in order to get a nice smooth

00:03:56  point at the end, you want to go ahead and drag once again.

00:04:00  Now the good news you'll find as you become

00:04:02  more experienced, is that you're only affecting

00:04:05  the opposite control handle.

00:04:06  You're not affecting the one that's over here

00:04:09  on the left side of the shape, in other words.

00:04:11  It's remaining the same, so that gives you a little more

00:04:14  latitude and control when you're closing the shape.

00:04:17  You also have the option of pressing and holding

00:04:19  the Spacebar to move that closing point on the fly like so.

00:04:24  And when you get it where you want it,

00:04:25  you can release the Spacebar once again

00:04:28  and continue dragging.

00:04:29  So I'm going to go ahead and release to create this shape.

00:04:32  Alright, now let's say you want to make some modifications

00:04:35  because it's not really the smoothest shape

00:04:37  I've ever created.

00:04:38  In that case, go ahead and press and hold the Control key

00:04:40  or the Command key on the Mac to get the lasso arrow tool

00:04:43  on the fly, unfortunately for me, that's the black arrow

00:04:46  tool, which does allow you to drag control handles around

00:04:50  incidentally, so you can move control handles

00:04:52  with the black arrow tool, you just can't move anchor points

00:04:55  because if you click on an anchor point,

00:04:57  you'll end up selecting the entire shape.

00:04:59  You'll also select the entire shape if you click

00:05:01  on a segment, which means I can't see

00:05:04  the control handles down here.

00:05:06  So I need to switch to the white arrow tool by pressing

00:05:08  Control tilde here on a PC

00:05:10  or Command Option Tab on the Mac,

00:05:13  then I'll click on this segment to see its control handles.

00:05:16  Notice the segments just aren't quite long enough,

00:05:19  they should be a little longer in order

00:05:21  to get a nice smooth arc.

00:05:23  And notice if I make them too long like so,

00:05:26  then I'll end up with this kind of rounded corner effect

00:05:29  right here, and if you really go far enough with it,

00:05:32  you'll get the segment to loop around.

00:05:34  Whereas, if you make your control handles too short like so,

00:05:38  then you'll end up with a flattened segment.

00:05:40  So keep in mind that rule of thirds,

00:05:43  which says that the control handles together

00:05:45  should add up to about two-thirds the length

00:05:47  of the curving segment, which is a problem up here.

00:05:50  This guy's too flat, so I'll go ahead and click

00:05:52  on this segment and drag these control handles

00:05:55  out just a little bit like so.

00:05:58  Alright, you can also draw open path outlines if you like,

00:06:01  but you don't want to start dragging on the path outline

00:06:03  because it's selected.

00:06:05  So if I were to click on a selected curving segment like so,

00:06:09  then I will not only see the plus sign next to my pen cursor

00:06:12  but I will also add a smooth point.

00:06:14  So any time you click on a selected curving segment

00:06:17  with the pen tool, you add a smooth point.

00:06:19  Alright, let's say I don't want to do that.

00:06:21  I'll just press Control Shift A or Command Shift A

00:06:23  on the Mac in order to deselect that path outline.

00:06:26  And now, I'll just drag a bunch of times in order to create

00:06:30  some more smooth points, and I'll use the Spacebar

00:06:33  in order to get that guy into a better position.

00:06:35  By the way, you can always edit the points as you're working

00:06:38  just by pressing the Control key

00:06:40  or the Command key on the Mac.

00:06:41  Go ahead and click an anchor point,

00:06:43  adjust its control handles, do whatever you want to it.

00:06:46  You can even move points around incidentally

00:06:48  without deactivating the paths, so notice, as soon

00:06:51  as I release the Control key or the Command key on the Mac,

00:06:53  my path is still active as I can see by the lack of asterisk

00:06:57  and the fact that I have a rubber band preview.

00:07:00  But, if I try to nudge a selected point

00:07:03  using the arrow keys on the keyboard,

00:07:05  the second I press an arrow key, I will deactivate the path

00:07:07  as you're seeing here.

00:07:09  So to reactivate it, you don't want to click

00:07:11  because you're working with smooth points.

00:07:13  Instead, you want to drag and then you can continue dragging

00:07:17  to add more smooth points to your path outline.

00:07:21  Then, once you get the desired effect like so,

00:07:24  and I'll just go ahead and Control-drag or Command-drag

00:07:27  that control handle inward a little bit,

00:07:29  then you can deactivate the path outline just as you can

00:07:31  when you're creating corner points

00:07:33  by pressing the Escape key or the Enter key

00:07:36  or the Return key on the Mac, it's entirely up to you.

00:07:39  Now I'm going to press the V key to switch back

00:07:41  to my black arrow tool, and I'll click off the path outline

00:07:44  to deselect it.

00:07:46  And that's how you create smooth points with a pen tool,

00:07:49  by dragging in a consistent direction, remember that,

00:07:52  here inside Illustrator.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC How smooth points work

 

 

 

 

 

من فقط می خواهم بزرگ باشم، بنابراین می توانیم ببینیم چه اتفاقی می افتد. و اکنون می توانید ببینید که در مجموع چهار امتیاز لنگر وجود دارد که همه آنها نقطه صاف هستند. و همانطور که می توانید به یاد بیاورید، یک تضمین کننده مسطح است که ما بین دو بخش منحنی همسایگی یک انتقال صاف داشته باشیم. حالا برای دیدن آنچه که این نقاط صاف به نظر می رسد، به پیش بروید و به ابزار فلش سفید، که شما می توانید با فشار دادن یک کلید را دریافت کنید. و سپس بر روی هر یک از نقاط لنگر کلیک کنید. در آن زمان، نه تنها این نقطه لنگر مربع را می بینید، بلکه دو کنترل دایره ای در هر دو طرف آن با اهرم های مستقیم متصل می شود. این دستگیره های کنترل باعث جذب بخش ها می شوند. آنها مسئول انحنای هستند و به همین ترتیب آنها اساسا مانند آهن ربا هستند که در آن بخش ها مربوط می شوند. و بنابراین متوجه میشویم، اگر این کنترل را کمی دورتر بکشم، قطعه به سمت آن خم می شود. و به هر حال، شما می خواهید در دایره بکشید، نه در اهرم خود، زیرا اگر شما سعی می کنید اهرم را بکشید، شما فقط چیزی را از بین نمی برید، مثل این است. درست است، من قصد دارم به جلو بروید و یک بار دیگر روی نقطه کلیک کنید تا آن را انتخاب کنید. همچنین توجه کنید که من این دسته کنترل را در سمت راست لنگر قرار می دهم، من نیز یکی را در سمت چپ حرکت می دهم، و این به این دلیل است که دو به یکدیگر هماهنگ می شوند.

00:02:29  Now one control handle can get shorter than the other,

00:02:31  but it's going to remain at the same angle,

00:02:34  as we're seeing here.

00:02:36  And that alignment is what defines a smooth point

00:02:39  in Illustrator.

00:02:40  All right, now we saw that if you drag the control handle

00:02:43  farther away from the segment,

00:02:45  the segment is going to bend out toward it.

00:02:47  But if you drag the control handle toward the segment,

00:02:50  it's going to start flattening out, as we're seeing here,

00:02:53  and that's because were no longer requesting

00:02:55  as much curvature.

00:02:56  If you go ahead and drag the control handle

00:02:59  to the other side of the segment,

00:03:01  it's going to bend in the other direction,

00:03:03  and it's going to bend more and more

00:03:05  the farther you drag that control handle.

00:03:08  And now, you can see that we've got

00:03:10  an awful lot of curvature

00:03:12  because the other control handle has moved across

00:03:15  its segment and farther away as well.

00:03:18  All right, let's say I like this amount of curvature

00:03:20  but I don't want my path outline going outside the artboard.

00:03:24  Then I would just go ahead and drag the square smooth point

00:03:27  inward like so.

00:03:29  All right, now I'll just go ahead

00:03:30  and center my zoom once again.

00:03:32  Now just because you're working with smooth points,

00:03:34  doesn't mean you might not get lumpy results.

00:03:37  Notice in this case, for example,

00:03:39  I'm getting an extremely lumpy curve,

00:03:42  and that's because the control handle

00:03:45  affects the way the segment exits an anchor point

00:03:48  and how it enters the next one.

00:03:50  And so in this case, both of the control handles

00:03:53  on either side of the segment are requesting

00:03:56  a ton of curvature, and that's creating

00:03:59  a kind of wavy segment, as we're seeing right here.

00:04:02  And so the solution is to just go ahead

00:04:05  and bring the control handles in

00:04:07  so that we get smoother results as we're seeing right here.

00:04:12  Now another way to see your control handles

00:04:14  is to click on a segment, in which case,

00:04:17  you'll see the control handle that's directing

00:04:19  the way the segment exits an anchor point,

00:04:21  as well as the one that defines how it's entering

00:04:24  the next anchor point.

00:04:26  Now watch what happens if I take a control handle

00:04:28  and bend it totally in the other direction.

00:04:32  We're going to end up with a loop

00:04:34  inside of our path outline.

00:04:36  That's rarely desirable, and so the solution

00:04:39  is to just go ahead and put things back the way they were.

00:04:42  You also have the option, when you're working

00:04:44  with the white arrow, of dragging directly on a segment

00:04:48  like so, in which case, you're going to modify

00:04:50  the bending of that segment.

00:04:53  And you have a lot of latitude these days.

00:04:55  You can drag that segment just about anywhere you want,

00:04:58  and the control handles will come along with it.

00:05:01  You can also constrain the drag by pressing and holding

00:05:04  the shift key, in which case,

00:05:06  those handles are going to lock to the nearest 45 degrees.

00:05:09  You can also lock your control handles

00:05:11  by shift dragging directly on them, like so,

00:05:15  which is great if you're looking for absolutely vertical

00:05:18  or horizontal alignment.

00:05:20  And so I'll go ahead and make these guys up here

00:05:23  exactly horizontal like so.

00:05:25  Now you're going to be doing a ton of work

00:05:27  with control handles inside Illustrator.

00:05:30  And you're going to run into situations

00:05:32  where you're not getting smooth results.

00:05:34  And any time that happens, I want you to take a look

00:05:37  at an arc.

00:05:38  So go to the Line Segment Tool,

00:05:40  and then select the Arc Tool.

00:05:42  And just go ahead and draw a big arc.

00:05:45  And in my case, I want to flip it

00:05:46  just for the sake of demonstration here.

00:05:49  And after you draw the arc, then press the a key

00:05:52  to switch to the White Arrow Tool,

00:05:53  and go ahead and click off the line to deselect it.

00:05:56  And then click on its segment, and you'll see

00:05:59  how the control handles are arranged.

00:06:02  And I want you to notice that we have two control handles

00:06:05  for curving segment.

00:06:07  That's very important.

00:06:08  You don't want to have just one control handle like this

00:06:11  because you'll end up with a kind of flat tire effect.

00:06:14  So you definitely want two handles for every curving segment

00:06:17  and you want those handles together

00:06:20  to occupy about 2/3 the length of the segment.

00:06:25  So in other words, about 1/3 of the length of the segment

00:06:28  is not covered by handles; and the other 2/3 are.

00:06:31  That is not to say that they have to be even in length

00:06:33  by the way.

00:06:35  One can be longer, and the other can be shorter,

00:06:37  and you can still end up with very smooth results

00:06:40  like this.

00:06:42  And that friends is how smooth points really work

00:06:44  inside Illustrator.

00:06:46  In the next movie, I'll show you how to draw smooth points

00:06:49  with the Pen Tool.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Creating corner points

 

 

بر روی هر وسیله ای که می بینید، و ابزار قلم را انتخاب کنیداز بالا از منوی پروازدرست است، حالا من قصد دارم پر و سکته مغزیم را عوض کنمبا کلیک بر روی این نمونه اولیه رنگ، اینجا در اینجاکنترل پنل، و سپس من هیچ کدام را انتخاب نمی کنم.و بعد، من پیش می روم و ارزش وزن خط را افزایش می دهمبه 6 امتیاز، مثل همین.در حال حاضر، اگر این اولین بار شما با استفاده از قلم ابزار استاین ممکن است خیلی شبیه به ابزار انحنا باشد.پس از همه، تنها چیزی که ما از دست می دهیم کم استانفجار از مکان نمااما قلم کار بسیار متفاوت است.اکنون وقتی اولین بار آن را انتخاب میکنید، قصد دارید ابزار قلم را ببینیدمکان نما با ستاره ای که به شما می گویدشما در حال شروع به طرح جدید مسیر هستید.من فقط کافیست روی Create کلیک کنمیک نقطه صاف نیست، همانطور که با ابزار انحناییشان دریافت میکنید،اما یک نقطه گوشه.و اکنون، اگر مکان نما را کنار بگذارم،شما می توانید ببینید دو چیز اتفاق می افتد.اول، ما ستاره را از دست می دهیم، که به ما می گوید که ما اکنون هستیمطرح پیشنهادی فعال داشته باشید.و دوم، ما پیش نمایش نوار لاستیکی را می بینیم که ما را نشان می دهدچه بخش بعدی به نظر می آید اگر ما بودیمدر مکان فعلی کلیک کنید.

 

 

00:01:34  All right, so I'll go ahead and click in order to create

00:01:37  another corner point, and you can see that Illustrator

00:01:39  automatically joins the two points with a straight segment.

00:01:43  And now you can continue clicking to create

00:01:45  a free-form polygon.

00:01:47  If you move your cursor back to the first point in the

00:01:50  path outline, you'll see a little circle next to it,

00:01:53  which tells you you're about to close the path.

00:01:55  And once you have, the asterisk comes back to tell you

00:01:58  that if you're going to click again, you're going to create

00:02:01  yet another path outline.

00:02:03  All right, in addition to closed paths, you can create

00:02:05  open paths as well and there are two ways to do that.

00:02:09  You can either press the escape key

00:02:12  in order to turn off that path outline

00:02:14  and that will allow you to create a new one,

00:02:16  or I'll go ahead and wake this path outline back up

00:02:19  by moving my cursor over it.

00:02:21  And you can see, now I get a little line next to the cursor,

00:02:24  which I call the resume cursor because it allows you

00:02:26  to resume, modify in the path.

00:02:28  And so notice as soon as I click on one of these endpoints,

00:02:31  I, again, see my rubber band preview and the asterisk

00:02:34  next to the cursor once again disappears.

00:02:37  And now I'll just go ahead and click a couple of more times.

00:02:40  And now let's say, once again, I'm done editing.

00:02:43  The other thing you can do is press the enter key,

00:02:46  here on the PC, or the return key on the mac,

00:02:48  and that'll go ahead and deactivate the path outline.

00:02:52  And, as you can see, I get the asterisk back next to my

00:02:55  pen tool cursor, which means that if I start clicking

00:02:58  over on the other side of the document here

00:03:01  I will begin a new path outline.

00:03:03  Another option that's available to you when you're

00:03:06  modifying open path outlines, is the ability

00:03:09  to connect to open paths, and you can do that

00:03:12  just by moving your cursor over to the endpoint

00:03:15  of an inactive path, such as this one right here.

00:03:18  At which point, you'll see a little anchor point next to the

00:03:20  cursor, which tells you that you're about to connect the two

00:03:23  path outlines as well as deactivate them.

00:03:27  Which is why, I once again have an asterisk

00:03:29  next to my cursor.

00:03:31  Now in addition to creating paths with the pen tool,

00:03:34  you can also modify them.

00:03:36  And you do so by first selecting the path outline,

00:03:39  which you can do by pressing and holding the ctrl key,

00:03:41  or the cmd key on the mac, which gives you temporary access

00:03:45  to the last used arrow tool.

00:03:47  At which point, you can go ahead and click on a path

00:03:49  outline, such as this one, in order to select it.

00:03:52  Then, go ahead and release the ctrl key, or the cmd key

00:03:55  on the mac, and now move your cursor

00:03:57  over an existing segment.

00:03:59  At which point you'll see a plus sign next to the cursor,

00:04:02  which tells you that if you click, you're going to

00:04:04  add an anchor point, like so.

00:04:07  Now let's say I want to move the anchor point to

00:04:09  a different location.

00:04:10  Well if I press the ctrl key, or the cmd key on the mac,

00:04:13  and try to drag that point, I'm going to move the entire

00:04:16  path outline, because after all, my last used arrow

00:04:19  was the black arrow tool.

00:04:21  So I'll go ahead and press ctrl z or cmd z to undo that

00:04:24  move, I could manually switch back to the white arrow

00:04:27  by pressing the a key, or I can switch between the

00:04:30  arrow tools on the fly by pressing

00:04:33  ctrl ~ here on the PC.

00:04:36  And, as you may recall, the tilde key is the one in the

00:04:38  upper left corner of an American keyboard.

00:04:41  Now on the mac, that's not going to work.

00:04:43  That's going to switch you between open documents,

00:04:46  and so what you have to do instead, is press

00:04:48  cmd, option, tab, and that will go ahead,

00:04:51  in my case, it'll switch me back to the black arrow tool.

00:04:54  So in other words, either ctrl ~ on the PC,

00:04:57  or cmd, option, tab on the mac, is going to toggle

00:05:00  between the black and white arrows.

00:05:03  At which point, I can keep that ctrl key down,

00:05:05  or the cmd key down on the mac, and then I can click

00:05:08  on that new corner point that I just created

00:05:10  and I can drag it to a new location.

00:05:12  And that's a pretty great way to work, by the way.

00:05:15  You just go ahead and release the key, hover your cursor

00:05:17  over a segment, click in order to add an anchor point,

00:05:21  and then ctrl or cmd drag it to a different location.

00:05:24  And I'll go ahead and do it again here and ctrl or cmd drag

00:05:27  it over to this location, and so I can contine working

00:05:30  that way as much as I like.

00:05:32  Now you also have the option of deleting anchor points.

00:05:35  And you do that by hovering your cursor over an existing

00:05:39  point, like so, at which time you'll see a minus sign

00:05:42  next to the cursor, and then all you have to do is click

00:05:45  in order to make that anchor point go away.

00:05:48  And now I might just ctrl drag or cmd drag that point upward

00:05:51  a little, and this works, by the way, with any path outline.

00:05:55  It doesn't have to have been drawn with the pen tool.

00:05:58  So, for example, let's say you want to create a free-form

00:06:00  triangle; then one way to do that is to grab the

00:06:03  rectangle tool, which again, you can get by pressing the

00:06:06  m key, and then you can just go ahead and draw

00:06:08  any kind of rectangle you like.

00:06:10  Then, switch to the pen tool.

00:06:12  Which again, you can get by pressing the p key,

00:06:15  and then, go ahead and click on one of the anchor points

00:06:17  to delete it and you end up with a triangle.

00:06:20  You'll also see a brief message saying that the shape

00:06:22  has been expanded because it's no longer a so called

00:06:25  smart rectangle here inside Illustrator.

00:06:29  And now I can go ahead and ctrl drag or cmd drag

00:06:32  any of the anchor points in any manner that I like.

00:06:35  And that's how you create and modify corner points

00:06:39  just by clicking with the pen tool, here inside Illustrator.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Creating a paint-splattered background

 

 

بر روی هر وسیله ای که می بینید، و ابزار قلم را انتخاب کنیداز بالا از منوی پروازدرست است، حالا من قصد دارم پر و سکته مغزیم را عوض کنمبا کلیک بر روی این نمونه اولیه رنگ، اینجا در اینجاکنترل پنل، و سپس من هیچ کدام را انتخاب نمی کنم.و بعد، من پیش می روم و ارزش وزن خط را افزایش می دهمبه 6 امتیاز، مثل همین.در حال حاضر، اگر این اولین بار شما با استفاده از قلم ابزار استاین ممکن است خیلی شبیه به ابزار انحنا باشد.پس از همه، تنها چیزی که ما از دست می دهیم کم استانفجار از مکان نمااما قلم کار بسیار متفاوت است.اکنون وقتی اولین بار آن را انتخاب میکنید، قصد دارید ابزار قلم را ببینیدمکان نما با ستاره ای که به شما می گویدشما در حال شروع به طرح جدید مسیر هستید.من فقط کافیست روی Create کلیک کنمیک نقطه صاف نیست، همانطور که با ابزار انحناییشان دریافت میکنید،اما یک نقطه گوشه.و اکنون، اگر مکان نما را کنار بگذارم،شما می توانید ببینید دو چیز اتفاق می افتد.اول، ما ستاره را از دست می دهیم، که به ما می گوید که ما اکنون هستیمطرح پیشنهادی فعال داشته باشید.و دوم، ما پیش نمایش نوار لاستیکی را می بینیم که ما را نشان می دهدچه بخش بعدی به نظر می آید اگر ما بودیمدر مکان فعلی کلیک کنید.

 

00:01:46  All right, we don't want the background

00:01:47  to be this color, that's for sure.

00:01:48  So I'm going to change this stroke to None,

00:01:51  and then I'm going to zoom in

00:01:53  by pressing ctrl + 0 or cmd + 0 on the mac,

00:01:57  so that we can see these next two steps in vivid detail.

00:02:00  And what you want to do to access these patterns

00:02:02  is click on the little library icon

00:02:04  in the bottom left corner of the Swatches panel,

00:02:07  drop down to Patterns,

00:02:09  then go to Decorative,

00:02:10  and finally you want Vonster Patterns,

00:02:13  which is going to bring up

00:02:14  this little micro panel right here.

00:02:16  Now, if you want to better see what you're doing,

00:02:18  then click on the fly out menu icon

00:02:19  and choose Large Thumbnail View,

00:02:22  and that will provide you with a better view

00:02:23  of every single one of these patterns.

00:02:25  And then again, assuming that your Fill is active,

00:02:28  go ahead and select this guy right here, Bugaboo,

00:02:31  which is going to give you this pattern here.

00:02:33  All right, now I want to add another

00:02:35  pattern, Splatterz, in front of it,

00:02:37  and so I'm going to go up the Window menu

00:02:39  and choose the Appearance command

00:02:41  to bring up the Appearance panel

00:02:43  and then I'll go ahead and drop down

00:02:45  to the second icon in the bottom left corner,

00:02:48  Add New Fill, in order to add a new fill pattern.

00:02:51  And now make sure that Fill is selected

00:02:53  and go ahead and click on Splatterz

00:02:56  in order to add it to the mix.

00:02:58  And now you can go ahead and close this floating panel.

00:03:01  And now I'm going to switch back to the Layers panel

00:03:04  and I'm going to click in the lock column

00:03:06  in order to lock the background layer.

00:03:09  Now the thing about what we're seeing

00:03:10  is it's not entirely currently accurate,

00:03:13  and that's because Illustrator's GPU preview

00:03:16  has a few known issues, meaning that it's a bit buggy.

00:03:19  And so if you really want to see what's going on,

00:03:21  then go up the View menu

00:03:23  and choose Preview on CPU,

00:03:25  and you will see this more accurate,

00:03:27  and I think better interaction.

00:03:30  And that's how you add an eye-catching

00:03:31  paint splatter background to any piece of artwork

00:03:34  here inside Illustrator.

 

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Adding line art embellishments

 

 

درست است، بنابراین من به جلو بروید و ctrl + shift + a را فشار دهیدیا cmd + shift + a در مک برای انتخاب این آثار هنریو من کمی بالاتر از طرح مسیر راه اندازی می کنم.00:00:49 در این نقطه، درست در مورد وجود دارد.و بعد، کمی کوچکتر به سمت پایین کلیک میکنمو من اینجا کلیک میکنمو سپس، من فقط رفتن به عقب و جلو00:00:56 و این نوع سخت است که ببینم چه کار میکنم00:00:58 و این به این دلیل است که وزن خط من خیلی ضخیم است00:01:02 بنابراین من قصد دارم به گزینه سکته مغزی بروید00:01:04 با کلیک بر روی پایین سر پایین arrowhead00:01:05 و 2 پارت از منوی پاپ انتخاب کنید00:01:08 بنابراین شما می توانید هر سکته مغزی را که می خواهید تغییر دهید00:01:10 همانطور که در اینجا کار می کنید00:01:12 و اکنون، من به جلو بروید و در مورد اینجا کلیک کنید00:01:14 و سپس من می خواهم همه چیز را در این محل به پایان برسانم00:01:17 اما دوباره، اگر من این کار را انجام خواهم داد00:01:19 انتخاب شکل دیگری دوباره که چیزی نیست که من می خواهم.00:01:22 بنابراین من به جلو بروید و بر روی این مرد کلیک کنید00:01:24 برای روشن کردن این نقطه پایانی00:01:26 و من حق را در اینجا در اینجا کلیک میکنم.00:01:28 هم اکنون می خواهم همه چیز را عوض کنم00:01:29 به مکان های مناسب اما اگر من شروع به کلیک کردن،00:01:31 من قصد دارم یک نقطه اضافه کنم، بنابراین کلید Esc را فشار می دهم00:01:34 به منظور خلاص شدن از آن گروه لاستیکی،00:01:37 و من به جلو بروید و این مرد را در مورد آن بکشید00:01:39 این محل در اینجا، بگذارید بگوییم00:01:41 و توجه کنید که او را روشن کرده است، که چیزی نیست که من می خواهم،00:01:44 بنابراین کلید Esc را فشار می دهم00:01:46 به منظور خلاص شدن از شر نوار لاستیکی دوباره.00:01:48 من باید بهتر از آن شناخته شده.00:01:49 و اکنون نگاه کن، متوجه می شویم که هر بار یک نقطه را حرکت می دهم00:01:53 من مشکل دارم، بنابراین کلید Esc را فشار می دهم.00:01:55 ظاهرا، من باید این کار را بکنم.00:01:57 و حالا دوباره آن را انجام خواهم داد00:01:59 و من کمی این شخص را می کشم00:02:01 و من به نقطه پایانی دیگر حرکت خواهم کرد00:02:02 ولی نمی خواهم روی آن کلیک کنم تا کلید Esc را فشار دهم00:02:05 و حالا من آن را بچرخانم، بگذار بگویم، درست در اینجا.00:02:09 در آن لحظه، به نظر می رسد که من00:02:11 که خط انعکاس خوبی داریم00:02:13 کلید esc را دوباره فشار دهید تا00:02:16 آزمایش فقط با حرکت این نقطه00:02:18 به یک مکان کمی متفاوت،00:02:20 شاید به اولین نکته نزدیکتر به نظر برسد.00:02:23 درست است که مراقبت از خط انعکاس است00:02:25 بنابراین من فقط می خواهم به کلید V را فشار دهید،00:02:28 حتی اگر یک گروه لاستیکی داشته باشم،00:02:29 من می توانم کلید v را فشار دهم تا به ابزار فلش سیاه تبدیل شود00:02:33 و از آن گروه لاستیکی مزاحم دور شوید.00:02:35 و سپس بر روی این طرح مسیر بر روی اینجا کلیک می کنم00:02:37 به منظور انتخاب آن،00:02:39 و من آن را به رنگ خاکستری بسیار خفیف که شروع R = 230 را بدهد.00:02:44 درست است، من به جلو بروید و به بالا بروید.00:02:45 اکنون ما می خواهیم خطوط ماندگار را اضافه کنیم00:02:46 و ما قصد داریم این کار را انجام دهیم00:02:47 با استفاده از یک ویژگی من هنوز به شما نشان نداده ام.00:02:49 و به همین ترتیب، پیش بروید و یک کلید را فشار دهید00:02:51 به منظور سوئیچ به ابزار فلش گسترده.00:02:53 و سپس در کنار این قلم مو کلیک کنید، بنابراین،00:02:56 و شما باید یک نقطه در مورد وجود دارد را ببینید

00:02:58  and another point here,

00:03:00  so I want you to click on this one

00:03:01  and shift click on this guy.

00:03:03  And then shift click on this point

00:03:05  and shift click on this one.

00:03:07  So we're selecting the pair of points

00:03:08  on either side of the brush.

00:03:10  And now, I want to you to go up to the Edit menu

00:03:13  and choose a Copy command or you can press ctrl+c.

00:03:16  And then return to the Edit menu and choose Paste in Front

00:03:19  or you can press ctrl+f or cmd+f on the Mac.

00:03:22  All right, now we're going to blend

00:03:23  between these two path outlines

00:03:26  by going up to the Object menu,

00:03:27  choosing Blend, and then choosing Make.

00:03:31  And that's going to create a single,

00:03:32  intermediate line between the two.

00:03:34  Now, I don't want it to be this thick so,

00:03:37  notice that my stroke panel is up

00:03:38  over here on the right hand side of the screen,

00:03:40  which gives me access to my line weight

00:03:42  because I'm not seeing it up here

00:03:44  in the control panel anymore.

00:03:45  And so, I'm going to change that weight value

00:03:47  to 2 pts like so.

00:03:49  Now, also notice these weird little wedges down here

00:03:51  near the bottom of the brush.

00:03:53  I'm going to go ahead and zoom in

00:03:54  so we can see them a little better.

00:03:56  That's caused by the fact that

00:03:57  our arced lines are still filled.

00:03:59  And we can fix that up here in the swatches panel.

00:04:01  Make sure your fill is active and then click on None

00:04:04  or you can just press the slash key.

00:04:06  All right, now we need to change

00:04:07  this one interval line right here to four lines.

00:04:10  And you do that by returning to the Object menu,

00:04:13  dropping back down to Blend, and choosing Blend Options.

00:04:17  And then, go ahead and change Spacing

00:04:19  to Specified Steps so that we can control

00:04:21  the number of steps that we're seeing.

00:04:23  Turn on the Preview check box,

00:04:25  and then click inside that value that currently says 1

00:04:28  for that one step right there,

00:04:29  and then press the up arrow key

00:04:31  until you get an effect you like.

00:04:33  For me, I went with four steps like so.

00:04:36  At which point, you can go ahead and click OK.

00:04:39  And that, friends, is a very brief introduction

00:04:41  to a feature called blending in Illustrator.

00:04:44  And we'll be seeing more of it in the advanced course.

00:04:46  All right, now I'm going to go ahead

00:04:48  and switch back to my curvature tool

00:04:50  and I'm going to alt or opt click right there

00:04:53  to create a corner point.

00:04:55  And then, I'll click, let's say, right about there

00:04:57  and here as well, what I'm trying to do is

00:05:00  draw some goopy paint at the end of the brush.

00:05:03  And so I'm just going to create

00:05:05  a total of three loops right here

00:05:06  and then I'll click at this location, up here,

00:05:09  and then finally, I'll click at the very first corner point

00:05:12  in order to close that path.

00:05:14  And now I'll go ahead and change the fill color

00:05:16  for that paint to the paint that begins R=237

00:05:20  in order to produce this effect here

00:05:22  and then I'll press the v key to switch

00:05:23  to the black arrow tool,

00:05:25  and I'll go ahead and click off the shape to deselect it.

00:05:28  And now I'll press ctrl+0 or cmd+0 on a Mac

00:05:31  in order to zoom out.

00:05:33  And that is, at least one way,

00:05:34  to add a few line art embellishments

00:05:36  using a combination of the curvature tool,

00:05:39  along with the make blend command here inside Illustrator.