دانلود فیلم آموزش ایلوستریتور Illustrator CC Drawing slender organic forms

 

به منظور اضافه کردن آنچه که به نظر می رسد یک بخش مستقیم تا کنون 00:00:46 تا زمانی که من شروع به خم شدن آن البته. 00:00:49 و پس از آن من در مورد آن 00:00:51 سمت راست در آن قسمت فلزی 00:00:52 کلیک کنید و من در اینجا در پایین مارها کلیک کنید. 00:00:56 و بدیهی است که این ها اشتباه هستند 00:00:58 پر کردن و ویژگی های سکته مغزی، 00:00:59 پس از آن که پر کردن من فعال است 00:01:01 من فقط کلید / را فشار دهید تا آن را تغییر دهید به هیچ . 00:01:04 و بعد من ارزش وزن خط را تغییر می دهم 00:01:06 تا اینجا به 4 امتیاز. 00:01:08 و همانطور که می بینید می توانم همچنان این کارها را ادامه دهم 00:01:11 همانطور که من در طرح مسیر من کار می کنم. 00:01:13 در حال حاضر من در سمت راست برس ها کلیک می کنم 00:01:15 و سپس من و یا گزینه + کلیک در بالای 00:01:18 به منظور ایجاد یک نقطه خوب گوشه تیز . 00:01:20 خوب، اکنون من فقط سعی می کنم همین کار را انجام دهم 00:01:22 پایین سمت راست برس اینجا. 00:01:24 و من می خواهم انتخاب های متقارن را انجام دهم. 00:01:26 هرچند سخت است که این کار را انجام دهیم 00:01:28 در یک زاویه مانند این. 00:01:29 و سپس در نهایت من فقط بر روی آن نقطه اول کلیک کنید 00:01:32 برای بستن خط مسیر. 00:01:35 در حال حاضر بدیهی است که این دقیقا نمره درست نیست، 00:01:38 بنابراین من قصد دارم یک نقطه دیگر درست در آنجا ایجاد کنم 00:01:40 و آن را به داخل بکشید. 00:01:41 حالا من می خواهم یکی را در این سمت ایجاد کنم، 00:01:43 و متوجه می شوم که من در داخل سوراخ پالت مشغول کار هستم، 00:01:45 و من آن را به داخل می کشم. 00:01:47 و هیچ چیز مهم در مورد آن وجود دارد، 00:01:49 فقط این است که اگر شما دنبال در کنار 00:01:51 من می خواهم شما را ببینید که من انجام می دهند. 00:01:53 حالا من متوجه شدم که این نکات درست در اینجا 00:01:56 کاملا لازم نیست 00:01:58 و آنها در واقع ایجاد مشکلات، 00:02:00 بنابراین من برو جلو و این یکی را انتخاب کنید 00:02:01 و کلید Backspace را فشار دهید، یا کلید حذف روی Mac، 00:02:04 برای خلاص شدن از آن. 00:02:05 و شما می توانید ببینید اکنون من می توانم دقیقا چگونه این چیز را تغییر دهید 00:02:08 می رویم به خط وجود دارد 00:02:09 یا توسط کشیدن این پسر تا اینجا در bristles 00:02:12 یا این پسر در اینجا در کنار دسته است. 00:02:15 و به این ترتیب، به این معنی، این نقطه 00:02:16 به عنوان یک نوع حمایت، به عنوان یک امتیاز، بعنوان مثال، اگرچه ممکن است بخواهم کمی آن را نیز حرکت دهم.

 

00:02:21  And so I'll grab this guy,

00:02:22  just to make sure I'm making the same decisions,

00:02:24  and press the backspace key, or the delete key on a Mac,

00:02:26  to get rid of it.

00:02:27  And then I'll move this point out a little bit,

00:02:29  as you can see, and I'll move this one over

00:02:32  and down and in, that might help,

00:02:35  in order to maintain as smooth an effect as possible.

00:02:39  And this is looking pretty darn good to me.

00:02:41  And what's nice about it is

00:02:43  I didn't add any points accidentally,

00:02:46  which sometimes happens.

00:02:47  So you just have to be vigilant to make sure

00:02:48  that Illustrator isn't adding more points

00:02:51  to your path than you want.

00:02:52  Alright, now I'm going to zoom in on this metal area

00:02:55  and I'm going to surround it with a different path outline.

00:02:58  And so I'm going to start things off

00:02:59  just by clicking four times like so

00:03:02  in order to add a bunch of points around this region.

00:03:05  And then I'm going to convert them all to corner points

00:03:07  by double-clicking on each and every one like so.

00:03:11  And you might ask, well, why am I drawing them first

00:03:13  and then converting them?

00:03:14  And the reason is just this time around

00:03:16  I prefer to work that way.

00:03:17  Alright, I'm going to move these guys down

00:03:20  and inward like so,

00:03:21  and then I'm going to create a new point right here

00:03:23  and drag it up, so that we have this nice arc right there

00:03:28  at the bottom of the bristles.

00:03:29  And now I'll move these guys down and in as well.

00:03:33  And I'll go ahead and click here

00:03:35  to add another smooth point,

00:03:36  and I'll drag it up to add another arc.

00:03:39  And if I want it to bend a little more

00:03:41  then I would take these corner points down like so.

00:03:45  Alright, now let's tear things apart

00:03:46  using the Shape Builder Tool,

00:03:48  but I don't want to ruin these original path outlines,

00:03:50  so I'm going to go ahead and make a copy of this layer

00:03:53  by clicking on the fly out menu icon

00:03:55  in the upper right corner of the Layers panel,

00:03:57  and choosing Duplicate brush parts.

00:04:00  And then I'll double-click on an empty portion of that layer

00:04:02  to bring up the Layer Options dialog box.

00:04:05  And I'll go ahead and call this guy paintbrush

00:04:07  and I'll change its Color to Gold.

00:04:09  And then I'll click OK.

00:04:11  Alright, now I'll turn off

00:04:13  the brush parts layer to protect it,

00:04:15  and I'll select everything on this layer,

00:04:17  the paintbrush layer,

00:04:18  by clicking in its upper right corner right there,

00:04:20  where that little triangular wedge is,

00:04:22  and then I'll grab my Shape Builder Tool.

00:04:24  And I'll go ahead and double-click

00:04:27  on the central portion there,

00:04:28  I'll double-click on the bristles,

00:04:30  and I'll double-click on the handle as well,

00:04:32  just to make sure everything's divided up.

00:04:34  And then I'll press the V key

00:04:36  to switch to the black arrow tool.

00:04:38  I'll click off the path outlines to deselect them.

00:04:40  And I'll go ahead and click on this guy

00:04:43  and shift + click on this one

00:04:44  and press the backspace key,

00:04:46  or the delete key on a Mac, to get rid of them.

00:04:48  Alright, now I'll go ahead and click

00:04:49  on the bristles shape right there

00:04:51  and I'm going to change its fill to this shade of brown,

00:04:54  the one that begins R =117,

00:04:57  and then I'll click on the handle,

00:04:59  and I'll change it to the shade of purple

00:05:01  that begins with R 102.

00:05:04  Alright, now I'm going to press ctrl + 0,

00:05:05  or cmd + 0 on a Mac, to center my zoom.

00:05:08  And I'll click off the paths to deselect them.

00:05:10  And that my friends is how you create

00:05:12  some slender, organic forms

00:05:14  using a combination of the Curvature Tool

00:05:17  along with the Shape Builder

00:05:19  here inside Illustrator.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Tracing a custom path outline

 

 

شما فقط می توانید کلید / کلید را فشار دهید.البته، در حال حاضر من پیش بروید و بر روی آن راست کلیک کنید.بنابراین من فقط سعی می کنم روی کلیک کنید، من واقعا توجه زیادی به گروه لاستیکی اینجا ندارم.من فقط سعی می کنم بر روی اکثر موارد فوق العاده محیط پیرامون این پالت کلیک کنید. و در حال حاضر بر روی آن راست کلیک می کنم. و من می دانم که آیا ما توجه خاصی به گروه لاستیکی داشتیم که ایده وحشتناکی به نظر می رسید. 01: 14 چیزی دومین click00: 01: 16 است و سپس مکان نما من را به محل جدید 00: 01: 18 می بینید که این نوار لاستیکی preview00: 01: 20 به طور چشمگیری تغییر می کند. 00: 01: 22 خوب، حالا من 00: 01: 25 بر روی این نقطه عظیم کلیک کنید و در نهایت دوباره به ابتدای 00: 01: 28 برمیگردم و دوباره دوباره کلیک میکنم 00: 01: 29 و ما در نهایت با شکل درست نمیتوانیم 00: 01: 32 این برای اطمینان است، اما این نیمه بد شروع 00: 01: 35 در حال حاضر آنچه ما باید انجام دهیم اضافه کردن points00: 01: 37 و حرکت آنها و ببینید که چه نوع نتایج ما دریافت 00: 01: 41 بنابراین من شروع کردم با اضافه کردن یک نقطه در مورد there.0 0:01:44 و متوجه میشویم که اثر بسیار بدی دارد، 00: 01: 46 آن را به شکل مسطح کردن، 00: 01: 48 این نقطه را کاملا به گوشه ای تبدیل می کند 00: 01: 50 اما شما می توانید ببینید که اگر من یک نقطه کوچک را حرکت می دهم 00: 01: 52 همه چیز بهتر می شود: 01: 54 و حالا من قصد دارم روی یک نقطه ای که در اینجا وجود دارد را تنظیم کنم: 01: 56 و قصد دارم آن را به پایین حرکت دهم : 01: 58 بنابراین یکی از کلید های way00: 01: 59 زمانی که شما با این tool00 worker 02: 01 کار می کنید، مطمئن شوید که امتیاز هایتان 0000: 02: 03 در خط مستقیم نیست: 02: 04 از آنجا که زمانی که شما می خواهید به get00: 02: 06 بسیار flatness.00: 02: 07 خوب، در حال حاضر من قصد دارم به اینجا کلیک کنید: 02: 09 برای ایجاد point00: 02: 10 که 00: 02: 12 همین طور است، به همین دلیل است که ما از نظر مساوی 100: 02: 14 می بینیم و سپس این مرد را به سمت پایین حرکت می دهیم. 02: 17 و من نیز 02: 19 و این کار را بر اساس بسیاری از آزمایشات انجام می دهم: 02: 23 بنابراین ممکن است کمی شگفت انگیز باشد، 00: 02: 25 اما من این را امتحان کردم خارج از چند بار اینجا 00: 02: 28 و حالا من به جلو بروید و این مرد را به پایین بکشید: 02: 30 و من قصد دارم این نکته را بیش از 00: 02: 32 به اینجا بگذارم. 02:34 و این روشن می کند ما نیاز داریم 00: 02: 35 یک نقطه دیگر در سمت چپ 00: 02: 36 بنابراین من راست کلیک در اینجا برای اضافه کردن یک، 00: 02: 38 و سپس من حرکت آن را پایین و بیشتر، 00: 02: 41 و در حال حاضر در واقع من آن را حرکت می کند تا 00: 02: 43 و این بدان معنی است که من باید این حرکت guy00: 02: 45 تا کمی.

00:02:47  Now it might be tempting to throw a point over here

00:02:49  and move it down,

00:02:50  but our better bet is to move this guy

00:02:52  over to the left, this top point,

00:02:54  and see what we come up with.

00:02:55  And then I'll move this guy down

00:02:57  and notice as a result we get this nice, smooth arc.

00:03:02  So another lesson is the fewer points you can use

00:03:05  with the Curvature Tool the better.

00:03:07  Because as we've been seeing with our ellipses

00:03:09  we get the smoothest results with just four points

00:03:12  and no more.

00:03:13  Alright, now I might sort of noodle around here a little bit

00:03:16  and just try things out,

00:03:17  but what I found was that this area right here,

00:03:21  the interior edge, kept looking lumpy

00:03:24  regardless of just about anything I did.

00:03:26  Which is why it's totally okay

00:03:28  if you see something like this

00:03:30  to switch to a different tool.

00:03:31  And the great thing about the tools that we've been seeing

00:03:34  is that they're perfectly capable

00:03:35  of editing each other's results.

00:03:37  For example, if I wanted to at this point

00:03:39  I could go ahead and switch to the Pencil Tool,

00:03:42  which of course I can get by pressing the N key.

00:03:44  And then with this path selected

00:03:46  I could go ahead and drag along it,

00:03:49  taking special care by the way

00:03:51  to make sure that I'm beginning and ending my drag

00:03:53  on the path outline.

00:03:55  And then I'll go ahead and release

00:03:56  and I got that result, which I really don't like by the way,

00:03:59  so I'm going to undo by pressing control + Z,

00:04:02  or command + Z on the Mac.

00:04:03  And I'm going to try again,

00:04:04  see if I can get a smoother result

00:04:05  and this does not look smooth at all.

00:04:07  So you know what?

00:04:08  What I could do, I could keep doing that if I want to,

00:04:10  or why don't we try a different tool?

00:04:12  Just want to make the point that that is totally possible.

00:04:15  And incidentally I am working with the mouse,

00:04:16  in case that's any defense.

00:04:18  Let's go ahead and switch over

00:04:20  to the Smooth Tool right here.

00:04:21  And I'm going to press the enter key,

00:04:23  or the return key on a Mac,

00:04:24  to bring up the Smooth Tool Options.

00:04:26  And I'll make sure this guy here

00:04:27  is cranked all the way to Smooth.

00:04:29  And then I'll click OK.

00:04:30  And now let's see what happens

00:04:31  if I just drag up like that,

00:04:33  if we start smoothing this out.

00:04:35  And the thing is that's not really seeming very right to me.

00:04:38  So I'm going to switch back to the Pencil Tool.

00:04:41  Hopefully this is giving you a sense of how much

00:04:44  back and forthing you can do if you want.

00:04:46  And now I'll press the enter key,

00:04:47  or the return key on a Mac,

00:04:48  to bring up the Pen Tool Options.

00:04:49  And I'm going to crank this guy to Smooth,

00:04:51  and click OK.

00:04:53  And now I'll try it again, cross my fingers

00:04:56  and release at this point.

00:04:58  And that's getting to be pretty good, I guess.

00:05:01  We're not really following the path outline very well,

00:05:03  so let me see if I can do that a little better.

00:05:05  And I end up with this result here.

00:05:07  After which point I could switch back

00:05:09  to the Curvature Tool, if I want to.

00:05:11  And notice now I have way more points,

00:05:13  but this is what I want you to see,

00:05:15  if I start adjusting these points

00:05:17  it's very possible, well in that case nothing happened,

00:05:19  but it's very possible that I'm going

00:05:21  to get different results.

00:05:22  And this guy it looks to me like we don't really need him,

00:05:25  so I'll just click on him and press the backspace key,

00:05:27  or the delete key on a Mac, to get rid of him.

00:05:29  Then I'll select this guy and press backspace or delete,

00:05:31  that looks like that was a mistake,

00:05:33  so I'll put him back by pressing control + Z.

00:05:35  Let's see if I get rid of this guy what happens.

00:05:37  Well that looks pretty similar to what I had before

00:05:39  I started with the Pencil Tool,

00:05:42  but you get the idea.

00:05:43  Eventually you can move these guys around

00:05:45  until you start getting smoother result.

00:05:48  And having demonstrated that about as well

00:05:50  as I think I'm going to,

00:05:51  I'll go ahead and switch back to the black arrow tool

00:05:53  and click off of the shape.

00:05:54  And you can see even though it didn't occur on video

00:05:57  that in the final version that I drew here

00:05:59  that I do have a pretty darn smooth path outline.

00:06:02  So it is ultimately possible to achieve

00:06:04  the effects you're looking for.

00:06:06  And that's how you draw

00:06:07  a highly specific custom path outline

00:06:09  with varying degrees of success

00:06:11  using at least in part the Curvature Tool

00:06:14  here inside Illustrator.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Creating quick smooth shapes

 

و به پوشه فایل های ورزش من مراجعه کنید که در دسکتاپ من است: 00: 45 و من نگاه زیر پوشه 12_curvature من 00: 00: 48 که در آن من m به شما یک تصویر file00: 00: 50 را در شکل Palette photo.jpg.00: 00: 53 پس از آن نقطه من پیش بروید 00: 00: 54 و بر روی دکمه محل کلیک کنید برای بارگیری مکان نما من 00: 00 : 57 و سپس من در داخل document00: 00: 59 کلیک می کنم تا image 00: 01: 00 و در عوض، 00: 01: 00 این تصویر از the00: 01: 02 Fotolia Library Image به ما می رسد، 00: 01: 05 و گرفتن معاملات، در fotolia.com/deke.00:01:08 اصل رنگ است، 00: 01: 10 اما من فقط نمی خواستم رنگ به to00: 01:11 در اینجا خلاقیت خود را در اینجا پیدا کنید: 01: 13 درست است، حالا میخواهید به کنترل پنل 00: 01: 15 بروید، مطمئن شوید که Align to Artboard فعال است. 00: 01: 18 و سپس بر روی مرکز ارزیابی افقی 00: 01: 21 و سپس بر روی Center Vertical Align Centre 00: 01: 23 کلیک کنید تا آن مرد را در صفحه masters قرار دهید. 00: 01: 26 این به نظر من کمی برای من، 00: 01: 2 7 بنابراین من قصد دارم تا Shift down arrow0: 01: 29 برای پایین آوردن تصویر پایین 10 امتیاز. 00: 01: 31 و سپس بر روی 0000: 01: 33 دوبار کلیک می کنم. قسمت خالی این لایه های Guides: 00: 01: 35 برای جعبه جعبه محاوره Layer Options Box: 00: 01: 37 من می خواهم به این الگو لایه، 00: 01: 39 بنویسم و ​​من قصد دارم در جعبه ی الگو ببندم: 01: 41 و Ok را بزن به منظور تبدیل Image00: 01: 44 به یک الگو ردیابی 00: 01: 46 درست است، اکنون آنچه ما می خواهیم انجام دهیم: 01: 47 این سطوح رنگ را دنبال می کند 00: 01: 49 و بنابراین من رفتن به شروع things off00: 01: 50 با انتخاب ابزار انحنایی.

00:01:52  Again, you can get it by pressing Shift Tilda.

00:01:54  I like that keyboard shortcut a lot

00:01:56  because if I'm not paying attention,

00:01:58  I often just accidentally select the Pen Tool,

00:02:01  because they look so similar.

00:02:02  But their keyboard shortcuts are very different.

00:02:05  Anyway, I'll go ahead and select that tool,

00:02:07  then I'm going to press the D key

00:02:09  in order to instate the default Fill and Stroke.

00:02:12  And I'm going to click on the Fill icon

00:02:14  that first swatch right there,

00:02:15  and change it to None.

00:02:16  And then I'll take the Lineweight value up to four points,

00:02:19  like so.

00:02:21  All right, now it's just a matter of drawing the blobs,

00:02:23  and you can see here

00:02:24  that I've got a little pencil

00:02:25  with a universal No icon next to it,

00:02:27  and that's because a locked layer is active.

00:02:30  I need to switch to the Drawing layer

00:02:31  in order to get the Starter cursor here.

00:02:34  And then I'm just going to click,

00:02:35  and I'm not really recommending

00:02:37  you do a wonderful job of tracing these blobs

00:02:40  because they don't look that great in the first place

00:02:42  and I want a lot of variety here.

00:02:44  I want to be able to see a lot of edge action,

00:02:46  so I'm just drawing any old shapes here.

00:02:49  And I also recommend that you draw each one

00:02:51  independently, as opposed to just drawing one

00:02:54  and then copying it a bunch of times

00:02:56  because that sort of duplication is oftentimes

00:02:59  pretty obvious, especially when you're drawing something

00:03:01  like this that's only going to take you,

00:03:03  you know what, maybe five minutes in the first place.

00:03:05  So I'll just go ahead and continue to click around here

00:03:08  and if at any time you change your mind

00:03:10  about a placement of a point,

00:03:12  or you want to add another one,

00:03:13  why, by all means, definitely do that.

00:03:16  All right, I've only got a couple more

00:03:17  and then I'll tell you after I get done

00:03:19  drawing these blobs of paint,

00:03:21  I am going to move onto the hole

00:03:24  right there inside this painter's palette,

00:03:27  but first let's go ahead and draw this guy.

00:03:30  And I've giving it a lot of edge action,

00:03:33  once again, I want to make that clear.

00:03:35  But you don't have to,

00:03:36  you can do anything you want.

00:03:38  This guy seems like he's got a little bit

00:03:39  too much edge action.

00:03:41  But in any event,

00:03:42  if you press Control Shift A,

00:03:43  or Command Shift A in order to deselect everything,

00:03:46  you can see that even though I've been

00:03:48  as random as possible,

00:03:49  that I have some very smooth shapes, indeed.

00:03:53  All right, now this hole is a little more difficult,

00:03:55  at least if you want to exactly trace it,

00:03:58  that's going to be very hard.

00:03:59  Because the Curvature Tool is not the

00:04:01  most predictable tool in terms of

00:04:03  getting specific results.

00:04:05  And as we'll see, the tool that's much better than that

00:04:08  is the Pen Tool, as we'll see in the next chapter.

00:04:10  But for now I'm just going to go ahead

00:04:12  and click to centerpoint there, there,

00:04:14  right inside the paintbrush,

00:04:16  the bottom portion of the paintbrush,

00:04:18  some place down here,

00:04:19  and then we want a fourth point right there.

00:04:21  And notice that I, as predicted,

00:04:24  did not exactly trace this hole.

00:04:26  And so what I need to do is just move these points around.

00:04:29  You really don't want to give something as

00:04:31  elliptical as this more than four points,

00:04:33  because you're going to start

00:04:34  flattening out your curve, if you do.

00:04:36  So my recommendation is to not get

00:04:39  too hung up on things,

00:04:40  just move the points to more or less

00:04:42  the locations in this video.

00:04:43  And as you can see,

00:04:44  they're not equally distance from each other,

00:04:47  by any means.

00:04:48  So we have essentially two axes going right now,

00:04:51  we've got this one going up into the left,

00:04:54  and then we have this other one going

00:04:55  very slightly up and to the right.

00:04:58  And so you can see they're not

00:04:59  crossing each other perpendicularly,

00:05:01  and that really is the key to getting halfway

00:05:03  decent rotated ellipses

00:05:05  out of the Curvature Tool.

00:05:07  At which point I'll just go ahead and press

00:05:08  Control zero, or Command zero on the Mac

00:05:11  to zoom out.

00:05:11  And I'll press Control Shift A,

00:05:13  or Command Shift A to deselect that oval.

00:05:16  And I'm going to double click on the name

00:05:18  of this layer here inside the Layers panel

00:05:20  and I'm going to change it to Palette.

00:05:23  And then I'll press the Enter key,

00:05:24  or the Return key on the Mac.

00:05:26  And that might seem like a strange name,

00:05:27  given that the one thing I haven't drawn yet

00:05:29  is the palette, but it's coming in the next movie.

00:05:32  And now I'm just going to go ahead

00:05:33  and quickly color these shapes

00:05:34  by pressing the V key to switch back

00:05:37  to the black arrow tool.

00:05:38  And I'll click on this guy up here

00:05:40  and I'm going to change its Fill

00:05:42  to this shade of Pink that begins R237,

00:05:45  these are all default colors

00:05:47  included with the basic RGB document.

00:05:49  And so I'll just give you the R value.

00:05:51  Next I'll select this second guy right there

00:05:53  and I'll change it to the Yellow

00:05:55  that begins R252.

00:05:57  I'll select this next guy in line

00:05:59  and I'll change him to this Green

00:06:01  that begins R57.

00:06:03  And then I'll select the next one,

00:06:05  he's going to be Blue,

00:06:06  and it's going to be this shade of blue

00:06:08  right here, it starts with R41.

00:06:10  And then finally, this guy,

00:06:11  I figure he wants to be Orange,

00:06:14  and so I'll change him to the medium orange

00:06:15  which begins R247.

00:06:18  And then I'll go ahead and click off those shapes

00:06:20  to deselect them.

00:06:21  And that's how you draw a bunch of

00:06:23  quick, smooth custom shapes

00:06:25  using the Curvature Tool

00:06:26  here inside Illustrator.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Curvature tool curiosities

 

 این چیزی نیست که من می خواهم، بنابراین من ctrl + z را فشار می دهم یا cmd + z روی یک مکینتاش برای لغو این تغییرات. اگر آنچه شما می خواهید انجام دهید، گسترش است00:00:52 مارپیچی از خارج، سپس شما باید کلید esc را فشار دهیدبرای خلاص شدن از شر آن خط باند لاستیکی وجود دارد،00:00:58 و سپس شما می خواهید بر روی آن نقطه پایان خارج کلیک کنید00:01:00 و سپس کلیک کنید تا امتیاز اضافه کنید.00:01:03 حالا بگم که میخواهی یک نقطه رو حذف کنی00:01:05 به عنوان مثال، من می خواهم خلاص شدن از شر این نقطه در اینجا وجود دارد.00:01:08 سپس، به جلو بروید و روی آن کلیک کنید تا آن را انتخاب کنید00:01:10 و سپس کلید Backspace را فشار دهید00:01:12 یا کلید حذف در مک برای حذف آن00:01:14 و قطعه جدیدی را بین نقاط باقی مانده بکشید.00:01:18 اگر دکمه Backspace را فشار داده یا دوباره پاک کنید،00:01:20 شما قصد دارید از کلیه خطوط مسیر خلاص شوید.00:01:23 این چیزی نیست که من می خواهم00:01:24 بنابراین من فقط به جلو بروید و ctrl + z یا cmd + z را روی مک بگیرید00:01:26 آن مسیر را به عقب بر گردانید و می توانید ببینید00:01:29 ابزار منحنی در حال حاضر بر روی آن است.00:01:30 آماده است تا امتیازات را از مرکز بازگردانیم.00:01:33 این چیزی نیست که من بخواهم.00:01:34 بنابراین من کلید esc را فشار می دهم00:01:36 به منظور خلاص شدن از آن گروه لاستیکی.00:01:37 و سپس بر روی این نقطه کلیک کنید تا آن را انتخاب کنید00:01:40 و من کلید برگشتن را فشار می دهم00:01:41 یا کلید حذف در Mac برای خلاص شدن از آن.

00:01:44  All right, now let's you want to convert a point

00:01:46  from corner to smooth or smooth to corner.

00:01:48  Then, I'll go ahead and click on this path outline

00:01:51  right here to select it.

00:01:52  And notice, for whatever reason,

00:01:54  if I drag this top point down,

00:01:56  it was actually a corner point just a moment ago,

00:01:59  but as soon as I start dragging it with a curvature tool,

00:02:01  Illustrator converts it to a smooth point

00:02:04  and that is just sometimes

00:02:05  what the curvature tool is going to do.

00:02:07  It's going to automatically convert

00:02:08  and invent points for you,

00:02:10  depending on its interpretation of a path outline.

00:02:14  If you want to convert this guy back to a corner point,

00:02:17  then you can double click on it, like so.

00:02:20  And I could do the same thing to this point, for example.

00:02:22  I could double click on it to covert it to a corner point.

00:02:26  If you want to convert a corner point to a smooth point,

00:02:28  you just double click once again.

00:02:30  And I want you to notice the difference

00:02:32  between smooth points and corner points.

00:02:34  They actually appear differently.

00:02:36  You'll have to look very closely at the video here.

00:02:38  The smooth points appear as hollow circles.

00:02:41  The corner points appear as hollow circles

00:02:43  with dots inside of them.

00:02:45  Another way to convert points is to

00:02:47  alt or option click on them.

00:02:49  So, if I alt or option click on this guy,

00:02:51  he goes from being a smooth point to a corner point.

00:02:54  And, if I click on a different point,

00:02:55  you can see now that he has a dot inside of him.

00:02:58  If I want to convert him back to a smooth point,

00:03:00  then I would alt or option click on him again.

00:03:04  Now, here's one of the most interesting things.

00:03:05  It's a little bit of a gotcha, might even be a bug,

00:03:08  I'm not sure, but you can have fun with it.

00:03:10  When you have a closed path outline selected

00:03:13  and you click on the end point of an open path,

00:03:15  that's going to open up the closed path outline

00:03:18  and fuse things together.

00:03:20  Now, depending on the position of the points,

00:03:22  you may end up with this effect here,

00:03:24  where you have a new closed path outline

00:03:26  that includes a spiral.

00:03:28  I'll go ahead and press ctrl+z or cmd+z on the Mac

00:03:30  to undo that and I'll grab the stop point right there

00:03:33  and drag it upward a little bit.

00:03:34  And now, I'll click on that end point again

00:03:37  and this time it just opens up the entire path outline,

00:03:40  so it's all going to depend on where the points are

00:03:43  in the first place.

00:03:45  All right, here's another one.

00:03:46  If you want to constrain the angle of your cursor

00:03:48  with respect to the active point,

00:03:51  then you can press the shift key and notice,

00:03:53  with the shift key down, you're going to move your cursor

00:03:56  at some multiple of 45 degrees.

00:03:59  And finally, if I go ahead and double click on this point,

00:04:01  this end point here to convert it to a corner point.

00:04:04  And then, I shift click with my cursor.

00:04:06  Then, I'm going to create a straight segment

00:04:08  at an angle that's a multiple of 45 degrees.

00:04:11  In my case, of course, horizontal.

00:04:13  And then finally, I'll deactivate the path

00:04:15  by pressing the esc key and that will make

00:04:17  that rubber band connection go away.

00:04:19  And then I'll press ctrl+shift+a or cmd+shift+a on the Mac

00:04:23  in order to deselect my path outline.

00:04:26  And so, in other words, there's a ton

00:04:27  you can do with the curvature tool,

00:04:29  some of which is predictable and some of which is not.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Working with smooth and corner points

 

 

 

یک اثر بسیار شبیه به ابزار Ellipse00:  با قرار دادن چهار نقطه صاف دقیقا همان چیزی است که ابزار Ellipse انجام می دهد چیز دیگری که می توانید ساخته شود از نقطه های صاف: یکی دیگر از انواع مارپیچ سفارشی است: 01: 04 دوباره، من فکر می کنم این تجربه بسیار بیشتر intuitive: از کار با ابزار مارپیچ اختصاص داده شده است:  شما کنترل بیشتر و انعطاف پذیری بیشتر. اما آنچه شما باید در ذهن داشته باشید:  این یک مسیر باز است و اگر شما همچنان کلیک کنید:، سپس ابزار انحنایی می خواهد به همچنان به این مسیر باز شده اضافه می شود: 00: 01: 25 اگر این چیزی نیست که شما می خواهید انجام دهید، 00: 01: 26 سپس به جلو بروید و کنترل Z، 00: 01: 28 یا Command Z را فشار دهید مک، چند بار، 00: 01: 31 در مورد من، به منظور عقب راندن این نقاط، 00: 01: 33 و سپس کلید فرار را فشار دهید: 00: 01: 35 که به جلو بروید و مسیر باز را متوقف کنید outline00: 01: 39 به طوری که شما می توانید شروع به ایجاد another.00: 01: 41 همه حق، من شما باید پیش بروید و روی آن کلیک کنید 00: 01: 43 چند بار مانند 00.00: 01: 45 همانطور که همیشه، اولین بخش شما به دنبال 0000: 01: 48 تا زمانی که مکان نما خود را دور از آن حرکت می کنید، مثل 00.00: 01: 52 حالا بگید بعد از اینکه این سومین نقطه رو درست کردید اینجا 00: 01: 55 من تصمیم می گیرم که می خواهم یک corner00: 01: 57 درست کنم در این موقعیت 00: 01: 59 برای ایجاد یک نوع smile.00: 02: 01 در این صورت، شما دو گزینه دارید: 00: 02: 03 که برای شما باز است 00: 02: 05 من به شما اجازه می دهد انتخاب کنید که چگونه می خواهید به work.00: 02: 07 اما یکی از گزینه های این است که کلید Alt، 00: 02: 09 یا کلید Option در Mac، 00: 02: 11 را فشار دهید و روی آن نقطه ای که فقط ایجاد کرده اید، 00: 02: 14 را کلیک کنید و آن را از نقطه ی صاف به یک نقطه گوشه 00: 02: 17 شما هم اکنون می توانید ببینید که ما در نهایت با corner00: 02: 20 در آن location.00: 02: 22 شما نیز گزینه ایجاد00: 02: 24 نقطه گوشه در پرواز، 00: 02: 26 و شما آن را به همان شیوه، 00: 02: 27 توسط Alt کلیک کنید و یا گزینه با کلیک بر روی مک.

 

00:02:30  Notice now if I move over to

00:02:32  that very first point that I created,

00:02:35  I'm not only seeing my closed cursor,

00:02:37  but I'm also seeing that I've created a corner point

00:02:39  at that Alt or Option click location.

00:02:42  All right, another way to create a corner point,

00:02:44  just so you know all your options,

00:02:46  is to double click.

00:02:48  That will also result in a corner point.

00:02:50  Even though it still looks like a circle, it is a corner,

00:02:54  and you can see that's the case

00:02:55  by creating more points like so.

00:02:58  Now I'm going to keep creating smooth points,

00:03:00  just by clicking.

00:03:02  That's all you have to do for a smooth point.

00:03:03  And then I'll revisit that first point and just click on it

00:03:07  in order to close the path outline

00:03:09  with a nice, sharp corner.

00:03:11  That, very simply, is how you create and modify

00:03:14  smooth and corner points,

00:03:16  as well as press the escape key to create

00:03:18  open path outlines using the Curvature tool.