صفر تا صد آموزش ایلوستریتور Illustrator CC Fusing path outlines together

 

 

 

00:01:22  but if you do, you're going to fill their interiors as well,

00:01:25  which is not what we want.

00:01:26  So, I'll go ahead and press Control Z,

00:01:28  or Command Z on the Mac,

00:01:29  to undo that change,

00:01:30  and instead what you have to do is

00:01:31  very carefully drag along these path outlines like so,

00:01:36  and then release, and notice that I have just a little bit

00:01:40  of extra path right there,

00:01:42  so I'll go ahead and drag over this area as well,

00:01:45  and that will fuse everything into a single

00:01:47  black filled path outline.

00:01:49  At which point, I'll go ahead and press Control 0,

00:01:51  or Command 0 on the Mac, in order to zoom back out.

00:01:55  And I will once again select the blob brush.

00:01:57  Now, another way to work is to just paint

00:01:59  off the path outline,

00:02:01  so if I were to paint along the ear,

00:02:03  for example, and never touch that selected path,

00:02:07  then I'm going to begin an independent path outline

00:02:09  like so, and then, if I paint down here,

00:02:12  I will create yet another independent path,

00:02:15  and now I'm going to join to that one

00:02:18  by painting this portion of the ear.

00:02:20  But if I were to paint over here, along this eyelid,

00:02:23  then I would join back up with the big path outline.

00:02:26  Alright, but let's say I want to join

00:02:27  everything together,

00:02:28  then I could just paint along here,

00:02:30  up the cheek bone, all the way into the hair,

00:02:34  and then as soon as I release,

00:02:35  because I painted into every path outline,

00:02:37  I end up joining all those paths together.

00:02:40  Alright, now I'm going to go ahead

00:02:42  and finish off the hair,

00:02:44  and I'm going to do that in separate passes,

00:02:46  as you're seeing me do,

00:02:47  just so that I get some nice sharp corners,

00:02:50  I'm going to paint over here, like here,

00:02:53  and cheat a little into this area of the template,

00:02:55  because I feel like I need to have a little more room.

00:02:58  And, if you don't get things exactly right,

00:03:01  if you make an occasional mistake

00:03:02  by going too far, for example,

00:03:04  as I'm doing here,

00:03:06  don't worry too much about it,

00:03:07  we'll take care of problems like that in a future movie.

00:03:10  Alright, I'm just going to paint in

00:03:11  these details right here,

00:03:12  as you see me doing,

00:03:13  in order to finish off that hair,

00:03:16  and here's the big path,

00:03:17  the one along the jaw line here.

00:03:19  I've got to go very slowly,

00:03:21  so that I don't make a mess of things,

00:03:22  but if you do take things slowly enough,

00:03:24  you should be able to make it work pretty easily

00:03:26  because the tool is just so darn forgiving,

00:03:29  as you can see right here, it does a lot of the

00:03:31  smooth work for you.

00:03:33  Alright, now I'll paint up this little detail right here,

00:03:35  and I'll paint up the neck line,

00:03:37  and by the way, if you want to paint a perpendicular path,

00:03:41  then just go ahead and press the Shift key as you drag.

00:03:44  I don't want that, however, so I'll press Control Z,

00:03:46  or Command Z on the Mac to undo that change.

00:03:49  And then I'm going to scroll down a little bit

00:03:50  because I want to paint more into this neck.

00:03:53  I want to paint it kind a kind of collar into it.

00:03:55  So I'm going to paint way down here,

00:03:57  outside the bleed, as you can see,

00:03:59  that red border,

00:04:00  and then I'll paint along the bottom of the neck.

00:04:02  And I'm going to give him a left shoulder

00:04:05  that goes a little bit above that neck line,

00:04:07  and then I'll just go ahead and add

00:04:09  a couple of collar lines, as you see me doing here.

00:04:12  Alright, I'll press Control 0, or Command 0 on the Mac,

00:04:15  in order to once again center my zoom,

00:04:17  and I'll press Control Shift A,

00:04:19  or Command Shift A on the Mac,

00:04:20  in order to deselect my art work.

00:04:23  And that's how you paint independent path outlines,

00:04:25  as well as fuse those independent paths together

00:04:28  using the blob brush tool,

00:04:30  here, inside Illustrator.

آموزش کامل ایلوستریتور Illustrator CC Painting with the Blob Brush

 

 

 

اطمینان حاصل کنید که لینک روشن شده است و سپس مقدار عرض را به 650 تغییر دهید، مثل این است. و اگر کلید Tab را فشار دهید، به این ترتیب مقدار ارتفاع را تغییر خواهد داد. درست است، حالا شما می توانید کلید Escape را فشار دهید تا پانل آن پنهان شود. و سپس در نهایت، من تصور می کردم این مرد می خواست کمی بالاتر باشد، بنابراین من فشار کلید Shift را فشار می دهم تا او را به سمت بالا 10 امتیاز برساند. همه راست، حالا پیش بروید و روی قسمت خالی لایه Guides دوبار کلیک کنید تا گزینه Options Layer Dial جعبه تغییر نام این قالب لایه را تغییر دهید و علامت کادر الگو را فعال کنید و سپس Okay را کلیک کنید و یک الگو ردیابی خود را به دست آورید. همه چیز را درست انجام دهید و سپس روی لایه ی Drawing کلیک کنید و سپس این ابزار را مستقیما در بالای مداد قرار دهید Toolin تنها جعبه ابزار toolbox.by به طور پیش فرض این Paintbrush Tooland شما فکر می کنید که این ابزار است که شما می خواهید برای استفاده، اما ما حتی نمی خواهید به این ابزار به درس دوره کارشناسی ارشد. و به همین دلیل است که ابزار اساسا usefulpainting بعدی است ابزار پایین که Brush Blob است. در حال حاضر، فقط برای اطمینان از اینکه نقاشی با رنگ سیاه دارید، به جلو بروید و کلید D را بزنید که به رنگ های پیش فرض شما می رسد و رنگ سیاه را سیاه می کند. و به طور پیش فرض Blob Brushworks از رنگ سکته مغزی است. اکنون آن را WI همچنین از رنگ پر شده است که هیچ سکتهی وجود ندارد. و حالا فقط به جلو بروید و اگر این کار را انجام دهید، این خط را برطرف می کنید، و ممکن است همه چیز به دنبال کمی پاره شده باشد، مخصوصا اگر نقاشی با یک ماوس را انجام دهید، همانطور که من هستم اما به محض انتشار، Illustrator به سمت جلو حرکت می کند و به طور خودکار آن مسیر را مشخص می کند. اما برای سلیقه های من کافی نیست، بنابراین من قصد دارم به جلو بروید و Control Z یا Command Z را روی Mac فشار دهید تا این سکته قلم را خنثی کند ، و من می خواهم کلید Enter را فشار دهم تا کادر محاوره گزینه Options Blob Brush Tool را بزنید. اگر شما با یک تبلت طراحی مشغول کار هستید، ممکن است بخواهید این مثلث لغزنده را به Accurate برسانید. در مورد من، هرچند، من رفتن به آن را به حالت Sleep به Smooth حرکت می دهد، به همین ترتیب. و این تمایل دارد که یک تنظیم کامل در اینجا باشد، یکی از علامت هایی که از Absolute Smooth به دست می آید با یک ماوس نقاشی کنید. همچنین می خواهم کادر انتخاب Check را بزنید ما می توانیم ببینیم که چه چیزی واقعا اتفاق می افتد و متوجه می شویم که مقدار اندازه به 10 امتیاز، به طور پیش فرض، زاویه صفر است و Roundness 100٪ است، در آن صورت می توانید پیش بروید و Ok را بزنید. سپس یک بار دیگر این خط را نقاشی کنید، و حتی اگر آن را بسیار شل کنید، همانطور که در مورد من است، این امر به میزان قابل توجهی هموار خواهد شد. در حال حاضر، به جای اینکه طرح کلی مسیر آنوپن را مشاهده کنیم، همانطور که ما با ابزار Pencil Tool آشنا هستیم، همانطور که در اینجا مشاهده می کنیم، مسیر بسته ای که با رنگ سکته مغزی ایجاد می شود، می بینیم. همه چیز درست است، حالا من از رنگ این زاویه سمت راست به سمت چپ در امتداد این edgeand به محض انتشار، حتی اگر من یک سحر و جادو بسیار عجیب و غریب، چیزهای بسیار خنک است، و Illustrator پیش می رود و پیوستن دو strokes به عنوان یک قلم مو در طرح یک خط. کمی توصیه اگر می خواهید گوشه های تیز و زیبا داشته باشید، فقط سعی نکنید چیزی را که در اطراف آن قرار گرفته است، به تصویر بکشید، زیرا این کار باعث می شود که شما یک لبه نرم که در اینجا دیده می شود. در عوض آنچه شما می خواهید انجام دهید، من به جلو بروید و Control Z را فشار دهید یا Command Z را روی مک بگذارید تا این ضربه قلموی را خنثی کنید

 

00:04:17  just paint each one of these brush strokes

00:04:20  independently of each other, and let

00:04:22  Illustrator join them into a sharper corner, like so.

00:04:27  And now I'm just going to go ahead and paint

00:04:28  up the nose, and if you're having problems,

00:04:31  just slow it down.

00:04:33  The slower you go,

00:04:34  the more likely it is that you can stay on that line,

00:04:37  and then when you release,

00:04:39  you're going to get a nice, smooth path outline,

00:04:41  as we're seeing right here.

00:04:43  All right, now I'm going to go ahead

00:04:44  and paint along the nose, like so.

00:04:47  And then I'll paint this part right here

00:04:49  in a separate brush stroke,

00:04:51  and I'll go ahead and paint the smile,

00:04:53  and I'll paint this crease and you can see

00:04:55  everything's turning out super smooth,

00:04:58  despite my sometimes awkward brush strokes.

00:05:01  Now that one wasn't so good,

00:05:02  so I'm going to press Control Z,

00:05:04  or Command Z on the Mac to undo it.

00:05:05  And I'm going to try to see if I can give this guy

00:05:07  a fuller lip, and that worked out pretty nicely.

00:05:10  And now I'm just going to go ahead

00:05:12  and paint down his chin.

00:05:14  All right, now let's just go ahead

00:05:15  and fill out the cheek over here.

00:05:17  And incidentally, if you find that

00:05:19  painting in one direction doesn't work for you,

00:05:21  as it's not really working for me,

00:05:23  then just go ahead and undo your brush stroke

00:05:26  and try painting in the other direction instead.

00:05:29  And bear in mind folks,

00:05:31  that I am left handed,

00:05:33  and so if you're a right hander

00:05:34  you might find that it's easier to paint

00:05:36  in the opposite directions you see me working right now.

00:05:39  All right, now I'll just go ahead to paint this eyelid

00:05:42  and I'll paint in this brush stroke up here

00:05:46  and you can see this is a pretty jagged stroke,

00:05:48  but it ends up reconciling nicely.

00:05:50  And now I'll just paint this little edge for his eye.

00:05:53  And now despite the fact that I have painted

00:05:55  a total of 18 successful brush strokes,

00:05:58  Illustrator has fused them into

00:06:00  a single closed path outline.

00:06:02  And that's at least the basics

00:06:04  of working with the Blob Brush

00:06:06  here inside Illustrator.

 

آموزش تصویری ایلوستریتور Illustrator CC Painting with the Blob Brush

 

00:00:54  in order to introduce a template.

00:00:57  Now assuming that Align is set to Align to Artboard,

00:01:00  you want to click on each of the center icons,

00:01:03  Horizontal Align Center,

00:01:04  and then Vertical Align Center.

00:01:07  And next go ahead and click on the word Transform

00:01:09  right there, or click on the X, Y, W, or H,

00:01:13  and make sure your center point is selected

00:01:14  inside the reference point matrix.

00:01:16  Make sure that the link is turned on

00:01:18  and then change the Width value to 650 points, like so.

00:01:23  And if you press the Tab key,

00:01:25  that will change the Height value accordingly.

00:01:27  All right, now you can press the Escape key

00:01:29  in order to hide that panel.

00:01:30  And then finally, I figured this guy wanted to be

00:01:32  a little bit higher, so I press Shift up arrow

00:01:34  to nudge him upward 10 points.

00:01:36  All right, now go ahead and double click on an empty portion

00:01:39  of the Guides layer to bring up the Layer Options

00:01:41  dialog box, rename this layer Template,

00:01:43  and turn on the Template check box,

00:01:45  and then click Okay

00:01:47  and you've got yourself a tracing template.

00:01:49  All right, now go ahead and click on the Drawing layer,

00:01:51  and then notice this tool directly above the Pencil Tool

00:01:55  in the single column toolbox.

00:01:56  by default it's the Paintbrush Tool

00:01:59  and you would think that's the tool you want to use,

00:02:01  but we're not even going to get to that tool

00:02:02  until the Mastery course.

00:02:04  And that's because the more fundamentally useful

00:02:06  painting tool is the next tool down,

00:02:09  which is the Blob Brush.

00:02:11  And now, just to make sure you're painting with Black,

00:02:13  go ahead and tap the D key,

00:02:15  which gets you the Default Colors,

00:02:17  and that makes Black the stroke color.

00:02:19  And by default, the Blob Brush

00:02:21  works from the stroke color.

00:02:22  Nowadays it will also work from the fill color

00:02:24  if there is no stroke.

00:02:26  And now just go ahead and paint

00:02:28  along this line, if you will,

00:02:31  and things may end up looking a little bit jagged,

00:02:33  especially if you're painting with a mouse, as I am.

00:02:36  But as soon as you release,

00:02:37  Illustrator goes ahead and automatically

00:02:39  smooths that Path Outline.

00:02:41  But, not enough for my tastes,

00:02:42  so I'm going to go ahead and press Control Z,

00:02:44  or Command Z on the Mac, to undo that brush stroke,

00:02:47  and I'm going to press the Enter key

00:02:49  to bring up the Blob Brush Tool Options dialog box.

00:02:52  If you're working with a drawing tablet,

00:02:54  you may want to move this slider triangle

00:02:56  closer to Accurate.

00:02:57  In my case though, I'm going to move it

00:02:59  closer to Smooth, like so.

00:03:01  And this tends to be a perfect setting right here,

00:03:03  one tick mark over from Absolute Smooth

00:03:06  when you're painting with a mouse.

00:03:08  I also want you to turn on the

00:03:09  Keep Selected check box,

00:03:11  just so that we can see what's really going on.

00:03:13  And notice that the Size value set to 10 points, by default,

00:03:15  the Angle is zero degrees,

00:03:17  and the Roundness is 100%,

00:03:19  at which point you can go ahead and click Okay.

00:03:21  And then try painting that line once again,

00:03:25  and even if it's pretty shaky, as it is in my case,

00:03:28  it's going to smooth up considerably, like so.

00:03:33  And now notice instead of getting an

00:03:34  open path outline, as we would if we were

00:03:36  drawing with a Pencil Tool,

00:03:38  we get a closed path outline

00:03:40  filled with the stroke color, as we're seeing here.

00:03:43  All right, now I'm going to paint from this corner

00:03:45  right there, down into the left along this edge

00:03:49  and as soon as I release,

00:03:51  even though I have a very wiggly brush stroke,

00:03:53  things smooth out very nicely,

00:03:55  and Illustrator goes ahead and joins

00:03:57  those two brush strokes

00:03:59  into a single path outline.

00:04:01  Now here's a bit of advice

00:04:03  if you want to get nice, sharp corners,

00:04:05  don't just try to paint the thing

00:04:07  all the way around, like so,

00:04:09  because that will get you a soft edge

00:04:11  as we're seeing right here.

00:04:12  Instead what you want to do,

00:04:13  I'll go ahead and press Control Z,

00:04:15  or Command Z on the Mac to undo that brush stroke,

00:04:17  just paint each one of these brush strokes

00:04:20  independently of each other, and let

00:04:22  Illustrator join them into a sharper corner, like so.

00:04:27  And now I'm just going to go ahead and paint

00:04:28  up the nose, and if you're having problems,

00:04:31  just slow it down.

00:04:33  The slower you go,

00:04:34  the more likely it is that you can stay on that line,

00:04:37  and then when you release,

00:04:39  you're going to get a nice, smooth path outline,

00:04:41  as we're seeing right here.

00:04:43  All right, now I'm going to go ahead

00:04:44  and paint along the nose, like so.

00:04:47  And then I'll paint this part right here

00:04:49  in a separate brush stroke,

00:04:51  and I'll go ahead and paint the smile,

00:04:53  and I'll paint this crease and you can see

00:04:55  everything's turning out super smooth,

00:04:58  despite my sometimes awkward brush strokes.

00:05:01  Now that one wasn't so good,

00:05:02  so I'm going to press Control Z,

00:05:04  or Command Z on the Mac to undo it.

00:05:05  And I'm going to try to see if I can give this guy

00:05:07  a fuller lip, and that worked out pretty nicely.

00:05:10  And now I'm just going to go ahead

00:05:12  and paint down his chin.

00:05:14  All right, now let's just go ahead

00:05:15  and fill out the cheek over here.

00:05:17  And incidentally, if you find that

00:05:19  painting in one direction doesn't work for you,

00:05:21  as it's not really working for me,

00:05:23  then just go ahead and undo your brush stroke

00:05:26  and try painting in the other direction instead.

00:05:29  And bear in mind folks,

00:05:31  that I am left handed,

00:05:33  and so if you're a right hander

00:05:34  you might find that it's easier to paint

00:05:36  in the opposite directions you see me working right now.

00:05:39  All right, now I'll just go ahead to paint this eyelid

00:05:42  and I'll paint in this brush stroke up here

00:05:46  and you can see this is a pretty jagged stroke,

00:05:48  but it ends up reconciling nicely.

00:05:50  And now I'll just paint this little edge for his eye.

00:05:53  And now despite the fact that I have painted

00:05:55  a total of 18 successful brush strokes,

00:05:58  Illustrator has fused them into

00:06:00  a single closed path outline.

00:06:02  And that's at least the basics

00:06:04  of working with the Blob Brush

00:06:06  here inside Illustrator.

آموزش تصویری ایلوستریتور Illustrator CC Painting and Erasing painting

 

در حال حاضر، درست در این لحظه، سخت است که یک مربی Illustrator باشد. چرا؟ از آنجا که موضوع این فصل یکی از بهترین ابزار در کل نرم افزار است. و این به طور رسمی با نام Brush Blob شناخته می شود. بله، شما به من صحیح شنیدید لکه برس کدام یک اگر شما بودید، یک نوع ابزار قلمو را نشان می دهد که رنگ ها را رنگ می کند. و چرا نه، درست است؟ کیست، این روزها، نمیخواهد کل مجموعه ای از کلاه های چاق و چاق را نقاشی کند؟ واقعا فقط چیزهایی را از دست می دهیم. چه کسی نمی خواهد این کار را انجام دهد؟ اوه، درست است، همه. با این حال، حقیقت این است که قلم موی بلوک یک ابزار شگفت انگیز است. همانطور که با Pencil، موضوع فصل آخر، قلم مو بلوک در سال های اخیر توانایی بیشتری یافته است، به طوری که نتایج بسیار صاف و در عین حال قابل توجه دقیق را تولید می کند. فقط بر خلاف مداد، قلم مو قرمز به جای آنهایی که باز است، خطوط مسیر بسته را نقاشی می کند. با این حال بهتر است اگر شما چیزی را که می بینید دوست نداشته باشید می توانید با ابزار Eraser در این خطوط بسته بسته بندی کنید. بنابراین، کمی از blobbing، کمی از پاک کردن برای تلفن های موبایل مسخره است. اما به من اعتماد کن، این واقعا تجربه نقاشی است که منتظر بوده اید. شما چی فکر میکنید؟ آیا می خواهید این را به طور کامل با موس انجام دهید؟ خوب، این باید قرعه کشی کنم اما این یک موش خوب است. با هر شانس، این فصل تعریف لکه را فراتر از چیزی غیر محرمانه و نادرست گسترش می دهد در حالیکه تمام سرگرمی هایی که کلمۀ کلمه به دست می دهد ناقص است. پس باند بیا، بذار ببینی

آموزش تصویری ایلوستریتور Illustrator CC Coloring your Pencil tool art

 

 

 

00:01:21  in the bottom left corner of the appearance panel

00:01:23  to add a new fill and I'll go ahead and click on it there

00:01:26  to bring up a list of swatches.

00:01:28  And notice this last free swatch is a pattern called jive

00:01:32  which is included by default inside any basic RGB document.

00:01:36  So I'll go ahead and select it like so

00:01:38  and then I'll twirl this little fill open,

00:01:40  I'll click on the word opacity,

00:01:42  and I'll change the opacity value to 50 percent

00:01:45  and I'll press the enter key or the return key on the Mac

00:01:48  in order to create that unusual background.

00:01:50  Alright, now I'm going to switch back to the layers panel

00:01:53  and I'm going to click in the lock column right here

00:01:55  to lock that rectangle down so that it doesn't interfere

00:01:58  with otherwise coloring the artwork.

00:02:00  Alright, now I'll go ahead and zoom back in

00:02:02  and what we want to do is create a layer of fills

00:02:05  based on our open and closed path outlines right here.

00:02:09  And so I'm going to go ahead

00:02:10  and duplicate this drawing layer

00:02:12  by clicking the flyout menu icon

00:02:14  in the upper right corner of the layers panel

00:02:16  and choosing duplicate drawing.

00:02:18  And now I'll go ahead and drag the new layer down

00:02:21  so that it appears below the drawing layer

00:02:23  and I'll double-click on an empty portion of it

00:02:25  to bring up the layer options dialogue box

00:02:27  and I'm just going to call this layer fills

00:02:30  and I'm going to change its color to gold.

00:02:32  Alright, now I'll click okay to accept that change.

00:02:34  And I'll turn off the drawing layer

00:02:36  so that we can focus exclusively on this new fills layer.

00:02:40  Alright, now we need to get rid of a few shapes

00:02:42  so press the v key in order to

00:02:45  switch back to the black arrow

00:02:46  and now you can just sort of marquee around

00:02:49  to select all of these lines for example.

00:02:51  We don't need them.

00:02:52  So I'll go ahead and select them and delete them.

00:02:54  And also get rid of this path outline right there

00:02:57  these two extra pathlines inside the right foot

00:03:01  and these two inside the left foot as well.

00:03:03  I don't think these things are called feet, but still.

00:03:06  Now I'll go ahead and marquee these lines and delete them.

00:03:10  And I want these lines gone as well.

00:03:12  And now what you want to do is zoom in on the head

00:03:14  and marquee these lines right there in order to select them.

00:03:19  Do not select the mouth and don't select the eyes.

00:03:21  And then press the backspace key

00:03:22  or the delete key on a Mac to get rid of them.

00:03:24  Alright, now I'm going to select

00:03:26  the creature's carapace here.

00:03:27  And I'll go up to the edit menu

00:03:29  and choose the copy command.

00:03:30  Or you can press control c here on a PC

00:03:33  or command c on a Mac.

00:03:35  Alright, we're done using the pencil tool

00:03:37  so I'm going to go ahead and close this floating toolbar.

00:03:39  And also press control a or command a on a Mac

00:03:43  in order to select all the shapes like so

00:03:45  and I'm going to change their fills

00:03:48  by clicking on this first color swatch

00:03:49  to this medium shade of green which is R57 G181 and B74.

00:03:55  And that will go ahead and fill all the shades,

00:03:57  and that gives us a sense

00:03:58  for how things are going to come together.

00:04:00  Alright, now I'll shift click on both of the eye shapes

00:04:04  right here in order to deselect them.

00:04:07  And I'll go ahead and grab my shape builder tool.

00:04:09  And I want to change a setting here,

00:04:11  I don't want to replace this color,

00:04:12  so I'll just press the enter key or the return key on a Mac

00:04:15  to bring up the shape builder options.

00:04:17  And I'll change this pick color from setting to artwork

00:04:20  and then I'll go ahead and click okay.

00:04:22  Alright, now the easiest thing to do

00:04:24  is to press the shift key

00:04:25  and drag around all of these shapes like so.

00:04:29  Which in my case, produces this effect right here.

00:04:31  So again, we do not want those eye shapes to be selected.

00:04:35  Alright, now somehow we've got to fill in

00:04:37  this little area here and the easiest way

00:04:39  to do that is with an oval.

00:04:42  And so I'm going to go ahead and switch

00:04:44  from the rectangle tool to the ellipse tool

00:04:46  here inside the shape tool flyout menu.

00:04:49  And I'm going to drag to create an oval

00:04:50  that's about this big let's say.

00:04:52  And then I'll switch back to the black arrow tool

00:04:54  which of course I can get by pressing the v key

00:04:56  and I'll go ahead and drag this bottom point

00:04:58  until it snaps into alignment right there.

00:05:00  Alright, now I'll just go ahead

00:05:03  and zoom out a little bit here

00:05:04  and I will select these two shapes by marqueeing them

00:05:07  and then I'll switch back to the shapebuilder tool

00:05:09  and I'll just go ahead and drag through all of them like so

00:05:13  in order to finish off that effect.

00:05:14  Alright now you want to switch back to the black arrow tool

00:05:17  and I'm going to press control zero

00:05:18  or command zero on the Mac to zoom out.

00:05:20  And I'll return to the edit menu

00:05:22  and choose the paste in front command

00:05:24  or you can press control f or command f on a mac

00:05:27  to bring back that shell.

00:05:29  And now I'm going to change its color

00:05:31  to this darker shade of green

00:05:33  which is R0 G146 B69 in order to produce this effect.

00:05:38  Alright, now click on his outer eye shape right there

00:05:41  and I want it to be the same color.

00:05:42  So I'll go ahead and switch it as well.

00:05:45  So I'm changing the fill colors of course,

00:05:46  and then I'll click on the inner eye shape

00:05:48  right there if I can grab it.

00:05:50  And I will change it to white.

00:05:53  The fill, that is.

00:05:54  Alright, now we don't need any of these strokes,

00:05:56  so go ahead and press control a or command a on a Mac

00:05:59  to select all of these shapes,

00:06:01  and then click the second color swatch

00:06:02  up here in the control panel and change it to none

00:06:05  in order to get rid off all those strokes.

00:06:07  Alright, now let's bring it back

00:06:08  in the form of the drawing layer

00:06:10  which I will turn on here at the top of the layers panel

00:06:13  and then I'll go ahead and click off

00:06:15  the path outlines to deselect everything.

00:06:17  And that friends, is how you assign color

00:06:20  to your pencil tool art in part using the immense power

00:06:23  of the shape builder tool here inside Illustrator.