دانلود فیلم آموزش ایلوستریتور Illustrator CC Drawing with the Curvature tool

 

 

 

 

 

 

به معنای واقعی کلمه یک تیلد است که از مکان نما خارج می شود. ما همچنین یک ستاره در کنار مکان نما را می بینیم و به ما می گوید که ما در حال آماده سازی یک طرح جدید مسیر هستیم. 00:00:55 و شما این کار را فقط با کلیک کردن با ابزار 00:00:58 انجام می دهید که در آن نقطه نقطه پایه ای ایجاد می کنید. 00:01:01 حالا متوجه شده اید که ما هیچ خطی را نمی بینیم 00:01:03 از آن نقطه اول، 00:01:05 اما ما می دانیم که ما در حال حاضر در حالت ایجاد مسیر، 00:01 : 08 چون دیگر ستاره ای نمی بینیم 00:01:10 کنار مکان نما. 00:01:12 حالا من پیش می روم و با استفاده از ابزار دوم وقت می گیرم، 00:01:15 در آن صورت نه تنها یک نقطه پایه را ایجاد می کنید، 00:01:17 اما شما ابتدا می بینید یک قسمت مستقیم 00:01:19 بین دو نقطه لنگر. 00:01:21 این است که بگویم، تا زمانی که حرکت مکان نما خود را شروع کنید، 00:01:25 در آن زمان همه چیز شروع به خم شدن می کند. 00:01:27 و بنابراین ما نه تنها خم شدن بخش 00:01:30 که ما فقط کشید، ما همچنین پیش نمایش 00:01:32 از بخش های بعدی که ما در مورد ایجاد می کنید. 00:01:35 و این به عنوان تابع باند لاستیکی 00:01:38 در داخل Illustrator شناخته می شود، زیرا بعد از همه، 00:01:41 بخش ها مانند گروه های لاستیکی خم می شوند. 00:01:44 اکنون من به جلو بروید و دوباره روی ضربه بزنید 00:01:45 پایین پایین صفحه برای ایجاد یک نقطه سوم کلیک کنید. 00:01:48 و اکنون متوجه شدم که مکان نما را حرکت می دهم، 00:01:50 که تمام سه بخش من خم می شوند. 00:01:53 این است که بگویم، دو نفر اول که من قرعه کشی کردم 00:01:55 و همچنین بعد از آن که من در مورد به منظور جلب. 00:01:59 و این به این دلیل است که یک نوع وابستگی به هم وجود دارد 00:02:01 بین نقاط لنگر زمانی که شما در حال کار است 00:02:03 با ابزار منحنی. 00:02:05 حالا الان به جلو بروید و روی 00:02:06 برای ایجاد یک نقطه چهارم در اینجا 00:02:08 در سمت راست صفحه نمایش کلیک کنید. 00:02:09 در آن لحظه همه چیز شروع به حل و فصل می کند کمی. 00:02:13 توجه داشته باشید که قطعه من فقط قرعه کشی 00:02:15 همچنان به خم شدن به عنوان مکان نما من حرکت می کند. 00:02:18 اما دو بخش اول بیشتر یا کمتر حل و فصل می شوند. 00:02:21 خوب حالا من به جلو بروید و شناور 00:02:22 بیش از نقطه اول لنگر، 00:02:24 در آن زمان من یک دایره کوچک در کنار مکان نما من را ببینید 00:02:27 به من بگویید که من آماده ام تا این طرح مسیر را ببندم. 00:02:30 و سپس اگر من مکان نما خود را دور کنم،

00:02:32  I once again see the asterisks,

00:02:34  which tells me that if I click,

00:02:35  I will begin a new path outline.

00:02:38  Now the interesting thing about the Curvature tool

00:02:41  is that it's not only a path creation tool,

00:02:44  but it's also a path editing tool

00:02:46  analogous to the arrow tools.

00:02:48  So for example, let's say I want to add

00:02:50  another anchor point to this path outline.

00:02:53  Then I can just go ahead and hover

00:02:55  over one of the segments, at which point

00:02:57  I'll see a little plus sign next to the cursor,

00:02:59  which shows me that if I click

00:03:01  I will create a new anchor point at that location

00:03:04  and I will modify the curvature

00:03:06  of the neighboring segments.

00:03:08  Notice that things flattened out just a little bit.

00:03:11  Now if I want to I could go ahead

00:03:13  and drag that segment to a different location.

00:03:16  So you can see, once again, Curvature tool

00:03:19  not just a path creation tool,

00:03:21  but also a path editing tool.

00:03:24  Alright now go ahead and create an anchor point

00:03:26  on the upper right segment, and I want you to see

00:03:29  as I drag it down, not only does it move,

00:03:32  but its neighboring segments move as well.

00:03:35  Again, demonstrating the co-dependent relationship

00:03:38  of all of the anchor points as you add them

00:03:41  and drag them around.

00:03:42  Alright now just to polish things off here,

00:03:44  I'm going to click on the Fill icon,

00:03:46  the very first swatch up here in the Control Panel,

00:03:48  and change the fill to none.

00:03:50  And then I'm going to take the line weight

00:03:52  up to, let's say, six points like so.

00:03:55  And so you can see, unlike when using, say,

00:03:58  the Shape Builder tool, I can modify the fill and stroke

00:04:01  attributes on the fly as I work with the Curvature tool.

00:04:05  And that is a very basic introduction

00:04:07  to how you draw with a Curvature tool

00:04:08  here inside Illustrator.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Drawing one point at a time

 

 

به عبارت دیگر،  Illustrator حرکات شما را ترجمه می کند

   به نقاط و بخش هایی که فکر می کند

  شما به معنای ایجاد است

  که عالی است.

اما اگر جدیت در مورد تسلط ایلوستریتور وجود داشته باشد،

   شما باید حداقل گاهی خودتان را بیان کنید

   در زبان مادری برنامه.

   این است که با کشیدن یک خط مسیر

  یک نقطه لنگر در یک زمان.

   ببینید، هر نقطه لنگر مسیر خط را بر روی آن قرار می دهد

 

  به یک محل خاص

 

   و سپس آن لنگر نقطه

 

   تقسیم یک قسمت مستقیم یا انحنای

 

00:01:22 به نقطه پایانی بعدی که قرعه کشی میکنید

 

00:01:25 مثل یک بازی بیس بال است

 

00:01:26 به استثنای basemen نقاط لنگر هستند.

 

00:01:29 در این فصل مربی،

 

00:01:31 مردی که نقاط پایه / لنگر را هدایت می کند،

 

00:01:34 ابزار انحنای جدید است.

 

00:01:36 در فصل بعد ما مربی دیگر را دیدیم،

 

00:01:38 قلم ابزار نوین.

 

00:01:40 در هر دو مورد، این یک توپ کاملا جدید است،

 

00:01:43 همانطور که می خواهید ببینید.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Painting with a drawing tablet

 

اما هر تبلتی که فشار را پشتیبانی می کند، انجام خواهد شد. و من فقط جلو برویم و نقاشی کنم و حتی اگر من فشار را تغییر دهم، 00:01:06 من یک سکته مغزی دارم. 00:01:08 و این دلیل است که من در یک کادر محاوره ای مقدار آن را نادیده گرفتم، 00:01:11 فقط یک لحظه پیش. 00:01:12 و بنابراین من فقط رفتن به جلو 00:01:13 و کلید Backspace را فشار دهید، 00:01:15 و یا کلید حذف در مک، برای خلاص شدن از آن مسیر. 00:01:18 و من کلید Enter را فشار می دهم، یا کلید بازگشت، 00:01:20 برای نمایش کادر انتخاب گزینه Blush Brush Options. 00:01:23 این مجرم ما درست است. 00:01:25 توجه داشته باشید که تغییرات به 0 تنظیم شده است. 00:01:27 باید به چیزی بالاتر برسد. 00:01:29 بنابراین برای مثال، اگر مقدار اندازه را به 24 pt تنظیم کنم، 00:01:33 و سپس مقدار متغیر را تا 24 pt نیز می برم، 00:01:37 آن را نمی توان بزرگتر از مقدار اندازه به هر حال. 00:01:40 سپس من می توانم اندازه قلم مو را تغییر دهم، 00:01:42 تمام راه را به هیچ چیز. 00:01:44 در آن نقطه، من به جلو بروید و روی OK کلیک کنید 00:01:46 برای قبول این تغییر.

00:01:47  And then I'll just go ahead and enter

00:01:50  the first letter of my last name,

00:01:52  and I'll add a couple of Cs as well,

00:01:54  as you're seeing me do here.

00:01:56  And the real point of the matter is not that

00:01:57  I can spell my name weirdly, but rather

00:01:59  that I am varying the thickness of my brush strokes.

00:02:03  And now I'll just go ahead and add an ampersand

00:02:05  at this point, and a couple of additional lines as well.

00:02:09  And now I'll go ahead and draw

00:02:10  the first letter of my first name,

00:02:12  along with a kind of modified K,

00:02:15  and then a couple of Es inside of it, like so.

00:02:19  And next, I'll press Ctrl + Shift + A

00:02:21  or Cmd + Shift + A on a Mac to deselect my artwork.

00:02:24  And I'll click on the colors layer to make it active.

00:02:27  And then I'll click on the Fill Swatch,

00:02:28  the very first swatch up here in the Control Panel,

00:02:31  and I'll change it to this light shade of green,

00:02:33  which for what it's worth, is R:140 G:198: B:63.

00:02:38  And then I'll press the Enter key,

00:02:39  or the Return key on a Mac to accept that change.

00:02:42  And now I'll just go ahead and paint inside of here.

00:02:45  And even though I'm being pretty sloppy about it,

00:02:48  just because I don't want to waste too much of your time,

00:02:51  I do have the option of painting into the corners,

00:02:54  if I'm a little more careful.

00:02:56  Because I can vary that pressure on the fly.

00:02:59  And now, I'll paint this light green,

00:03:01  lets say, into each of the Cs, and if you see something

00:03:05  like that right there where I'm pointing my cursor.

00:03:07  That little cluster of anchor points

00:03:09  shows me that I have a hole.

00:03:10  And now I'll go ahead and paint down here, lets say.

00:03:14  And then I'm going to paint inside

00:03:16  the E with this light green as well.

00:03:18  And I'll paint right there and right there

00:03:21  inside the ampersand, just for fun.

00:03:24  And this guy needs a little bit of work.

00:03:25  So I'll Ctrl + click, or Cmd + click on him, on a Mac,

00:03:28  and paint that in like so.

00:03:30  And now I'll go ahead and press Ctrl + Shift + A,

00:03:32  or Cmd + Shift + A on a Mac to deselect my artwork.

00:03:35  And I'll click on the Fill Swatch again,

00:03:37  and select this darker green, R:0 G:146 B:69.

00:03:41  And I'll press the Esc key, to go ahead and hide that panel.

00:03:44  And then I'm going to paint into

00:03:47  this region of the E right there, like so.

00:03:51  And I'm going to paint into this region as well.

00:03:55  And I kind of made a mess of that first guy.

00:03:57  Actually, this guy is not that great either.

00:03:59  So I'll go ahead and paint a little more into it.

00:04:01  And then I'll Ctrl + click, or Cmd + click

00:04:03  on this first path, and I'll paint into it a little bit too.

00:04:06  And then I'm going to switch to the Eraser Tool.

00:04:08  Which, nowadays I can get by pressing the E key.

00:04:11  It supports pressure as well, so all I have to do,

00:04:13  if I want to erase withe pressure sensitivity,

00:04:16  is press the Enter key, or the Return key on a Mac,

00:04:19  and then I'm going to change

00:04:20  the Roundness value back to 100%.

00:04:23  I'm going to set the Size value to lets say,

00:04:25  the same value, 24.

00:04:27  I'm going to change Fixed right here to Pressure,

00:04:30  and I'm going to take the Variation value

00:04:31  as high as it goes, which is 24 pt,

00:04:33  the same as the Size value.

00:04:35  And then I'll click OK.

00:04:37  And now I'll just go ahead and erase with pressure.

00:04:40  Notice the fine tune control that I have here,

00:04:43  on the edge of that path outline,

00:04:45  and I'll do the same right here as well.

00:04:47  And I'm only affecting the selected shape of course.

00:04:50  And now I'll press Ctrl + Shift + A,

00:04:52  or Cmd + Shift + A on a Mac to deselect that path,

00:04:54  and I'll switch to my Blob Brush,

00:04:56  and I'll go ahead and paint with

00:04:58  the dark green up in this area.

00:05:00  Maybe I'll try to be a little more careful this time.

00:05:03  And then I'll paint down here as well.

00:05:07  And you know what, if I want to get better results,

00:05:09  then it would perhaps be useful to me,

00:05:12  to change the Fidelity setting.

00:05:14  So I'll press the Enter key, or the Return key on a Mac,

00:05:17  and I'll move the slider in the direction of Accurate.

00:05:20  And then I'll click OK.

00:05:22  And that way I'll get less rounding out of the tool,

00:05:25  as I paint inside of these regions right here,

00:05:29  including between the two letter Cs, lets say.

00:05:33  And so this is just the effect I came up with.

00:05:35  You will obviously want to go your way,

00:05:37  as opposed to spelling my name, I would imagine.

00:05:40  And now, press Ctrl + Shift + A,

00:05:41  or Cmd + Shift + A on a Mac, to deselect my artwork.

00:05:44  And you can see that we have a series

00:05:46  of variable weight path outlines.

00:05:48  And what' so great about this,

00:05:50  is that you can go very nuts indeed.

00:05:53  I'm not going to paint this for you right now,

00:05:55  but this is something that I painted in advance,

00:05:58  using a drawing tablet, specifically a Wacom Intuous,

00:06:03  along with the pressure sensitive stylus.

00:06:05  And you can see, if I go ahead and turn

00:06:07  these layers off right there,

00:06:08  that I started with this tracing template

00:06:10  and this happens to be a photograph

00:06:12  from the Fotolia image library,

00:06:14  about which you can learn more, and get deals

00:06:16  at fotolia.com/deke.

00:06:19  And then, I've got all this brush work up at the top here.

00:06:22  I have this layer of yellow elements.

00:06:24  So you can see, I'm trying to keep

00:06:25  my different colors on different layers.

00:06:28  And then finally, this just white layer

00:06:30  contains a big white rectangle, in order to cover up

00:06:33  the template in the background.

00:06:35  And that's how you combine both the Blob Brush,

00:06:37  and the Eraser, with a drawing tablet,

00:06:40  and a pressure sensitive stylus,

00:06:42  in order to achieve very painterly effects

00:06:45  here inside Illustrator.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Reducing the roundness value

 

همانطور که می توانید در اینجا ببینید. 5 یا شما می توانید این دسته کوچک را که در هر دو طرف بیضی قرار دارند بکشید. سپس شما می توانید زاویه را اصلاح کنید، اگر شما چنین تمایل دارید و علاوه بر تنظیم مقدار زاویه نیز در اینجا، می توانید این هدایت دست کمی را در سمت راست بیضی شکل بکشید. در مورد من قصد دارم مقدار زاویه را به صفر برساند و قصد دارم مقدار Roundness را به 75٪ تغییر دهم و سپس بر روی OK کلیک میکنم تا این تغییر را بپذیرم و اکنون می توانید ببینید که من یک قلم براق دارم در آن نقطه، من قصد دارم به عنوان کمی حرکت کنم. و البته من می خواهم که ابرها سفید باشند و بنابراین می توانم پر را به سفید تغییر دهم، یا من می توانم یک سکته سفید درست کنم، مثل این است. و سپس، کلید Escape را برای مخفی کردن این پانل فشار می دهم، و برای جلوگیری از اولویت اول، بر روی آن کلیک راست می کنم. سپس حجم قلموی من را کاهش می دهم و روی آن کلیک می کنم و آن را حتی دورتر کاهش می دهم و در بالای آن گوش راست را کلیک کنید. و ممکن است بخواهم یک حق بی شکل دیگر در مورد آن بگذارم و احتمالا اینجا بزرگتر باشد

 

00:01:54  and perhaps a smaller one right there.

00:01:56  And then I'll just paint the rest of the cloud,

00:01:58  in order to finish off that effect.

00:02:00  And now I'm going to go ahead and create another one

00:02:02  over here on the right hand side.

00:02:04  And you may have noticed

00:02:05  that I kind of misjoining these guys together,

00:02:07  and that's because I was clicking at different locations,

00:02:10  and because of that setting, that checkbox up here,

00:02:12  Merge Only with Selection, I have to have the clouds

00:02:15  selected in order to merge them.

00:02:17  Which means, that I could press the ctrl and shift keys,

00:02:20  that's command and shift on the mac,

00:02:22  and then click, on this cloud to select it,

00:02:24  and then if I just drag like so,

00:02:26  I'm going to merge all those clouds together.

00:02:29  Alright, now I might press shift, right arrow,

00:02:31  just to nudge those guys to the right a little bit,

00:02:33  and now I'm going to zoom in even more,

00:02:35  and I'm going to press ctrl, shift, a,

00:02:37  or command, shift, a, on a Mac to deselect the clouds.

00:02:40  And I'm going to change the fill color up here,

00:02:43  either fill or stroke actually,

00:02:45  to this light shade of gray,

00:02:46  where all the RGB values are 204.

00:02:49  And then, I'll press the escape key to hide that panel,

00:02:52  and I'll go ahead and increase the size of my brush

00:02:54  a little bit more, and I'll click there,

00:02:56  and then I'll reduce the size of my brush,

00:02:58  click right about here,

00:03:00  and I'll increase the size again, and click there.

00:03:03  Alright, now what we need to do,

00:03:04  is erase away some of these ellipses,

00:03:07  so that just the bottom edges of the clouds are gray.

00:03:09  And so I'll do that by first switching to the Eraser Tool,

00:03:12  which I can now get by pressing the e key,

00:03:14  and then I'll press the enter key,

00:03:15  or the return key on the Mac,

00:03:17  to bring up the Eraser Tool Options,

00:03:19  and I'll change its Roundness value to 75% as well,

00:03:22  and press the enter key,

00:03:23  or the return key on the Mac, to apply that change.

00:03:26  And now I'm going to make my brush just slightly smaller,

00:03:29  than this right hand ellipse.

00:03:31  And I'm going to click right about there,

00:03:32  and now I'll make the brush smaller still,

00:03:35  and click here, and then I'll make the brush bigger,

00:03:38  and the Eraser Tool seems to react much more quickly

00:03:41  than the Blob Brush, to you pressing the bracket keys,

00:03:44  so just bear that in mind.

00:03:45  And then, click a third time in order to create this effect,

00:03:48  and now I'll press ctrl, shift, a,

00:03:50  or command, shift, a, on the Mac,

00:03:51  to deselect those paths.

00:03:53  Alright, now let's go back to the very first cloud,

00:03:56  and select the Blob Brush once again,

00:03:59  and it looks like my cursor's big enough

00:04:01  to click right there, in the center of things,

00:04:04  and now I'll reduce the size of my brush,

00:04:06  and I'll click here, and here,

00:04:09  and then finally I'll reduce the brush size even further,

00:04:12  but not too far because I want to be able to click

00:04:14  on that selection, right at this location here.

00:04:18  Alright, now I'll return to the Eraser Tool.

00:04:20  Again, you can get that by pressing the e key,

00:04:22  and I'll click here with a slightly smaller brush I think.

00:04:26  And right about there, with a pretty large brush.

00:04:29  A still bigger brush is needed at this location

00:04:32  and then a smaller brush again right there.

00:04:34  Alright, now I'm going to switch back to the Blob Brush.

00:04:36  And I'll go ahead and zoom out by pressing ctrl, zero,

00:04:39  or command, zero, on the Mac,

00:04:40  and I'm going to zoom in on the right hand side,

00:04:43  once again, to create those birds,

00:04:46  and I'm going to make that happen by pressing the enter key,

00:04:48  or the return key on a Mac,

00:04:49  to once again bring up this dialogue box.

00:04:51  And this time I'm going to take the Roundness value

00:04:53  down to 50%, and I'll click OK,

00:04:55  in order to accept that change.

00:04:57  And I'm going to change the fill color to black,

00:05:00  this time, and I'll just go ahead

00:05:02  and click right about there,

00:05:04  and just to the right to add another ellipse to that shape.

00:05:08  Alright, now I want to erase into those shapes slightly.

00:05:10  So I'll switch back to the Eraser Tool,

00:05:12  and I'll press the enter key, or the return key on the Mac,

00:05:15  in order to bring up the dialogue box.

00:05:17  I'll change the Roundness value to once again to 50%,

00:05:20  and then I'll press the left bracket key a couple of times,

00:05:22  in order to reduce the size of my brush,

00:05:25  maybe to about there, let's say.

00:05:27  So my ellipse brush is a little bigger

00:05:29  than the one that I used with the Blob Brush Tool,

00:05:31  and now I'll click right about there.

00:05:33  Alright, now I'm going to press the v key

00:05:34  to switch back to the Arrow Tool.

00:05:36  I think my bird is a little too big at this point,

00:05:39  so I'll click on the word Transform,

00:05:41  up here in the Control Panel,

00:05:42  and you want to make sure that the chain icon

00:05:44  is turned on, at which point,

00:05:45  I'll go ahead and click on the w, to select the width value,

00:05:49  and I'll change it to 50 points,

00:05:51  and that'll reduce the size of the bird quite a bit.

00:05:53  And now, I'll go ahead and move this guy over to right here,

00:05:56  let's say, and then I'll create a copy at this location

00:05:59  by pressing and holding the alt key at the end of the drag.

00:06:02  And then, I'll create a third bird over

00:06:05  at this location right there.

00:06:07  And then, I'll go ahead press ctrl, zero,

00:06:08  or command, zero, on the mac to zoom out.

00:06:11  I think these guys should be on the background layer,

00:06:13  so I'm going to go ahead and marquee these shapes

00:06:14  over here, on the right hand side,

00:06:16  and then I'll shift marquee the ones over here

00:06:19  on the left hand side.

00:06:20  I messed up that shape right there.

00:06:22  I went and colored it black, but in any event,

00:06:25  I'm going to unlock my background layer,

00:06:27  by clicking on this lock icon,

00:06:28  then I'll drag that purple square down,

00:06:31  so that all the shapes are now on the background layer.

00:06:34  I'll click off the shapes to deselect them.

00:06:36  I'll select this guy again, and I'll click on its fill icon,

00:06:39  and change it back to that light shade of gray.

00:06:42  And then I'll click off the shapes to deselect them.

00:06:44  Unfortunately, that went and selected the sky.

00:06:46  And so to deselect it, I'll just go ahead

00:06:48  and lock down that layer by once again,

00:06:50  clicking in that second column.

00:06:52  And now I'll zoom in slightly

00:06:54  so that we can take in the final effect.

00:06:56  And that's how you create a couple of cartoon clouds

00:06:59  and some distant birds, by once again,

00:07:01  simply clicking with the Blob Brush and the Eraser Tool,

00:07:04  set to reduced Roundness values.

 

دانلود فیلم آموزش ایلوستریتور Illustrator CC Painting with a few simple clicks

 

بنابراین، هر زمان که با قلم مو لوب یا آن را کلیک کنید پاک کن، به طور پیش فرض شما با یک دایره به پایان رسید. حالا من نیاز به پاک کردن برجسته، اما چون شکل من پر از سیاه است، می توانم قالب دیگر را نمیبینید بنابراین، من به منوی View بروید و انتخاب کنید طرح، یا می توانید یک میانبر صفحه کلید را فشار دهید  از ctrl + y یا cmd + y در مک برای تغییر به حالت کلی توجه کنید که ما هم اکنون می توانیم از طریق مسیر ببینیم  به الگو در پس زمینه اشاره می کند. بنابراین، چیز بزرگ در مورد قرار دادن یک عکس در 00:01:23 یک لایه قالب، و دوباره، اگر من دوبار کلیک کنید در یک بخش خالی از این لایه، همه ی آن یک تابع است از داشتن جعبه قالب در، که باعث می شود اطمینان حاصل کنید که حتی می توانید الگو ردیابی را نیز مشاهده کنید 00:01:34 حالت کلیمن به جلو برویم و از آنجا خارج شوم، و سپس من خواهم بود 00:01:38 به ابزار پاک کن بروید، که اکنون می توانم آن را دریافت کنم 00:01:40 با فشار دادن کلید "e". 00:01:42 من اندازه نشانگر من را کاهش می دهم. 00:01:44 من باید مطمئن باشم که اولین حلقه هنوز انتخاب شده است. 00:01:47 سپس من به جلو بروید و در داخل آن را به ترتیب کلیک کنید 00:01:50 برای حذف یک حلقه دیگر از آن. 00:01:53 اکنون، من به منوی View باز می گردم و انتخاب می کنم 00:01:55 پیش نمایش GPU، یا دوباره می توانید ctl + y یا cmd + y را فشار دهید 00:02:00 در Mac، و سپس من فقط پاک کردن بالای صفحه 00:02:02 که دانش آموز مثل این است. 00:02:04 حالا میخواهم دوباره به ابزار فلش سیاه بچرخم 00:02:06 که من می توانم با فشار دادن کلید "V" انجام دهم. 00:02:08 من به جلو بروید و این مرد را به سمت راست بکشید 00:02:11 سمت و کلید Alt یا کلید انتخاب Mac را فشار دهید 00:02:14 برای ساخت یک کپی از آن. 00:02:16 اکنون برو جلو برویم و لایه قالب را خاموش کنیم 00:02:19 با کلیک روی این مستطیل کمی در اینجا وجود دارد.

00:02:21  That will hide the layer from view, so that we can

00:02:24  focus on this guy's eyes.

00:02:26  Now, I'll click on this left-hand eye, and I'll

00:02:29  press shift+ left arrow in order to nudge it ten points

00:02:32  over to the left.

00:02:33  Then I'll press the up arrow a few times in order to

00:02:36  raise that eye.

00:02:37  Then I'll select the right-hand eye and nudge it

00:02:39  a few points over to the left, as well.

00:02:42  Now, I'll grab my eraser tool again, and I'll reduce

00:02:45  the size of that cursor.

00:02:47  I'll zoom in, as well, so we can better see what I'm doing.

00:02:50  I'll go ahead and paint away the top and the left-hand

00:02:53  side of this shape.

00:02:55  Then I'll press the ctrl key or the cmd key on the Mac

00:02:57  to temporarily access my black arrow tool, and I'll

00:03:00  go ahead and click on that left-hand eye shape like so.

00:03:03  Then I'll paint away the top of it, as well.

00:03:06  Now, I'll just go ahead and zoom out by pressing

00:03:08  ctrl+0 or cmd+0 on the Mac, and I'll deselect that

00:03:11  eye by pressing ctrl+shift A or cmd+shift A on

00:03:15  the Mac.

00:03:16  That's how you create a couple of cartoon eyes

00:03:18  with a few simple clicks of the blob brush and the

00:03:21  eraser tool here inside Illustrator.