آموزش گام به گام ادوبی ایلوستریتور Illustrator CC Redefining a paragraph style

 

 

 

 

در این فیلم ما قصد داریم به سمبل ماجراجویی معرفی کنیم، و سپس ما قصد داریم به او یک عنوان بدهیم، ما با استفاده از سبک پاراگراف جدید خود، قالب بندی این عنوان را داریم. و سپس در انتها به شما نشان خواهم داد که چگونه یک سبک پاراگراف را دوباره تعریف کرده و هر دو عنوان را به نوعی به روز رسانی کنید. درست است، بنابراین اولین قدم این است که کلاه قرمزی را از سند حاوی هر دو شخصیت ما بازیابی کنیم. و اکنون من به جلو بروید و در لایه Scarecrow در اینجا در پایین صفحه لایه ها کلیک کنید و محتویات آن لایه را با کلیک روی این مثلث در گوشه سمت راست بالا انتخاب خواهید کرد. و این به پیش می رود و هر طرح مسیری که در آن موجود وجود دارد، انتخاب کنید. بعد من به منوی Edit بروید و دستور Copy را انتخاب کنید. یا من می توانم کنترل C یا Command C را بر روی Mac فشار دهم و سپس به جلو بروید و به سند ما در حال پیشرفت بروید و من با کلیک کردن روی آخرین آیکون اینجا در پایین صفحه گوشه سمت چپ صفحه درست است، حالا من به اینجا می روم به پنل لایه ها، بر روی آیکون منوی فلوت کلیک می کنم و مطمئنم که Paste Remember Layers هنوز روشن است. در آن نقطه من فقط به منوی ویرایش بروید و دستور Paste را انتخاب کنید یا من می توانم کنترل V یا Command V را روی Mac فشار دهم تا عذابم را به جای خود برگردانم. حالا اگر شما در کنار من کار کنید، باید بسیار مراقب باشید که متن را انتخاب نکنید، زیرا اگر شما به یک دستاورد عظیم دست بزنید، باید مجددا تلاش کنید و دوباره امتحان کنید. بنابراین آنچه که من میخواهم انجام دهم این است که در این جا از این دست بکشید، زیرا به نظر میرسد که از متن متنفر نیست، به این ترتیب که او را به سمت راست حرکت دهید، به همین ترتیب، و من میخواهم در مرکز یا بیشتر قرار بگیرم او در داخل این ستون سمت راست قرار دارد و ممکن است چند بار فشار دکمه فلش بالا را فشار داده تا او را نیز بالا ببرم. و سپس یک بار من او را در موقعیت مناسب قرار می دهم و پیش می روم که این لایه را در زیر پشته بچرخانم، بگذارید بگویم، درست زیر لاین قلع مرد. و سپس، برای جلوگیری از هر گونه آسیب به رخدادهای عجیب و غریب، من به جلو بروید و این لایه را با کلیک کردن در این ستون دوم اینجا در داخل لایه لایه ها، قفل کنید. درست است، حالا ما باید به عقب برگردیم و عنوان Tin Man را بازیابی کنیم و قصد دارم این کار را با کلیک کردن در اولین نماد اینجا در گوشه پایین سمت چپ صفحه انجام دهم. و سپس روی این عنوان با ابزار فلش سیاه کلیک می کنم تا آن را انتخاب کنم، و من کنترل C را فشار می دهم یا Command C در Mac برای کپی آن. و اکنون من یک بار دیگر بر روی آخرین نماد در گوشه پایین سمت چپ روی صفحه کلیک میکنم تا به صفحه هیئت مدیره سوم بچرخم، و من کنترل F یا Command F را روی Mac فشار میدهم تا این عنوان را بچرخانم در مقابل در حال حاضر بر اساس تجربه من می دانم که این قاب نیاز به کمی بلندتر،

 

00:02:28  and so I'm going to go up to the Type menu

00:02:30  and choose the Area Type Options command

00:02:33  and then I'll change the Height value to 70, like so,

00:02:37  and I'll click Okay and that will give me

00:02:39  a little extra room to work.

00:02:40  At which point I'll go ahead and drag that frame up

00:02:43  so that it snaps into alignment

00:02:45  with the bottom right corner of the margin guides.

00:02:48  All right, now we need to go hunting

00:02:49  for a pull quote, which of course happens to be

00:02:51  on the first art board, once again.

00:02:53  So if you're working along with me,

00:02:54  click in the first icon in the bottom left corner of the screen

00:02:58  and then notice this fifth paragraph,

00:03:00  the one that begins with,

00:03:01  It must be inconvenient to be made of flesh.

00:03:04  Go ahead and double click inside of that

00:03:06  in order to switch to the Type Tool,

00:03:08  and now I'm going to very carefully select

00:03:11  all of that paragraph, from quote to quote,

00:03:14  as we're seeing here.

00:03:16  And I'm not triple clicking, by the way,

00:03:17  because I don't want to select the paragraph return.

00:03:20  I just want to select the text.

00:03:22  And now I'll press Control C, or Command C on the Mac,

00:03:25  to copy that text.

00:03:26  All right, now press the Escape key

00:03:28  in order to exit the Text Entry mode,

00:03:30  and I'll click on the last icon down here in the bottom left

00:03:33  corner of the screen, to advance to the third art board,

00:03:36  and then I'll double click inside this caption,

00:03:38  I'll select this text, once again by dragging over it,

00:03:42  and I'll press Control V, or Command V on the Mac,

00:03:45  in order to paste that text, like so.

00:03:48  And I am Control Spacebar, or Command Spacebar clicking

00:03:51  to zoom in here, even though I have active text,

00:03:54  that is possible.

00:03:55  But I want you to notice, that even though I was so careful

00:03:58  not to select a paragraph return

00:04:00  and to copy one group of letters into another,

00:04:03  I have still brought over the old formatting attributes.

00:04:06  And that's why it's so wonderful

00:04:07  that I have that paragraph style.

00:04:09  All right, I'm going to make a couple of edits here.

00:04:11  I'm going to go ahead and select this text right there

00:04:14  and delete it.

00:04:16  And now I'll click in front of the word, However,

00:04:18  and add a quote, like so.

00:04:20  So we're just tidying up this quote,

00:04:21  so it works as a caption.

00:04:23  And now I'll press the Escape key

00:04:25  in order to accept that change.

00:04:27  All right, now we need to apply that paragraph style

00:04:30  by once again going up to the Window menu,

00:04:32  choosing Type, and then choosing Paragraph Styles,

00:04:35  which will bring up the Paragraph Styles panel right here.

00:04:38  Now by all rights, all you should have to do

00:04:40  is click on the Caption Style, in order to apply it.

00:04:44  But notice that we get that little plus sign,

00:04:46  which tells us that we have local overrides,

00:04:48  which is fairly obvious given that nothing really changed.

00:04:52  And so to eliminate those local overrides,

00:04:54  go ahead and press the Alt key,

00:04:56  or the Option key on the Mac,

00:04:57  and click on Caption again

00:04:59  in order to get rid of the plus sign

00:05:01  and properly style that text.

00:05:04  All right, now let's say at this point

00:05:06  or even a few hours later,

00:05:08  you decide that the captions really ought to be blue,

00:05:11  they ought to be red.

00:05:13  In that case you can redefine the style

00:05:15  and here's the easiest way to do that.

00:05:17  Go ahead and double click inside the text once again,

00:05:19  to switch to the Type Tool

00:05:21  and then double click on a word to select it.

00:05:24  And now I'll assign a new color, by this time,

00:05:26  going up to the first swatch up here in the Control Panel,

00:05:30  and I'll click on it to bring up the Swatches Panel,

00:05:33  and then I'll assign that dark shade of red,

00:05:35  which is R193, G39, B45

00:05:39  and we end up with this red text,

00:05:42  as we can see right here.

00:05:44  And it's easier to see, of course,

00:05:45  when I click off the text, like so.

00:05:47  All right, now you want to go ahead and select that text,

00:05:50  and you don't have to select the entire word, by the way,

00:05:53  you can just select a few characters.

00:05:55  But make sure that you're selecting just the red text,

00:05:58  none of the blue, and then return to this Paragraph Styles Panel,

00:06:01  click on its flyout menu icon

00:06:03  and choose Redefine Paragraph Style

00:06:06  and that will go ahead and update all the text to red.

00:06:10  And not only will you update this caption, by the way,

00:06:13  but if I drop down to these navigation icons

00:06:15  in the bottom left corner of the window, and click on first,

00:06:19  you can see that I've updated the other caption, as well,

00:06:22  because it's linked to that same paragraph style.

00:06:26  All right, and now I'm going to go ahead

00:06:27  and zoom in on this page

00:06:29  and I'll turn off the guides as well,

00:06:31  because folks, we are finally done with this document.

00:06:35  And that's how you save a bunch of formatting attributes

00:06:37  as a paragraph style, apply that paragraph style

00:06:40  to other text objects, and redefine that paragraph style

00:06:44  any time you like, here inside Illustrator.

 

آموزش گام به گام ادوبی ایلوستریتور Illustrator CC Creating a paragraph style

 

 

در این فیلم ما قصد داریم یک اسکریپت را به عنوان چوب چوب قلع ایجاد کنیم زیرا همانطور که می بینید اگر من به جلو بروید و در سمت چپ ماکت کوچکتر از ctrl + 0 یا cmd + 0 را فشار دهید، سپس ما قصد داریم آن متن را فرمت کنیم و در نهایت، ما به ویژگی های قالب بندی به عنوان یک سبک پاراگراف می پردازیم، سپس می توانیم به پاراگراف های بعدی که در فیلم بعدی نگاه می کنیم اعمال کنیم. بنابراین اولین چیزی که می خواهیم انجام دهیم اینجا است. آنچه که به عنوان یک نقل قول شناخته می شود، نقل قول از متن است که به توضیح این گرافیک کمک می کند. بنابراین برای رفتن به صفحه دوم حرکت می کنم تا shift + pgDnin را فشار دهم. و این پاراگراف را شروع کنید. با "، بنابراین آنها پای خود را روغن زده" تا زمانی که بتواند آنها را آزادانه حرکت کند. "این دو خط بعدی است که می خواهم بردارم، و به همین ترتیب، دوبار کلیک بر روی متن هر textbox را کلیک می کنم تا به Type tooland switch شود من همه چیز را پس از این سمیکولون به اینجا می برم.بنابراین همه چیز را از کلمه "و" به این periodaft این کلمه، "سپاسگزار" است. سپس من به منوی Edit بروید و دستور command choosethe را انتخاب کنید، یا می توانید ctrl + C یا cmd + C را در Mac فشار دهید. همه راست، حالا من به جلو بروید و کلید key escape را فشار دهید تا دوباره به ابزار Arrow سیاه بچرخید. و من فقط به نوار فضا می روم، مسیر بازگشت من را به اولین جلوی منو بکشید، به طوری که در این ناحیه زیر زیر پاهایتان قرار گرفته است. همه حق دارند، حالا من هستم رفتن به اینجا کلیک کنید تا این مستطیل را انتخاب کنید که ما در این ستون سوم قرار داده شده را بر روی صفحه بعدی قرار دادیم. من فقط می خواهم شما آن را به خاطر بسپارید و این به این دلیل است که من نیاز به انجام یک فریم متن جدید را در اینجا زیر قلع مرد، و من قصد دارم این کار را با استفاده از ابزار Type انجام دهم، که من می توانم از toolboxor انتخاب کنم، می توانم با فشار دادن کلید T آن را دریافت کنم. و اکنون متوجه می شوم که اگر روی لبه این مستطیل حرکت کرده باشم، مکان نما من به یک I-beamsurrounded توسط یک دایره dotted.That من چیزی نمی خواهم زیرا نشان می دهد من قصد دارم به قرار دادن متن من در داخل شکل. در عوض، من می خواهم یک من -مرکز یک مربع خالی است که نشان می دهد که من قصد دارم یک framejust متن جدید ایجاد کنم با کشیدن آن مانند. و اکنون که من این فریم متن را دارم، من به منوی Edit بروید و دستور «paste» را انتخاب کنید ، یا من فقط می توانم CTRL + V را در اینجا در رایانه شخصی یا cmd + V روی مک بگذارم و آن را ادامه خواهم داد و متن را به این فریم بچسبانم. درست است، حالا من قصد دارم کمی متن را اصلاح کنم. من قصد دارم به جلو برویم و این متن را با حروف الفباء این متن را جایگزین کنیم تا ما کلمه "The." را جایگزین کنیم و سپس پس از آن کلمه را کلیک کرده و "Tin Woodman" را وارد کنید. بنابراین ما آن را می سازیم روشن کردن موضوع این جمله است. همه چیز درست است، و در حال حاضر من کلید فرار را فشار دهید تا از حالت ورود متن خارج شود و دوباره به ابزار Arrow سیاه بپرد. درست است که اکنون متوجه می شوید که کادر متن من انتخاب شده است، یعنی من می تواند این تمام پاراگراف را به سمت کنترل پنل تغییر دهد و برای مثال تغییر سبک از منظم، به عنوان مثال، آن را امتحان کنم. و من می توانم با عنوان کتبی که البته h احتمالا به من می دهد کمی بالاتر از x ارتفاع، آن است که آن را به ایجاد کنید

 

 my lowercase letters a little taller.

00:03:01  But it's unlikely that you have that style on your machine,

00:03:04  so I'll just stick with italic.

00:03:06  And then I'll click on the word Character

00:03:08  to bring up my Character panel.

00:03:09  And I'll click on this type size icon

00:03:11  in order to highlight the value, and I'll change it to 16

00:03:14  and then I'll tab over to the leading value,

00:03:17  and I'll change it to 18 like so.

00:03:20  And then I'll press the enter key,

00:03:21  or the return key on the Mac to make that change.

00:03:23  And then finally, I'll go over here to my Swatches panel,

00:03:26  I'll make sure the fill is active,

00:03:29  and then I'll click on the shade of blue, let's say

00:03:31  R=0 G=113 B=188,

00:03:34  in order to change the color of that text like so.

00:03:37  All right, now I have a specific idea in mind

00:03:40  for how big this text frame should be.

00:03:42  And to apply those values, I'll go up to the Type menu

00:03:45  and choose Area Type Options.

00:03:47  And now I'll just go ahead and change the width value

00:03:50  to something very close to what it already is, 284.

00:03:53  So 284 pts.

00:03:55  And then I'll click on the word Height here,

00:03:58  in order to make that value active,

00:04:00  and I'll change it to 52 pts.

00:04:01  And then I'll press the tab key

00:04:03  to advance to the next option,

00:04:05  and that way I can turn on the Preview checkbox

00:04:07  and see my changes applied here on screen,

00:04:10  at which point I'll go ahead and click OK

00:04:12  in order to accept that change.

00:04:14  And now I'll drag that text frame a little bit over

00:04:17  so that it snaps into alignment

00:04:19  with the bottom right corner of the marching guide.

00:04:22  All right, now let's say I want to save

00:04:24  all of these formatting attributes

00:04:25  as what's known as a paragraph style.

00:04:28  And here, you're going to have to give me a leap of faith

00:04:30  because it's not 'til the next movie

00:04:33  that'll prove just how useful these things are.

00:04:35  But if you give me a little bit of latitude here,

00:04:37  go up to the window menu and then go all the way down

00:04:41  until you come across the Type option,

00:04:44  and then that'll bring up the submenu,

00:04:46  as we're seeing right here,

00:04:47  at which point you can choose Paragraph Styles,

00:04:50  in order to bring up the Paragraph Styles panel.

00:04:53  Now the great thing about paragraph styles

00:04:55  versus character styles,

00:04:56  is that paragraph style save more formatting attributes.

00:05:00  So in a nutshell, a character style

00:05:02  will save character level formatting attributes,

00:05:04  such as font and type size and color.

00:05:08  Whereas a paragraph style will save everything,

00:05:11  including what I just told you, as well as alignment

00:05:14  and paragraph spacing and so on.

00:05:16  So when in doubt, when you're saving formatting attributes,

00:05:19  you want a paragraph style.

00:05:21  At which point, you want to create the style

00:05:23  by clicking on this little page icon.

00:05:25  The problem is if you do that,

00:05:27  you'll create an unnamed style

00:05:29  here inside the Paragraph Styles panel,

00:05:31  and then you'll have to turn around and rename it,

00:05:33  which can become very confusing if you have

00:05:35  more than a handful of styles inside this panel.

00:05:38  So what I recommend you do is name the style

00:05:41  as you create it by pressing the alt key,

00:05:43  or the option key on the Mac,

00:05:45  and then clicking on that page icon,

00:05:47  and that'll bring up this ginormous Paragraph Style Options

00:05:50  dialog box, at which point all you have to do

00:05:53  is name the style.

00:05:54  You really don't have to do anything else,

00:05:56  although you can just go ahead and confirm

00:05:57  a few attributes such as Minion Pro, Italic,

00:06:01  size of 16 pt, leading is 18 pt and so forth.

00:06:04  So in other words, everything about this text block

00:06:07  is intact.

00:06:08  At which point you can go ahead and click OK

00:06:10  in order to create that new style called caption.

00:06:13  And now, just for good measure,

00:06:15  you'll want to apply that style to the selected text

00:06:18  by clicking on it.

00:06:20  Now at that point, you may see a little plus sign

00:06:22  after the word caption.

00:06:24  If you do, that indicates that you might potentially have

00:06:27  local overrides, meaning that there might be

00:06:30  some differences between this text and the style.

00:06:33  Just to make sure everything is copacetic,

00:06:36  go ahead and press the alt key or the option key on the Mac.

00:06:40  You shouldn't have to do this, but you do.

00:06:42  Anytime you see a plus sign, go ahead and alt click

00:06:45  or option click on it,

00:06:47  in order to make sure that there are no local overrides

00:06:50  and that everything about this text block matches

00:06:53  this paragraph style.

00:06:54  At which point, you can go ahead and close this panel.

00:06:57  And we are now in a position to reapply

00:06:59  these exact same formatting attributes to future paragraphs,

00:07:02  just as I'll demonstrate in the very next movie.

 

آموزش گام به گام ادوبی ایلوستریتور Illustrator CC Finding a character with the Glyphs panel

 

در این فیلم ما نگاهی به آنچه که ممکن است محبوب ترین توابع متن داخل Illustrator باشد و این پانل گویا باشد، این ایده است که به شما اجازه می دهد تا به هر شخصیتی در هر فونت نصب شده در سیستم خود دسترسی داشته باشید. بنابراین، اگر شما نگاهی به صفحه کلید خود داشته باشید، حروف وجود دارد، اعداد را می بینید و چند علامت تعریفی دارید، اما ممکن است فقط یک علامت از کاراکترهایی باشد که درون هر قلم مخصوصی قرار دارند و توسط منظورم این است که فونت ممکن است حاوی کسرها و همچنین نمادهای ریاضی، شخصیت های برجسته، دکوراسیون های کلاه کوچکی و همه انواع چیزهای عجیب و غریب ساده باشد. بنابراین این خط را در اینجا در Minion Pro Italic تنظیم کنید. چه کسی می دانست که این فونت شامل نه تنها تمام این حروف است، بلکه این زیور آلات برگ است. در حال حاضر، زمانی که ما آخرین کار را ترک کردیم، ما به صفحه artboard 3 نگاه کردیم، در داخل سند ما می خواهیم یک یا دوبار کلیک بر روی Ctrl + shift + page up یا command + shift + pgUp روی Mac یا اگر شما don ' T یک کاراکتر pgUp بر روی صفحه کلید خود داشته باشید و سپس میتوانید بر روی این آیکون کوچک کوچک در اینجا در گوشه پایین سمت چپ صفحه کلیک کنید. در حال حاضر ما جلو برویم و ctrl + spacebar یا cmd + spacebar را کلیک کنید تا زوم بر خط و توجه کنید که هر یک از نامها توسط شخصیت گلوله ای تنظیم شده است که خود شخصیت آشکار نیست برای دسترسی به اکثر صفحه کلید و به این ترتیب آنچه که من میخواهم انجام شود این است که پس از آن شخصیت گلوله دوبار کلیک کنید تا بتوانید به نوع ابزار بروید و همچنین نشانگر مورب چشمک زدن را تنظیم کنید اگر میخواهید یک گلوله روی یک مکینتاش ایجاد کنید، گزینه opt + 8 را فشار دهید در کامپیوتر کمی پیچیده تر است. اول از همه، شما نیاز به یک صفحه کلید عددی دارید و سپس کلید alt را فشار داده و نگه دارید و عدد صفر، یک، چهار، نه را دوباره روی صفحه کلید عددی خود تایپ کنید و سپس کلید alt را آزاد میکنید و به شما یک شخصیت گلوله در حال حاضر خبر خوب این است که ویندوز اجازه می دهد تا شما به یک تن از شخصیت ها دسترسی پیدا کنید، بد خبر البته این است که نیاز به حفظ مقدار زیادی از چرخش. آیا نمی توانست خیلی بهتر از این باشد که فقط می توانید کاراکترهایی را که در داخل هر فونت مشخص شده اند مشاهده کنید؟ از آنجا که پس از همه، آنها به طرز چشمگیری تفاوت می یابند و پاسخ این است که بله، این یک چیز عالی خواهد بود

 

  and the other answer is you get to that great thing

00:02:15  by going to the Type menu and choosing Glyphs

00:02:18  and that brings up the Gylphs panel

00:02:20  as you can see right here.

00:02:21  Now I'm going to go ahead and make the panel larger

00:02:24  by dragging on the bottom edge

00:02:25  as well as the right edge, as we're seeing

00:02:28  and then I'm going to move the panel

00:02:30  over to the right side of the screen

00:02:32  so it's covering up some of the other panels

00:02:34  but it's also remaining free-floating.

00:02:37  Now by default, you're going to see the characters

00:02:39  that are available in the active font .

00:02:41  If you want to switch to a different font

00:02:43  you can do so down here at the bottom of the panel

00:02:46  and you can select a different style as well

00:02:48  but I'm going to stick with Minion Pro Italic

00:02:50  because it gives me access to a huge number of characters.

00:02:54  You can also make these characters larger or smaller

00:02:56  by clicking on these mountain icons.

00:02:58  So the big mountain makes the characters bigger

00:03:00  the little mountain makes them smaller

00:03:03  and then, once you come up with the size

00:03:04  that is comfortable for you

00:03:06  you can just go ahead and browse all the characters

00:03:09  that are available.

00:03:10  For example, there we have a build fraction of one half

00:03:13  and if you want to add that character to your active text

00:03:16  all you have to do is double-click on it.

00:03:19  Let's say you want to build your own character

00:03:21  such as, for example, 3/7

00:03:24  then notice these characters up here

00:03:26  that have little triangles next to them

00:03:28  that means you can click and hold

00:03:30  in order to access alternatives.

00:03:33  Watch up here, I want you to watch this region

00:03:35  right next to the words entire font.

00:03:37  That will tell you which character you're selecting

00:03:39  and so notice at this point I'm seeing the three

00:03:43  which is a numerator, and the numerator

00:03:44  is the top number in a fraction

00:03:46  this guy is the denominator

00:03:48  which would be the bottom number

00:03:49  and then we have a superscript, followed by a subscript

00:03:52  I'm going to go ahead and select the numerator, like so

00:03:55  and then we want to add the fraction character

00:03:57  which is this guy right here

00:03:59  and that's different from the standard slash

00:04:01  if you press the slash character in your keyboard

00:04:03  notice that it doesn't slant nearly enough.

00:04:06  So I'm going to go ahead and press the backspace key

00:04:08  to get rid of that guy,

00:04:09  and I'm going to double-click on this character instead

00:04:12  which gives me the properly slanted fraction character

00:04:15  and then, if I'm looking for 3/7

00:04:17  I'll click and hold on the seven

00:04:19  and choose this guy right here, the seven denominator

00:04:22  in order to create that fraction, like so.

00:04:24  This guy is the multiply symbol, which I love

00:04:27  because it's much different than the standard X

00:04:30  and then we've just got tons and tons of symbols.

00:04:32  Let's say I'm looking for a stylistic alternative

00:04:36  specifically a swash version

00:04:38  of this letter M right there at the end of Baum

00:04:42  then I would just go ahead and select that character

00:04:44  and that will select the M

00:04:46  here inside the big character grid

00:04:48  and then, if I have a little triangle

00:04:50  I can click and hold and select, for example

00:04:53  an ordinal M, which is a superscripted character

00:04:57  or a small cap M is available to me

00:04:59  I also have this swash character

00:05:02  or another way to work

00:05:03  is to go up to the show option, click on it

00:05:07  and switch from Entire Font

00:05:08  to Alternates For Current Selection

00:05:11  and that will just show me

00:05:12  the alternates for this selected character

00:05:15  at which point I could double-click on this swash m

00:05:18  in order to add a little tail to my lower-case m, like so

00:05:21  but I'm more interested in the ornaments.

00:05:24  So I''m going to go ahead and click

00:05:26  once again, on the Show pop-up menu

00:05:29  and I'll switch to the Ornaments option

00:05:31  and then I'm just going to see the ornaments

00:05:33  that are available in this font

00:05:35  and now I'll just go ahead and select

00:05:36  this bunch of characters here that I want to replace

00:05:39  and I'll double-click on this leaf ornament right there

00:05:41  in order to add it to my text.

00:05:43  Now I want it to be a little larger

00:05:45  so I'll go ahead and select it

00:05:47  and I'll press ctrl + shift + on a Mac

00:05:51  three times in a row, to increase the type size

00:05:55  to 22 points as we're seeing up here in the control panel.

00:05:58  Alright now let's go ahead and make my glyphs panel

00:06:00  a little smaller here

00:06:01  and drag it down so that I can see my swatches panel

00:06:04  my fill is still active, so I'll just go ahead

00:06:06  and click on this deep red R193 G39 B45

00:06:12  in order to change the color of that leaf, like so.

00:06:15  Alright now I'm going to copy it by pressing ctrl + C

00:06:17  or cmd + c on a Mac

00:06:19  and then I'll select this other bulltet

00:06:20  and I'll paste the leaf character into this place

00:06:22  by pressing ctrl + v or cmd + v on the Mac.

00:06:26  Alright now there's just one more thing I want to do

00:06:28  I'll go ahead and alt + drag my document over

00:06:31  I want to replace this c in my name

00:06:33  the first c in McClelland, with a superscripted

00:06:36  or properly ordinal c

00:06:38  and so I'll go ahead and select that c

00:06:40  and then I'll change the Show option here

00:06:43  to Alternates For Current Selection

00:06:45  and I only have two alternates

00:06:47  the one that I'm using, the standard lower-case c

00:06:49  and the small cap c

00:06:51  and so if I double-click on it

00:06:52  I'm going to see a small designer version

00:06:54  of a capital letter

00:06:55  as we're seeing right there.

00:06:57  That's not really the one I want however,

00:06:58  so I'll go ahead and press ctrl + z

00:07:00  or cmd + z on the Mac to undo that change.

00:07:03  The moral of the story is here

00:07:05  that you're not always going to see

00:07:06  the glyph that you're looking for

00:07:09  and that's because the Glyphs Panel is limited

00:07:11  to those characters that are actually available

00:07:13  inside any given font

00:07:15  but of course when you run into a wall

00:07:17  there's always a solution.

00:07:19  What I'm going to do is close the Glyphs Panel

00:07:21  by clicking on this close box

00:07:23  and then I'm going to click on the word character

00:07:25  up here on the control panel

00:07:26  in order to bring up the character panel

00:07:28  and I want to be able to see what I'm doing

00:07:30  at the same time.

00:07:31  So I'm going to just alt + drag my page over a little bit

00:07:34  like so, and then I'll click on the word character again

00:07:38  notice this guy right here

00:07:39  this option that says set the baseline shift

00:07:42  that allows you to either raise or lower the character

00:07:46  with respect to it's baseline

00:07:49  which is the imaginary horizontal line

00:07:51  upon which all the characters rest.

00:07:53  So what I'm going to do is click inside that value

00:07:56  and notice if I press the down arrow key

00:07:58  that I lower that character, with respect to the baseline

00:08:02  but if I press the up arrow key

00:08:04  then I raise that character

00:08:06  and once I achieve a value of three points

00:08:08  everything looks great.

00:08:09  At which point I'll press the enter key

00:08:11  in order to accept that value and dismiss the panel

00:08:14  and then I'll press the escape key

00:08:15  in order to exit the text entry mode

00:08:18  and we end up with this nice looking ordinal version

00:08:21  of the the c right there

00:08:22  as well as these wonderful leaf ornaments

00:08:25  and that swash version of the lower-case m

00:08:28  and that's how you work with the glyphs panel

00:08:30  as well as the baseline shift formatting attribute

00:08:34  here inside Illustrator.

 

آموزش گام به گام ادوبی ایلوستریتور Illustrator CC Resolving widows and orphans

 

در این فیلم، من به شما نشان خواهم داد که چگونه به بیوه ها و یتیمان در کپی بدن خود مراجعه کنید. به هر حال، یتیم یک کلمه است که خود را در آخرین خط یک پاراگراف به دام انداخته است. و یک بیوه چیزی است که ما می توانیم در صفحه بعد ببینیم، این یک خط از نوع است که یا در بالا یا پایین ستون به دام افتاده است، مانند این مرد اینجا، من به اندازه کافی نمی دانم. و آنها نیاز به دو راه حل متفاوت دارند. بنابراین، برای خلاص شدن از شر یتیم، به جلو بروید و در متن خود دوبار کلیک کنید تا به طور خودکار به نوع ابزار تغییر دهید. و سپس دوبار کلیک کنید و بکشید، به این معنی که با کلیک بر روی کلیک کنید و سپس بر روی کلیک دوم خود بکشید، به منظور انتخاب تعجب، این دو کلمه. و اکنون ما می خواهیم آنها را مجبور کنیم که با یکدیگر زندگی کنند، با بالا بردن پنل شخصیت ها، کلیک کردن بر روی نماد منو پرواز در گوشه سمت راست بالا، و سپس انتخاب هر گونه شکستن. و این همه آن است که وجود دارد. حالا شما می توانید کلید فرار را برای دیدن این دو کلمه فشار دهید، در حال حاضر همان خط نوع را اشغال می کند. خوب، حالا پیش بروید و با کلیک کردن بر روی این سربرگ پایین در گوشه سمت چپ پنجره، و انتخاب یک صفحه هیئت مدیره دو، به صفحه دوم هنر بروید. یکی دیگر از یتیم ها به طریقی است؛ به همین دلیل من به جلو بروید و دوبار کلیک کنید و بر روی آن دو کلمه برای انتخاب آنها بکشید، بر روی کاراکتر کلمه در اینجا در پنل کنترل کلیک کنید تا پانل شخصیت را ظاهر کند، و من یک بار دیگر دستور شکستن را انتخاب می کنم. برای اینکه این دو کلمه را به همان خط تحمیل کنم، می توانم همین کار را با برخی مغزها انجام دهم، اگر می خواستم

 

 

00:01:24  As well as a heart, I believe is another one,

00:01:28  right here, a heart, and now I'll go ahead and click

00:01:31  on character and choose no break once again.

00:01:34  So that's a pretty easy solution.

00:01:36  Really it's all about just trying to keep

00:01:38  an eye out for those orphans.

00:01:39  For widows, the easiest solution

00:01:41  is to make a slight adjustment to the leading.

00:01:44  So, for example, I'm going to go ahead

00:01:47  and select up this text right here.

00:01:49  So all the way from the tin woodman

00:01:52  at the top of the second column,

00:01:53  down to the end of the second to last paragraph,

00:01:57  right above the widow, and now what you want to do

00:02:00  is click on the word character one again

00:02:01  to bring up the character panel.

00:02:03  And instead of increasing the leading to 18,

00:02:06  or something like that, let's just take it up to 17.5.

00:02:10  I generally find that very small changes

00:02:12  make a big difference, and then you can press

00:02:14  the enter key, or the return key on the Mac,

00:02:16  to affect that change.

00:02:17  And notice that went ahead and bumped that line up

00:02:20  to the next column.

00:02:22  Alright now I'm going to press the escape key

00:02:23  in order to edit the text editing mode,

00:02:25  and I'll press shift page down

00:02:27  to advance to the last art board,

00:02:29  and you can see at the top of the second column

00:02:32  we have what is easily the worst kind of widow.

00:02:35  Just a couple of words all by themselves.

00:02:38  And so what we need to do is get more text

00:02:41  into that last column on the second art board,

00:02:44  and so i'm going to double click

00:02:45  in the word wicked right here,

00:02:46  and I'm going to click after the D

00:02:48  to set the blinking insertion marker,

00:02:50  and now I'll go ahead and select

00:02:52  the second art board again

00:02:54  from the bottom left corner of the window,

00:02:56  and i'll shift click on the quote

00:02:58  right before I don't know enough.

00:03:01  And that way we've selected all of the text

00:03:03  in the third column, as well as one additional line

00:03:06  on the next art board, and now I'm going to click

00:03:09  on the word character to bring out the character panel

00:03:11  once again, and I'm going to take the leading value down

00:03:14  to 16.5, so half a point less than it was.

00:03:18  Now press the enter key, or the return key on the Mac,

00:03:21  and you can see that the line there upon wicked

00:03:23  has now scooted to this art board.

00:03:25  And so if I were to click in the word wicked

00:03:28  and press the down arrow key,

00:03:29  in order to advance to that third art board,

00:03:32  and I'll just go ahead and scroll down to it

00:03:34  using the scroll wheel on my mouse.

00:03:36  We can see now that those two words after her

00:03:38  are now fitting at the bottom of the first column.

00:03:42  Alright, now we've got a widow at the bottom

00:03:44  of the second column, so what we need to do

00:03:47  is triple click and hold on that last paragraph,

00:03:50  and drag up to the first paragraph in this column,

00:03:53  like so, so that all the lines except the widow are selected

00:03:57  and then click on the word character once again,

00:03:59  and set the leading value half a point higher,

00:04:01  to 17.5, and then press the enter key,

00:04:04  or the return key on the Mac,

00:04:05  to invoke that change.

00:04:07  And the great thing about these half point differences

00:04:09  is you just can't see it.

00:04:11  They're not gonna interfere with the legibility

00:04:13  or the consistency of your type.

00:04:15  Alright now finally we've got another widow

00:04:18  in the form of her right here.

00:04:19  So I'm going to double click and hold

00:04:21  in order to select the word Mary,

00:04:23  and then I'll click the word character,

00:04:25  I'll click in the fly out menu icon,

00:04:26  and I will choose no break

00:04:28  in order to move both of those words down to the last line.

00:04:31  And finally I'll press the escape key

00:04:33  and click off of the text to deselect it.

00:04:35  And that's how you very effectively

00:04:37  deal with orphans and widows

00:04:39  here inside Illustrator using a combination

00:04:42  of the no break command and a half point variation,

00:04:45  one direction or the other, in leading.

 

آموزش گام به گام ادوبی ایلوستریتور Illustrator CC Wrapping text around a graphic

 

 

در این فیلم به شما نشان می دهد چگونه متن را در اطراف گرافیک واقعی قرار دهید. به طور خاص، چوب چوبان ما. بنابراین، اگر شما در حال کار با من هستید، به جلو بروید و به این سند که شامل هر دو شخصیت است را تغییر دهید. و توجه کنید که آنها در لایه های Layers Panel به لایه های مستقل منتقل می شوند. آنچه که ما میخواهیم انجام دهیم این است که همه چیز را روی لایه قلع مرد انتخاب کنیم. و شما این کار را با کلیک کردن روی آن لایه انجام می دهید تا آن را فعال کنید. و سپس متوجه این مثلث در گوشه بالا سمت راست لایه می شود. فقط پیش بروید و بر روی آن کلیک کنید، و همه چیز را بر روی آن لایه مانند انتخاب کنید. حالا، به منوی ویرایش بروید و دستور "Copy" را انتخاب کنید یا می توانید "Ctrl + C" یا "Command + C" را در Mac فشار دهید. در حال حاضر، پیش برویم و به سند من در حال پیشرفت برسم. و من با فشار دادن "Ctrl + 0" یا "Command + 0" در مک کوچک می کنم. در حال حاضر، به منظور کاهش پیچیدگی به همان اندازه ممکن است، زیرا این یک پروژه بسیار چالش برانگیز است، ما می خواهیم پیش برویم و مرد قلع را در لایه خود قرار دهیم. و این کار را با رفتن به پنل لایه ها یک بار دیگر، با کلیک بر روی آیکون منوهای Fly Up در گوشه سمت راست بالا و سپس انتخاب «Paste Remember Layers» را برای روشن کردن آن فرمان. سپس، به منوی ویرایش بروید و فقط دستور «Paste» قدیمی را انتخاب کنید، یا میتوانید «Ctrl + V» یا «Command + V» را در Mac فشار دهید.

 

  And that will paste the tin man on his own tin man layer

  as we're seeing here inside the Layers Panel.

  Now, what I want you to do is go ahead and drag this guy,

00:01:23  so that the top of his head more or less aligns with

00:01:26  this second horizontal guideline.

00:01:29  And we're aligning his funnel cap

00:01:31  to the right edge of the margin guide.

00:01:33  And that might be a little too far to the right,

00:01:35  so I'll just press the Left arrow key

00:01:37  to nudge him a little bit to the left.

00:01:39  All right, now, I'm going to drag this layer

00:01:41  below the text layer, and I'm going to lock it as well,

00:01:44  so that we don't end up modifying any of his many parts.

00:01:48  All right, now, what you might think is that

00:01:50  we go ahead and assign the Text Wrap command

00:01:52  that we saw in the previous movie, directly to the tin man.

00:01:55  But, first of all, he'd have to be on the same layer

00:01:58  as the text, which would be a nightmare.

00:02:00  And secondly, the text would start wrapping

00:02:02  inside of his legs and under his arm,

00:02:05  so we'd end up with some problems.

00:02:07  We want a much simpler solution,

00:02:09  and here's how we're going to pull it off.

00:02:10  Go ahead and click on the text layer to make it active,

00:02:13  and then, once again grab the Rectangle Tool,

00:02:16  and just go ahead and draw a rectangle

00:02:18  around that third column like so.

00:02:20  Now, we don't want a fill or a stroke,

00:02:22  so go up to the Control Panel and change the Fill to "None."

00:02:27  And then, click on the second swatch,

00:02:28  the one that represents the stroke,

00:02:30  and change it to "None" as well.

00:02:32  All right, now, with the rectangle selected,

00:02:35  go to the Object menu, choose "Text Wrap" and choose "Make."

00:02:38  And that's all there is to it.

00:02:40  That just goes ahead and wraps the text around

00:02:42  that third column so it drops to the next start board.

00:02:45  All right, now we need to draw

00:02:46  some sort of shape around his arm.

00:02:48  And the easiest tool for this purpose is located

00:02:51  directly below the Rectangle tool.

00:02:53  You click and hold on the paintbrush,

00:02:55  and you choose the strangely named Blob Brush Tool.

00:02:58  Now, what you want to do is press the "Enter" key

00:03:00  or the "Return" key on the Mac

00:03:02  to bring up the Blob Brush Tool Options.

00:03:04  And just change the size value to 50 pt.

00:03:07  You don't have to do anything else. And then, click "OK."

00:03:10  All right, now I want to deselect that rectangle

00:03:13  by going to the Select menu and choosing

00:03:15  the "Deselect" command, or you can press

00:03:17  a keyboard shortcut of "Ctrl+Shift+A"

00:03:19  or "Command+Shift+A" on the Mac.

00:03:21  And I'm now going to change the fill color to, let's say

00:03:24  "RGB Red," just so we can really see what we're doing.

00:03:27  And now, I'm going to begin painting

00:03:29  inside of this guy's hand.

00:03:32  So, you want to start by painting around his hand like so.

00:03:35  And then paint up his arm all the way to his shoulder,

00:03:38  and then come down his hip basically to his knee.

00:03:42  And then, I want you to come back over

00:03:44  and then up like so to make this kind of

00:03:47  blobby shape right here.

00:03:49  And then, make sure that you paint the interior

00:03:51  as well as you can, just so that your filling

00:03:53  as much with red as possible.

00:03:55  In other words, you don't want to be seeing any cracks.

00:03:58  And then, just go ahead and release,

00:04:00  in order to create that blobby shape.

00:04:03  All right, now, press the "V" key to switch back

00:04:05  to the Black Arrow Tool, and click on that

00:04:08  path outline to select it.

00:04:09  And if you end up seeing the word "Group" over here

00:04:11  on the far left side of the Control Panel,

00:04:14  then go up to the Object menu and choose

00:04:15  the "Ungroup" command.

00:04:17  At which point, you'll probably see mixed objects.

00:04:20  Just go ahead and shift click on the outline

00:04:21  of the path to deselect it.

00:04:23  And you should see that a few things remain selected.

00:04:26  At which point, just go ahead and press the "Backspace" key

00:04:28  or the "Delete" key on the Mac to get rid of

00:04:31  those little extras.

00:04:32  Now, click on the shape again, and this time

00:04:35  it should either read "Path" or "Compound Path,"

00:04:37  which is just fine.

00:04:39  All right, now, what you want to do is go up to

00:04:41  the Object menu, choose "Text Wrap," and choose "Make."

00:04:44  And that will create a text wrap around this shape.

00:04:47  You want to return to the Object menu, choose "Text Wrap,"

00:04:51  and choose "Text Wrap Options."

00:04:55  And then, go ahead and turn on the "Preview" checkbox

00:04:57  so you can see what you're doing.

00:04:58  And increase that offset value by pressing the Up arrow key,

00:05:02  so just click in the value and press Up arrow

00:05:05  until you get a good-looking wrap.

00:05:07  Until, in other words, the text looks good.

00:05:09  Which happens for me at an offset value of 10 pt,

00:05:12  at which point out go ahead and click the "OK" button

00:05:14  in order to accept that change.

00:05:16  And now, click on this first swatch up here

00:05:18  in the Control Panel and change it to "None,"

00:05:20  so that we are not actually seeing that red blob.

00:05:24  And now, click off the path outline to deselect it.

00:05:27  All right, now, the spacing of the text could

00:05:28  potentially be a little better.

00:05:30  And to make it so, we just have to

00:05:31  apply a couple of changes.

00:05:33  So, just go ahead and double-click anywhere

00:05:35  inside the body copy to automatically switch

00:05:37  to the Type Tool and position the blinking insertion marker.

00:05:41  Then press "Ctrl+A" or "Command+A" on the Mac to select

00:05:44  all the text across the three threaded text frames.

00:05:47  And then, what I want you to do is click the word

00:05:49  "Paragraph" up here in the Control Panel.

00:05:52  And we're going to make two changes,

00:05:54  both of which are available from the Fly Out menu.

00:05:56  So, click the Fly Out menu icon in the upper right corner

00:05:59  of the Paragraph Panel, and then choose

00:06:02  the "Hyphenation" command.

00:06:03  And notice that Hyphenation

00:06:04  isn't even turned on at this point.

00:06:07  So, go ahead and turn on that checkbox.

00:06:09  I want "Words Longer Than" value of 4 letters.

00:06:12  That way, even short words will get hyphenated.

00:06:15  And we want to better spacing as opposed to fewer hyphens.

00:06:19  So, go ahead and move that slider triangle

00:06:21  a couple of tick marks over to the left.

00:06:24  And now, turn on the Preview checkbox,

00:06:26  and you should see a little bit of hyphenation

00:06:29  occurring onscreen.

00:06:30  For example, "I've been groaning" has now been hyphenated.

00:06:34  And "with a little cry of surprise" is hyphenated as well.

00:06:37  At which point, go ahead and click the "OK" button

00:06:39  in order to apply that change.

00:06:41  Now, this one's a little technical.

00:06:43  But you want to click on that Fly Up menu icon again,

00:06:46  and you want to switch from "Adobe Single Line Composer"

00:06:48  that looks at one line at a time when figuring out

00:06:52  how to space the justified paragraphs.

00:06:55  And you want to switch to "Adobe Every Line Composer,"

00:06:58  which looks at the entire story as it's figuring out

00:07:01  the spacing of any single justified line.

00:07:04  And that is going to give you some much better spacing

00:07:07  as we're seeing right here.

00:07:09  At which point, you can go ahead and press the "Esc" key

00:07:12  in order to hide the Paragraph Panel,

00:07:13  and then press the "Esc" key again

00:07:15  to exit the text editing mode and then just

00:07:18  click off of your text to deselect it.

00:07:21  And that's how you wrap text around a graphic.

00:07:24  As well as achieve the best possible character spacing.

00:07:27  By turning on Hyphenation, that's very important.

00:07:30  As well as switching to the "Every Line Composer,"

00:07:34  here inside Illustrator.