دانلود آموزش ایلوستریتور Illustrator CC Color Swatches Loading swatches from another document

 

 

 

در حال حاضر چیزی که باید در نظر داشته باشید 00:00:01 در مورد نمونه های درون Illustrator 00:00:03 این است که آنها به صورت محلی ذخیره می شوند. 00:00:06 به این ترتیب آنها به عنوان بخشی از فایل باز شده 00:00:09 ذخیره می شوند و به طور خودکار 00:00:11 از یک سند باز به دیگری انتقال نمی کنند. 00:00:14 بنابراین برای مثال، اگر من به منوی فایل برو 00:00:16 بروید و دستور جدید 00:00:18 را انتخاب کنید و پیش بروید و پروفایل را برای چاپ 00:00:21 تنظیم کنید تا آن من یک سند CMYK دریافت می کنم 00:00:23 و من با کلیک بر روی OK، من نمی خواهم به دیدن هر کدام از نمونه های 00:00:26 که من به سختی در داخل سند تقویم کار می کرد. 00:00:31 و به همین ترتیب، من نمی بینم 00:00:33 رنگ های CMYK پیش فرض در داخل سند تقویم من. 00:00:37 و پس چه کاری می توانم انجام دهم اگر میخواهم نمونه های 00:00:40 را از یک سند به دیگری انتقال دهم؟ 00:00:42 خوب اولا، بیایید تصور کنیم که میخواهیم 00:00:45 به 00:00:45 به رنگ CMYK پیش فرض بازگردانیم. 00:00:48 سپس آنچه شما انجام می دهید این است که بر روی این آیکون کتابخانه ها کلیک کنید 00:00:51 در گوشه پایین سمت چپ پنل swatches 00:00:54 به منظور آوردن یک لیست بزرگ 00:00:57 از کتابخانه های swatch مختلف 00:00:58 که همراه با Illustrator همراه است. 00:01:01 و شما می توانید این را به محتوای قلب خود را امتحان کنید 00:01:03 اما اگر شما می خواهید دسترسی به نمونه های پیش فرض، 00:01:07 سپس بروید و نمونه های پیش فرض را انتخاب کنید 00:01:09 و توجه داشته باشید همه از پروفایل های ما لیست شده است 00:01:11 از جمله RGB اولیه و دستگاه و غیره. 00:01:15 ولی اگر میخواهید رنگ CMYK را بخواهید، می خواهید چاپ را انتخاب کنید. 00:01:18 و این رنگ ها را رنگ می کند 00:01:20 در پانل شناور مستقل. 00:01:22 در آن لحظه می توانید به جلو بروید 00:01:24 و برای مثال روی CMYK قرمز کلیک کنید

00:01:27  and then shift click on the final color

00:01:29  in order to select that entire range

00:01:32  and then just go ahead and drag and drop

00:01:34  those selected colors into the swatches panel.

00:01:37  And I'm going to go ahead and put them right there

00:01:39  after white and before my custom global swatches.

00:01:43  And then I'll click off the colors

00:01:45  in order to deselect them.

00:01:46  Alright, what if instead you want to transfer

00:01:48  colors from one document to another?

00:01:51  For example, this color names document right here

00:01:54  contains a global swatch for every single color

00:01:57  listed here inside the document.

00:02:00  In that case, you just load

00:02:02  the document itself as a library.

00:02:04  And here's how that works.

00:02:06  I'll go ahead and switch over to my calendar file here

00:02:09  and then I'll click on the libraries icon

00:02:11  in the bottom left corner of the swatches panel

00:02:13  and I'll choose other library.

00:02:15  And then all you need to do is navigate to your file.

00:02:18  In my case, it's found here on the desktop

00:02:21  inside the exercise files folder in the 06 swatches folder.

00:02:25  At which point I'll just go ahead

00:02:27  and click on color names.ai

00:02:29  so native .ai file is going to do.

00:02:32  And then just click open and then you'll see a list

00:02:35  of every single one of the swatches in that file.

00:02:38  At which point you can go ahead

00:02:40  and click on one color and shift click on another

00:02:43  to select the range of colors you're interested in

00:02:45  and then you can drag them

00:02:47  and drop them into the swatches panel.

00:02:49  Now I'm noticing that the color swatch yellow

00:02:52  has a conflict with the current document.

00:02:54  And so I can either merge the swatches

00:02:56  which is going to replace

00:02:57  the old definition of yellow with the new one

00:03:00  or I can add these swatches instead.

00:03:03  And because I don't want to lose that original yellow,

00:03:05  I'll just go ahead and select

00:03:07  add swatches and then click okay.

00:03:10  And if I get another warning as I am here,

00:03:12  apparently I've got another green as well,

00:03:16  then I'll click add swatches,

00:03:17  turn on the apply to all checkbox,

00:03:20  and then click okay so I don't see

00:03:22  any more warnings in the future.

00:03:24  And now I have access to every single color swatch

00:03:27  that I've created over the course of this chapter.

00:03:30  And that's how you transfer color swatches

00:03:32  from one document to another.

00:03:34  All you have to do is remember

00:03:36  to click on this libraries icon

00:03:38  in the bottom left corner of the swatches panel.

 

دانلود آموزش ایلوستریتور Illustrator CC Color Swatches Auto-deleting and adding swatches

 

 

 

 

در این فیلم، من به شما راه دیگری را نشان خواهم داد

  برای مدیریت نمونه های درون Illustrator،

 و این است که با حذف و اضافه کردن مجموع مجموعه های نمونه در یک زمان.

بنابراین، در مورد من، علاوه بر این به دقت سرپرستی

 نمونه های جهانی که من می روممن هم فقط همه نمونه های پیش فرض را دارم

 که با سند چاپی آمده است.بیایید بگویم که من قصد استفاده از CMYK قرمز ندارم

 و زرد و این رنگ های دیگر.خوب، پس از آن، شما می توانید یک دسته از نمونه ها را انتخاب کنید

با کلیک بر روی یکی و سپس کلیک بر روی یکی دیگر را تغییر دهید. و این طیف وسیعی از نمونه ها را انتخاب می کند.

اگر می خواهید نمونه های غیر مجاور را اضافه کنید به انتخاب، سپس شما کنترل کلیک کنید،

و این فرمان روی Mac کلیک کنید.و سپس شما بروید و کلیک کنید

در آیکون trashcan برای حذف آنها،در آن نقطه یک هشدار دریافت خواهید کرد،

 و من فقط در یک لحظه در مورد آن صحبت خواهم کرد.

اما Illustrator همچنین به شما اجازه می دهد تا تمام نمونه ها را انتخاب کنید

00:00:51 که در داخل سند شما استفاده نشده است.

00:00:54 و شما این کار را با کلیک کردن بر روی آیکون منوی پرواز انجام می دهید

00:00:57 در گوشه سمت راست بالای پانل،

00:00:59 و سپس انتخاب Select All Unused را انتخاب کنید.

00:01:02 و این به طور کلی بیشتر انتخاب می شود

00:01:05 از رنگ های استفاده نشده درون سند، نه کاملا همه.

00:01:09 به عنوان مثال، به هر دلیلی، این CMYK قرمز

00:01:13 همچنان انتخاب می شود، حتی اگر مطمئن هستم

00:01:15 من از آن استفاده نکردم

00:01:17  So, I'll go ahead and control

00:01:18  or command click on that color.

00:01:20  Also notice that I have two versions of black.

00:01:23  The standard black at the top of the swatches,

00:01:26  and then this black inside this Grays folder.

00:01:28  So I'll go ahead and control click or command click

00:01:31  on that folder to select it, and then finally,

00:01:34  even though this Yellow global swatch right here

00:01:36  has not been used inside the document,

00:01:38  I don't want to delete it, so I'll just go ahead

00:01:40  and control click or command click on it to deselect it.

00:01:45  So control or command clicking acts as a toggle.

00:01:47  It selects stuff that isn't selected,

00:01:49  it deselects stuff that is.

00:01:51  After which point, you can go ahead and click

00:01:53  on the trashcan icon, and Illustrator will display

00:01:56  a warning asking you if you really

00:01:57  want to delete those swatches.

00:01:59  Now it's not very often, in my experience,

00:02:01  that you go around accidentally clicking on things

00:02:04  that look like trashcans.

00:02:06  So, here's a couple of ways to avoid this warning.

00:02:09  One is to press the alt key, or the opt key

00:02:12  on the mac, and click on the trash.

00:02:14  And the other way is to go ahead and drag

00:02:16  any one of these selected swatches and drop it

00:02:20  into the trashcan, and that will delete

00:02:22  every selected swatch, as we're seeing right here.

00:02:25  Now, I want to go ahead and save any colors

00:02:27  that I am using inside the document,

00:02:30  but haven't gotten around to saving the swatches.

00:02:32  And you can do that in a couple of different ways.

00:02:35  One way is to just make a selection,

00:02:37  so I'll marquee across a handful of these objects here,

00:02:40  and then I'll return to the Swatches panel flyout menu

00:02:43  and choose the command directly below Select All Unused,

00:02:47  which is Add Selected Colors.

00:02:49  So that's one way to work.

00:02:51  The other way is to just deselect everything

00:02:54  by clicking off the selection, like so.

00:02:56  And then returning to that flyout menu

00:02:59  and choosing that same command,

00:03:00  which now has a different name, Add Used Colors.

00:03:03  And that will go ahead and add any colors

00:03:05  that have not yet been saved as swatches.

00:03:08  Now in my case, Illustrator went ahead and saved

00:03:10  a second copy of this pattern swatch.

00:03:12  I don't need it, so I'll go ahead and click on it

00:03:14  to select it, and then I'll alt click, or option click

00:03:17  on that trashcan icon.

00:03:19  But notice these other three swatches,

00:03:21  which Illustrator created automatically for me,

00:03:23  are automatically saved as global swatches,

00:03:27  which is a great thing.

00:03:29  Alright, so I'm going to go ahead and reorder these guys.

00:03:31  I'm going to drag this guy, this green swatch right there,

00:03:33  to this new position.

00:03:35  And I'll go ahead and double-click on it

00:03:37  and rename it Green.

00:03:38  Global is turned on, so that's great.

00:03:40  And now I'll grab this one, and drag it and drop it

00:03:43  right next to Green, and I'll double-click on it,

00:03:46  and I'll rename it Amber, so that it's still got

00:03:49  an e in its name, and then I'll click OK.

00:03:52  And then finally, I'll grab this red swatch right there,

00:03:55  and I'll drag it and drop it

00:03:56  right next door to the Amber swatch.

00:03:58  And the reason I'm putting these guys in this order

00:04:01  is because this is the order that they appear

00:04:03  inside the calendar.

00:04:04  And now I'll double-click on this item,

00:04:07  and I'm going to make a few modifications.

00:04:09  I'm going to turn on the Preview check box for starters,

00:04:12  and I'm going to click on the Magenta value

00:04:14  and take it down to 80,

00:04:15  and then I'll take the Yellow value down to 70%,

00:04:18  and I'll take the Cyan value up to 20%, like so.

00:04:22  And that just helps to settle that color down a little bit.

00:04:25  At which point, I'll go ahead and rename this color,

00:04:28  let's call it Deep Peach, and then I'll click OK.

00:04:32  And that, friends, is how you automate

00:04:34  the deletion and addition of swatches

00:04:37  here inside Illustrator, so that you have a more

00:04:39  carefully curated collection of colors.

 

دانلود آموزش ایلوستریتور Illustrator CC Color Swatches Searching swatches by name

 

 

 

همه نمونه ها با نام K به نام خود، از جمله فقط یکی از نمونه های جهانی من، آسمان آبی. بقیه به طور خودکار نمونه هایی هستند که هنگام ایجاد یک سند جدید چاپ ایجاد می شوند به طور خودکار ایجاد می شوند. سپس اگر میخواهم مقادیر K را به جز صفر رد کنم،  من به جلو بروید و 0 = 0 را بزنید، بنابراین و این کار پیش میآید و CMYK را میگیرد  قرمز و زرد و غیره چهارم از بالای لیست و همچنین حذف هر گونه رنگ به صورت خودکار به نام  که شامل سیاه و سفید  و ما همچنین برش های کمتر در این ستون در اینجا، بنابراین توجه کنید که ما فقط یک عدد نسبی داریم.  اکنون شما همچنین می توانید برای یک نمونه مورد جستجو کنید.  به عنوان مثال، اگر من می خواستم Seafoam را پیدا کنم  من می توانم نامه S را وارد کنید و سپس تمام نمونه های من که یک شخصیت S را می بینم در آنها.  تنها چهار نفر از آنها وجود دارد، همانطور که می بینید در اینجا  و در نتیجه ما تنها 4:01:54 برش های رنگی بزرگ در این ستون مرکزی داریم. 00:01:58 حالا بگید بگید میخواهید  جستجو کنید فقط برای کسانی که فونت هایی ایجاد کرده اید 00:02:01 و خودتان را نام بردید.

 

00:02:03  Well, there isn't really any way to do that per se,

00:02:05  you don't have wildcard characters and that sort of thing,

00:02:09  but you do have the letter e, and you may wonder

00:02:12  why in the world I would mention that.

00:02:14  Well, let me show you.

00:02:15  I'll go ahead and cancel out here

00:02:16  and I'll switch over to this rather compulsive document

00:02:20  that lists a bunch of common color names.

00:02:22  Now, these are by no means all the color names, of course,

00:02:26  but they are a representative few.

00:02:28  Now I'll go ahead and scroll down

00:02:29  to the bottom of the Layers panel

00:02:31  and I'll turn off this layer of colors

00:02:34  and then I'll turn on this layer right here

00:02:36  and what we're seeing is 24 out of 26

00:02:40  of the letters in the alphabet,

00:02:41  I'm not listing X or J, which are extremely rare characters,

00:02:45  but all the other characters in their order of popularity

00:02:49  in the English language,

00:02:51  and so the most popular letter in English is E

00:02:54  and then second is T, A, O and so forth.

00:02:58  Among my list of color names right here,

00:03:01  it runs a little differently.

00:03:02  What I found was I had 24 occurrences of the letter E,

00:03:06  eight of T and then more of A,

00:03:09  lots of N and R and so forth,

00:03:12  but some of these characters I ruled out

00:03:14  because R, for example, is used in

00:03:16  any RGB definition, C is used in any

00:03:20  CMYK definition and so forth,

00:03:23  and so, if you're just trying

00:03:24  to find colors that you've named,

00:03:26  it's very possible that they're going to contain

00:03:28  the letter E, and then what I did next was basically

00:03:31  rank these letters by how popular they are

00:03:34  and I gave them little awards here, so

00:03:36  the blue ribbon goes to E,

00:03:38  the second place red ribbon goes to A,

00:03:40  usually a third place ribbon is white, but

00:03:42  that's not going to work for this document,

00:03:44  so, anyway, you get a sense of what I've done here

00:03:46  and I've crossed out the letters

00:03:48  that you don't want to search for.

00:03:50  Then I figured out, alright, all of these colors

00:03:53  are covered by a search for the letter E

00:03:56  and then these guys with the red letter As,

00:03:58  they are covered by a search for A,

00:04:01  and you can't do a search for E and A by the way,

00:04:03  you just have to do independent searches,

00:04:05  but between E and A, we've covered just about every color.

00:04:08  If we move on to searching for N,

00:04:10  then we rule out everybody but gold

00:04:13  and then finally, just for fun,

00:04:15  I was telling you this was a compulsive document,

00:04:17  I've gone ahead and highlighted

00:04:19  all those award winning letters

00:04:21  inside of our various color names

00:04:24  and so if I go ahead and switch back

00:04:26  to my calendar document and I double click

00:04:29  on the fill in order to bring up the Color Picker dialog box

00:04:32  and then click on the Color Swatches button,

00:04:34  I can now enter the letter E and I will,

00:04:38  not coincidentally, find every single one

00:04:41  of my custom colors, along with

00:04:44  the default colors CMYK Red, Yellow,

00:04:46  Green, Blue and Magenta,

00:04:48  the only one we're not seeing is Cyan

00:04:51  because it does not contain the letter E.

00:04:53  And that's how you search through your swatches,

00:04:56  specifically here inside the Color Picker dialog box.

 

دانلود آموزش ایلوستریتور Illustrator CC Color Swatches Working with global swatches

 

 

 

خوب، پس از جمع آوری تعداد کافی از نمونه ها، چالش می تواند آنها را مدیریت کند؛ به همین دلیل، Illustrator به شما امکان می دهد که اسم های خود را به صورت نام و نام خانوادگی جستجو کنید و از کادر محاوره ای Color Picker استفاده کنید. برای رسیدن به آنجا، به ویژگی فعال فعال در پایین جعبه ابزار بروید و روی آن دوبار کلیک کنید و کادر محاوره ای Color Pickup را انتخاب کنید. سپس روی دکمه Color Swatches کلیک کنید و یک لیست از نمونه هایی که داخل این سند ذخیره شده اند را مشاهده خواهید کرد و مهم است که توجه داشته باشید که نمونه ها در واقع با سند ذخیره می شوند. در حال حاضر، علاوه بر این لیست طولانی نمونه هایی که در اینجا در سمت چپ کادر محاوره ای قرار دارند، ما نیز این ستون از تکه های کوچکی که رنگ ها را نیز نشان می دهند، داریم و بنابراین شما می توانید کشویی را به بالا و پایین این ستون بکشید جهت تغییر در swatch های مختلف در لیست دست چپ. چیز دیگری که می توانید انجام دهید این است که در فیلد جستجو اینجا کلیک کنید و بنابراین، به عنوان مثال، بگذارید بگویم من می خواهم نگاهی به تمام نمونه هایی که هیچ سیاه و سفید در آنها نیست. اگر نامه K را وارد کنم، من خواهم دید

In this movie, I'll introduce you to a simple

00:00:02  but powerful feature known as the global swatch.

00:00:06  A great thing about global swatches

00:00:08  is that they're linked to the objects

00:00:09  that are colored with them.

00:00:11  So if you make a change to a global swatch,

00:00:13  then all objects linked to that global swatch

00:00:16  will update in kind.

00:00:18  Notice, over here in the Swatches Panel,

00:00:20  these squares that have little white wedges

00:00:22  in their bottom-right corners,

00:00:24  those are global swatches.

00:00:26  In fact, this one right here, Bright silver,

00:00:28  is associated with the fill

00:00:30  of these objects in the background.

00:00:32  If I were to double click on Bright silver

00:00:35  in order to open the Swatch Options dialogue box,

00:00:38  and let's say I take the cyan value up to 60%,

00:00:42  as soon as I turn on the Preview check box,

00:00:44  I can see that I've updated

00:00:45  all of those objects in the background.

00:00:48  Now, that's not a change I want to make

00:00:50  so I'm going to go ahead and click the Cancel button,

00:00:52  but it is a remarkable function.

00:00:55  Compare that to what happens

00:00:56  if I double click on Seafoam here,

00:00:58  the swatch that I created in the previous movie.

00:01:01  If I go ahead and raise the magenta value up to 100%

00:01:04  and turn on the Preview check box,

00:01:06  nothing happens inside the illustration.

00:01:09  That's because this is not a global swatch.

00:01:12  Notice, the Global check box is turned off.

00:01:15  All right, so I'm just going to go ahead

00:01:16  and cancel out of here.

00:01:17  Let's say that you not only want to turn the swatch

00:01:19  into a global swatch,

00:01:21  and all that takes is turning on the Global check box,

00:01:24  but you want to make sure that your objects

00:01:25  are associated with it as well,

00:01:27  because currently, they're not.

00:01:30  Notice here that I've kind of messed things up

00:01:33  because my stroke was active.

00:01:34  So I now have a white fill and a Seafoam stroke,

00:01:37  that's the opposite of what I want,

00:01:39  so I'll go ahead and click on this little Swap icon

00:01:42  at the bottom of the toolbox

00:01:43  to swap the fill and stroke attributes like so.

00:01:46  Notice it has a keyboard shortcut of shift + x.

00:01:49  So here's the idea,

00:01:50  if you press the "x" key by itself,

00:01:52  then you're going to switch focus between the fill

00:01:55  and the stroke, like so.

00:01:57  That's why pressing shift + x

00:01:59  goes ahead and swaps the attributes.

00:02:02  Anyway, I'm going to press shift + x again

00:02:04  and I'm going to click on the fill to make it active.

00:02:06  That goes ahead and automatically switches me back

00:02:08  to the Color Panel, which is not what I want,

00:02:10  so I'll go ahead and click on the Swatches tab.

00:02:13  All right, now, we need to select all the objects

00:02:15  that are filled with this color.

00:02:17  You do that by going over here

00:02:19  to this Select Similar Objects icon

00:02:21  on the right side of the Control Panel

00:02:23  and then you click the down-pointing arrowhead

00:02:25  and choose Fill Color.

00:02:27  Now, we'll go ahead and select

00:02:28  the inside hexagon around March

00:02:30  as well as the outside hexagon around September.

00:02:34  Now, if you go ahead and double click on the Seafoam swatch,

00:02:37  in order to bring up the Swatch Options dialogue box,

00:02:40  all you have to do is select the Global check box

00:02:42  and then click OK.

00:02:44  Now notice, if I click off these objects to deselect them,

00:02:47  I can still update them

00:02:49  by just double clicking on this Seafoam swatch,

00:02:53  and I'm going to go ahead and crank

00:02:55  the cyan value up to 60%

00:02:58  and turn on the Preview check box.

00:02:59  Keep an eye on March in particular

00:03:02  and you'll see it update right away, like so.

00:03:05  All right, I'll go ahead and click OK.

00:03:07  Now, I need to do the same thing with my Harlequin swatch

00:03:10  so I'll click on it to make it active.

00:03:12  Then if you click on this down-pointing arrowhead,

00:03:14  you'll see that Fill Color is still the active attribute,

00:03:17  so all you have to do now is click on that icon

00:03:20  in order to select the inside hexagon around April

00:03:23  and the outer hexagon around October.

00:03:26  Now, I'll just go ahead and double click on this swatch

00:03:28  in order to bring up the Swatch Options dialogue box

00:03:31  and I'll turn on the Global check box.

00:03:33  On this case, I don't want to make any changes

00:03:35  so I'll just go ahead and click OK.

00:03:36  You can see that I now have white wedges

00:03:39  in the bottom-right corners of each of my new swatches.

00:03:43  Now, let's see what it looks like

00:03:44  when you're creating a swatch in the first place.

00:03:46  I'm going to go ahead and click on the interior hexagon

00:03:49  around August

00:03:50  and then I'll go up to the Select Similar Objects icon

00:03:53  and once again click on it.

00:03:54  That'll make sure that I have

00:03:56  everything that's filled with this color active

00:03:59  which includes the outer hexagon around February.

00:04:01  Now, I'll go ahead and create a new swatch

00:04:04  by clicking on the little page icon

00:04:05  at the bottom of the Swatches Panel.

00:04:07  I'll call this guy Magenta because it is 100% magenta

00:04:11  and then I'll turn on the Global check box

00:04:13  and I'll click OK,

00:04:15  and nothing happened.

00:04:16  For whatever reason, we appear to have a bug right now

00:04:19  because I can work around this

00:04:20  just by clicking on that New Swatch icon once again,

00:04:23  turning on Global without changing its name

00:04:25  and clicking OK,

00:04:26  at which point, I've successfully

00:04:28  created a new global swatch.

00:04:30  All right, so I'm going to go ahead and click off my objects

00:04:32  to deselect them

00:04:34  and I'm going to drag this swatch to this position here,

00:04:37  between that Harlequin swatch

00:04:39  and the one that's called Orange.

00:04:41  Now, let's say I want to modify this swatch,

00:04:43  for one thing, I'd like to name it,

00:04:44  so I'll go ahead and double click on it

00:04:46  and I'll call it Magenta.

00:04:48  Now, I'm going to reduce the amount of magenta in this color

00:04:52  and then I'll go ahead and increase the amount of cyan

00:04:56  until I get a little bit more of a purple color.

00:04:58  If I turn on the Preview check box,

00:05:00  I can see that modification occurring on the fly,

00:05:03  at which point, I'll click OK.

00:05:05  Now, I'm going to hover over the color

00:05:07  just to make sure that it took this time,

00:05:09  and sure enough, it has a new name and everything.

00:05:11  Actually, you know what? It's not the right name.

00:05:14  So I'll go ahead and double click on it again

00:05:15  because it really isn't any longer magenta,

00:05:18  it's more of a lavender, don't you think?

00:05:21  Now, I might give just a little bit of yellow,

00:05:24  we'll see how that works,

00:05:25  and I'll turn on the Preview check box.

00:05:27  That looks pretty darn good to me,

00:05:29  at which point, I'll click OK

00:05:31  in order to accept my newest change.

00:05:34  That's how you create and modify global swatches

00:05:37  which affect any and all objects that are linked to them

00:05:40  here inside Illustrator.

 

دانلود آموزش ایلوستریتور Illustrator CC Color Swatches Creating and applying swatches

 

 

 

در این فیلم، من به شما نشان می دهم که چگونه یک رنگ را به عنوان یک نمونه در داخل Illustrator ذخیره کنید، و نمونه ها اساسا یک مربع از رنگ های ذخیره شده می باشند که می توانید به هر زمانی که از پنل Swatches می خواهید دسترسی پیدا کنید و پنل Swatches در بسیاری از مکان ها یافت می شود همانطور که مشاهده خواهیم کرد در Illustrator. در حال حاضر چیز زیادی در مورد نمونه ها این است که آنها به شما کمک می کنند یک تم رنگی را درون یک سند ایجاد کنید. آنها همچنین به شما کمک می کنند تا با آن تم رنگی پوشانده شده و در نهایت آنها را به طور خودکار رنگ ها را به هر دو سکته و تزریق بسپارید، و بنابراین نتیجه عملی این است که اگر فکر می کنید یک رنگ را در یک سند بیش از یکبار استفاده کنید ، به جلو بروید و آن را به عنوان نمونه ذخیره کنید. اکنون اولین قدم این است که یک رنگ را در داخل پنل رنگ تعریف کنیم و بنابراین شما می توانید این مقادیر HSB را به هر چیزی که دوست دارید را تنظیم کنید یا فقط می توانید پیش بروید و بر روی یک شی که در داخل خود از رنگ تصویر. برای مثال، من قصد دارم روی این شش گوشه در ماه مارس کلیک کرده و ارزش HSB آن را ببینیم. این چیزی است که این یک سند CMYK است، همانطور که می توانید در برگه عنوان در اینجا مشاهده کنید، بنابراین ارزش های اولیه به معنای بیشتر خواهد بود. اگر بر روی آیکون منو پرواز در گوشه بالا سمت راست پانل رنگ کلیک کرده و CMYK را انتخاب کرده و سپس همانطور که می بینید، مقدار cyan از 30، مقدار زرد 30 است و دو مقدار دیگر صفر قرار دارد درست است، حالا برویم جلو برویم و این رنگ را نجات دهیم

 

 

00:01:22  as a swatch by going to the window menu

00:01:25  and then dropping way down here to the bottom

00:01:27  of that menu, and my screen is so short

00:01:30  that I have to scroll down, but one way or other

00:01:33  you should find the Swatches command

00:01:35  which will bring up the Swatches Panel.

00:01:38  Now, by default the swatches are pretty darn dinky,

00:01:41  which is why I like to go ahead and click on

00:01:42  this fly out menu icon and choose "Medium

00:01:45  "Thumbnail View" in order to make them

00:01:48  a little large like so, and then I'll just go ahead

00:01:50  and drag the bottom edge of the panel to expose

00:01:53  all the swatches associated with this document.

00:01:56  All right, now all you have to do is click on

00:01:58  the little page icon, which, just as it makes a new layer

00:02:00  or a new art board, creates a new swatch

00:02:03  inside the Swatches Panel, and it'll be automatically

00:02:07  named after its CMYK values, as you're seeing here

00:02:10  but you can override that name if you like

00:02:12  just by entering in your own name,

00:02:14  and I'm going to call this guy "Seafoam"

00:02:15  and click "OK" and sure enough,

00:02:18  I have a new swatch here inside the Swatches Panel,

00:02:21  and now I can use that swatch to fill a different shape.

00:02:24  So, for example, I'm going to zoom in

00:02:26  on the month of September, and I'm going to click

00:02:29  this rear item right here, and you see that

00:02:32  there's actually one hexagon inset within another,

00:02:35  so go ahead and click on the outline

00:02:37  of the outermost hexagon for September

00:02:40  and then make sure the fill's active up here

00:02:42  at the top of the Swatches Panel,

00:02:44  and if it isn't, if the stroke is active instead,

00:02:47  then you can just click on the fill, or you've got that

00:02:50  keyboard shortcut that's popping up there,

00:02:52  which is the "x" key.

00:02:53  So you press the "x" key to switch back and forth

00:02:55  between the fill and stroke either inside the

00:02:59  Swatches Panel or inside the Color Panel works as well.

00:03:03  All right I'll go back to the Swatches Panel here

00:03:05  and with the fill active, you can just go ahead

00:03:08  and click on "Seafoam" and you will

00:03:10  adjust that rear shape's fill.

00:03:12  Another way to work, I'll go ahead and undo that

00:03:15  by pressing "ctrl + z" or "cmd + z" on the Mac,

00:03:17  is to go over here to this first swatch

00:03:19  on the far left side of the Control Panel

00:03:21  and click on it to bring up a miniature version

00:03:24  of the Swatches Panel, and if you'd like

00:03:26  these thumbnails to be bigger as well,

00:03:28  then click on this fly out menu and choose

00:03:30  "Medium Thumbnail View" and you'll be able

00:03:32  to see your thumbnails a lot better,

00:03:34  and now you can just go ahead and click "Seafoam,"

00:03:36  and so the idea here is it doesn't matter

00:03:38  whether the fill or stroke is active.

00:03:40  If I undo that change and click on a stroke

00:03:43  here in the Swatches Panel, I can still go ahead

00:03:46  and click on the first swatch, which represents

00:03:48  the fill no matter what, and select "Seafoam"

00:03:51  and that will affect the fill and not the stroke.

00:03:55  All right, another way to work is to drag and drop.

00:03:58  So let's say I click on the hexagon for April right there,

00:04:01  why then I can save that color as a swatch

00:04:04  either by switching to my two-column toolbox

00:04:07  by clicking on that little double arrowhead icon

00:04:10  and I can grab the fill right there and I can drag it

00:04:13  and drop it into the Swatches Panel just like so,

00:04:17  or I'll undo that change, by the way, so anything you do

00:04:21  in the Swatches Panel is undoable.

00:04:23  You can also drag from the Control Panel

00:04:25  and drag it into the Swatches Panel,

00:04:28  or here's another way to work:

00:04:30  you can drag and drop from the Color Panel.

00:04:32  Now if we working in the Essentials Workspace

00:04:34  as by default, then our Color Panel

00:04:37  and our Swatches Panel would be in different groups

00:04:40  and so that way, if I were to go ahead

00:04:42  and expand the Color Panel by clicking on this

00:04:44  little double arrowhead icon a couple of times,

00:04:46  I can just drag and drop like so,

00:04:49  but I'll just go ahead and undo that

00:04:50  because I want to show you if you're working

00:04:52  with this one-on-one work space, as I recommended

00:04:55  a couple of chapters ago, then you can't see the color

00:04:57  in Swatches Panels at the same time

00:04:59  because they're in the same group, but watch this.

00:05:02  You can go ahead and click on that swatch

00:05:04  and then drag it over to the tab, to the Swatches Tab,

00:05:08  wait for the Swatches Tab to come up in front,

00:05:11  and then just drop your swatch into place.

00:05:13  Now you may wonder after all this,

00:05:15  well, gosh, it seems so much easier just to click on the

00:05:18  little page icon as opposed to dragging and dropping.

00:05:21  The advantage of dragging and dropping, however,

00:05:23  is that you can drop your swatch in a specific location.

00:05:27  So, for example, I want all these colors to be

00:05:29  in the same order as they appear in the months

00:05:32  and so I want to drop that new color right there

00:05:35  at that location, as opposed to this guy right here,

00:05:38  Seafoam, which came in at the end,

00:05:40  and you can drag your swatches around if you want to,

00:05:42  but that is, of course, the second step.

00:05:45  Now I am going to have to rename the swatch

00:05:46  I just created in a separate step

00:05:49  by double clicking on it, and then I'll just

00:05:51  go ahead and call this guy "Harlequin," let's say,

00:05:53  and I'll click "OK" in order to

00:05:56  accept that new swatch name.

00:05:58  Now note that I have messed things up.

00:06:00  The stroke was active and then now I've changed

00:06:02  the stroke to the same shade of green

00:06:04  and that happened as soon as I double clicked on it,

00:06:07  by the way, and the best way to remedy that

00:06:09  is to just click on white, which is one of the

00:06:11  default swatches in Illustrator, and that will go ahead

00:06:14  and return the stroke to its original color,

00:06:16  after which point I'll go ahead

00:06:17  and click off the shape to deselect it,

00:06:20  and that's how you save your colors to swatches

00:06:22  as well as how you apply a swatch to a fill

00:06:24  or a stroke of a selected object here inside Illustrator.